Sang Penari


Sang Penari is a 2011 Indonesian film based on the trilogy of novels Ronggeng Dukuh Paruk by Ahmad Tohari and directed by Ifa Isfansyah. Starring Nyoman Oka Antara and Prisia Nasution, it tells the story of a young man and his friendship with his small village's new ronggeng.
The second adaptation of the Ronggeng Dukuh Paruk trilogy, Sang Penari required two years of research to better present the historical context, including the 30 September Movement and ensuing anti-communist actions; these details, censored in the original trilogy by the New Order government, were more explicit than in the novels. Although the film was set and shot in Purwokerto, Central Java, neither of the leads was ethnic Javanese. Nasution, cast in her debut role, is Batak, while Antara is Balinese.
Upon its release on 10 November 2011, Sang Penari was critically praised. Tohari called it a "sublime adaptation of his work", while Labodalih Sembiring of the Jakarta Globe described its socio-cultural elements as worthy of a Shakespearean tragedy. At the 2011 Indonesian Film Festival, Sang Penari won four awards, including Best Picture, out of nine nominations.

Plot

In 1953, two tempeh bongkrèk makers in Dukuh Paruk, a small hamlet in Banyumas, Central Java, accidentally sell poisoned tempeh, which kills many residents, including the much respected ronggeng. The residents of the hamlet begin panicking and rioting, causing the tempeh makers to commit suicide. Their daughter, Srintil, survives and is raised by her grandfather Sakarya.
Ten years later in 1963, Srintil and Rasus are fast friends. Rasus also has romantic feelings for her. With the hamlet starved and in a depression since the loss of its ronggeng, Sakarya receives a vision that Srintil will become a great ronggeng, capable of saving the hamlet from starvation. He then convinces Srintil to become a ronggeng. She then tries to proves herself to Kartareja, the hamlet's ronggeng caretaker and his wife by dancing at the grave of Ki Secamenggala, the hamlet's founder. Her attempt is only successful after Rasus gave her the ronggeng amulet belonged to the late ronggeng of Dukuh Paruk. Seeing this amulet, Kartareja then announces that Srintil has been chosen by the founder's spirit. Meanwhile, Indonesian Communist Party member Bakar arrived in the hamlet and convincing local farmers to join the party, saying that the Communist party are the only ones who can help save the wong cilik of Dukuh Paruk and their starved hamlet.
After the success of her dance at the grave of Ki Secamenggala, Srintil is told that she must undergo a ritual before she can truly become a ronggeng, called bukak klambu ; her virginity will be sold to the highest bidder. This upsets Rasus, who tells Srintil that he is not comfortable with her becoming a ronggeng. Srintil says that she will give her virginity to Rasus, and on the day of the bukak klambu they have sex in a goat shack; that evening, Srintil has sex with two other "highest bidders" and becomes a full ronggeng.
Devastated, Rasus runs away from the hamlet leaving Srintil broken-hearted, and joins a local army base, where he befriends Sergeant Binsar. Binsar teaches him to read and wins Rasus' trust. Meanwhile, the residents of Dukuh Paruk start to embrace communism under Bakar's leadership, despite their unawareness of political knowledge. During Rasus' military time, Dukuh Paruk's ronggeng troupe which includes Kartareja, Sakarya, Sakum the blind kendhang player, and Srintil becomes increasingly popular and become involved in many rally events organised by the communist party.
Two years later, following the failed Communist-led coup d'état in Jakarta. Rasus is sent by Binsar in operations to clear the presence of Communists in the area. However, when Dukuh Paruk's turn comes in the massacre, Rasus hurries back, leaving his army comrades to his hamlet to find and save Srintil. He found Dukuh Paruk have been destroyed and void of its inhabitants, leaving only Sakum, the blind kendhang player. His continued effort ended in vain as Rasus arrives in a hidden army concentration camp just as Srintil is taken away by the army and disappear along with the rest of Dukuh Paruk's residents.
Ten years later, Rasus met a street dancer and a blind man in a village close to Dukuh Paruk who resemble Srintil and Sakum. He quickly stops her, giving her the amulet of Dukuh Paruk's ronggeng which he found in Dukuh Paruk during his search for Srintil ten years ago. The dancer nervously accepts it and leave Rasus, who smiles, signalling his recognition of his love Srintil. The movie ends with the dancer and the blind man dancing away and disappear in the horizon.

Cast

Sang Penari was directed by Ifa Isfansyah. Husband and wife team Wong Aksan and Titi Sjuman were chosen to do the scoring, which they spent a month and a half on; they later said that work on the film brought them closer together. Shanty Harmayn, who had previously worked on Pasir Berbisik, was chosen to produce, while Salman Aristo, known for his scripts for Ayat-Ayat Cinta and Laskar Pelangi spearheaded the writing. The screenplay went through twelve drafts and took two years of research.
Sang Penari is based on the Ronggeng Dukuh Paruk by Ahmad Tohari; it is the second adaptation of the work, after Darah dan Mahkota Ronggeng, directed by Yazman Yazid and starring Ray Sahetapy and Enny Beatrice, in 1983. The film was shot mostly in Banyumas, Central Java. Director Ifa Isfansyah attempted to cast the lead role of Srintil there, but failed after several months looking.
Isfansyah eventually chose a new actress, Prisia Nasution. Balinese actor Nyoman Oka Antara, who had previously played in Ayat-Ayat Cinta and Perempuan Berkalung Sorban, was cast in the leading male role. The film also featured Slamet Rahardjo, Dewi Irawan, Hendro Djarot, Tio Pakusadewo, Lukman Sardi, and Teuku Rifnu Wikana in supporting roles; Happy Salma also had a cameo as a dancer.

Style and themes

Sang Penari touches on the history of communism in Indonesia, focusing on the nation's communist party spreading its ideology and the government's purge of the Communist Party's members from 1965–1966, which is thought to have killed several hundred thousand. It is only the third Indonesian film to cover the killings, following Arifin C. Noer's G30S/PKI and Riri Riza's Gie. Tohari later said that if he had written about the killings as they were depicted in the film, the repressive New Order government would have had him shot.
Sang Penari features many spoken lines in the Banyumasan language spoken in the area. It also features several aspects of Indonesian culture, including batik and Javanese music.

Release and reception

Sang Penari was released on 10 November 2011. Tohari, who had refused to watch the first adaptation, enjoyed Sang Penari and reportedly considered it a "sublime adaptation of his work". Triwik Kurniasari, writing for The Jakarta Post, described the film as "artistically stunning" and that Isfansyah "smoothly translates the sinister moment and the vicious attempts taken by the military in handling possible traitors". Labodalih Sembiring, writing for the Jakarta Globe, said the socio-cultural elements in the film were worthy of a Shakespearean tragedy and that it featured good acting and direction; however, the film's soundtrack was considered lacking.

Awards

Sang Penari was nominated for nine awards at the 2011 Indonesian Film Festival, winning four. The film was selected as the Indonesian entry for the Best Foreign Language Oscar at the 85th Academy Awards, but it did not make the final shortlist.
AwardYearCategoryRecipientResult
Indonesian Film Festival2011Best Picture
Indonesian Film Festival2011Best DirectorIfa Isfansyah
Indonesian Film Festival2011Best ScreenplaySalman Aristo, Ifa Isfansyah, and Shanty Harmayn
Indonesian Film Festival2011Best CinematographyYadi Sugandi
Indonesian Film Festival2011Best Artistic DirectionEros Eflin
Indonesian Film Festival2011Best Leading ActorNyoman Oka Antara
Indonesian Film Festival2011Best Leading ActressPrisia Nasution
Indonesian Film Festival2011Best Supporting ActorHendro Djarot
Indonesian Film Festival2011Best Supporting ActressDewi Irawan
Academy Award2012Best Foreign Language Film