Series finale


A series finale is the last installment of an episodic entertainment series, most often the final episode of a television series. It may also be a final theatrical sequel, the last part of a television miniseries, the last installment of a literary series, or any final episode.

Origins in television

Most early television series consisted of stand-alone episodes rather than continuing story arcs, so there was little reason to provide closure at the end of their runs. Early series that had special finale episodes include Howdy Doody in September 1960, Leave It to Beaver in June 1963, and in early 1964, Route 66.
Considered to be "the series finale that invented the modern-day series finale," the 1967 final episode of ABC's The Fugitive, "The Judgment: Part 2", attracted a 72% audience share when broadcast. This remained the highest viewership percentage in U.S. television history until the 1977 finale of the TV mini-series Roots and later the 1980 resolution episode of the internationally prominent "Who Shot J.R.?" cliffhanger of CBS' Dallas.

Notable television series finales

Most watched series finales

The most watched series finale in U.S. television history remains the 1983 finale of the CBS war/medical dramedy M*A*S*H, titled "Goodbye, Farewell and Amen". Viewed by 105.9 million viewers and drawing 77% of those watching televisions at the time, the finale of M*A*S*H held the record for most watched telecast of all-time for decades until 2010's Super Bowl XLIV edged it out with 106 million viewers, which coincidentally also aired on CBS. However, M*A*S*H's final episode remains the all-time most-watched U.S. television episode.
The second-most-watched series finale in U.S. television history is the 1993 finale of the NBC comedy Cheers, titled "One for the Road". "One for the Road" was watched by between 80.4 million and 93.5 million viewers while drawing 64% of TVs turned on at the time. To date, "One for the Road" remains the most watched U.S. TV series finale following the rise of cable television, and in terms of sheer viewership numbers for non-sports programming, sits second only to the aforementioned finale of M*A*S*H
With only slightly fewer viewers than the series finale of Cheers is the finale of its one-time follow-up on NBC's "Must See TV" Thursday night line-up, the absurdist NBC comedy Seinfeld. The fourth most-watched U.S. TV series finale in television history, Seinfelds controversial 1998 episode "The Finale" was watched by 76.3 million people, drawing 67% of all televisions turned on at the time – as the New York Times put it, "grazing Super Bowl country" in terms of viewership.
With the shift away from network television viewing toward cable television viewing that occurred during the decade between the finales of M*A*S*H and Cheers – and continued unabated until and beyond the finale of Seinfeld – it remains debatable which of these three "event" series finales accomplished the most impressive viewership numbers. Moreover, a large gap in viewership numbers exists between the Super Bowl-sized audiences of the M*A*S*H, Cheers and Seinfeld finales, and the fifth and sixth most watched series finales in television history – respectively, those of the comedy Friends and the detective procedural Magnum, P.I.. The Friends finale's viewership numbers dwarf those of all finales since the start of the new millennium and seem particularly impressive in light of the increased media options since the 1990s "event" finales of Cheers and Seinfeld.

Reception

No matter how critically lauded during their respective runs, relatively few popular television series finales end up pleasing critics and audiences universally and/or escaping controversy – with the finale of the comedies Roseanne, Seinfeld, How I Met Your Mother, Two and a Half Men ; the mob drama The Sopranos ; the epic fantasy Game of Thrones ; and the crime drama Dexter being some of the better known examples of this trend. For example, The Sopranos finale caused millions of viewers to temporarily believe they had lost cable service due to an abrupt blackout, whereas the series finales for Dexter and Game of Thrones caused massive backlash from both fans and critics and both are often regarded as some of the worst series finales for a TV show.
Several iconic television series' finales did, however, manage to produce episodes that lived up to critics' and audiences' expectations; for example, the twist endings that concluded both the Newhart and St. Elsewhere finales, the mixture of comedy and resonance that wrapped up both The Mary Tyler Moore Show, Cheers, The Nanny, Friends, Everybody Loves Raymond, Mike & Molly, The Middle, and The Big Bang Theory and the redemption story that completed the arc of The Fugitive. Several series finales have won awards for their excellence, like .
Recent series finales receiving high praise include The Vampire Diaries episode "I Was Feeling Epic", Community episode "Emotional Consequences of Broadcast Television", Breaking Bad episode "Felina", Gravity Falls episode “”, Regular Show episode ”A Regular Epic Final Battle”, and earlier in the millennium, the 2005 series finale of Six Feet Under, "Everyone's Waiting", which TV Guide ranked No. 22 on their list of "TV's Top 100 Episodes of All Time". In 2018, The Americans finale, START, was lauded as one of the best TV finales, and was included in lists by USA Today and Business Insider

Plot devices

Television series finales frequently feature fundamental deviations from the central plot line, such as the resolution of a central mystery or problem, the separation or return of a major character or an event signifying the end of an era, such as a change to primary setting for the series
Series finales will sometimes include clips or characters from the series' past, and the ending moments of the episode often take place in the show's primary setting.
In rare examples, game shows have been given series finales; examples include The Hollywood Squares, Family Feud, Sale of the Century, and History IQ. Game shows conducted in a tournament format are more likely to have series finales; examples of those include The Million Second Quiz and Mental Samurai.

Premature series finales

In some cases, a TV series finale proves premature, as was the case with Here's Lucy, Charmed, King of the Hill, 7th Heaven and Babylon 5, to name but a few. Some shows that have constantly been in danger of cancellation wrote every season finale with the idea that the episode would serve as a quality series finale if the network decided not to bring it back; in recent years from NBC's Thursday night comedy lineup, Parks and Recreation used this formula for the season finales for Seasons 3–6, before getting a renewal for a 7th and final season where the series finale was planned in advance, and Community wrote its 5th-season finale with the notion that whether the show found new life elsewhere or not, it would definitely not be returning to the network. The series finale of Dr. Ken, a fictionalized sitcom based on the life of doctor-turned-actor Ken Jeong, features the title character trying out for a fictional version of Community.
The medical comedy Scrubs aired its two-part finale episode billed simply as a "My Finale" in May 2009 as the show's renewal or cancellation had not been decided as of its airing, and so it was not known whether the episode would conclude just the season or the entire series; Scrubs would eventually be renewed for one additional season, which became a spin-off series titled Scrubs: Med School.
The cartoon Futurama has had four designated series finales, due to the recurringly uncertain future of the series. "The Devil's Hands Are Idle Playthings", "", "Overclockwise", and "Meanwhile" were all been written to serve as a final episode for the show.
The series finale of The Lucy-Desi Comedy Hour was unintentionally fitting: stars Lucille Ball and Desi Arnaz were about to divorce and end the show, a fact that the show's guest star for what would be the final program, Edie Adams, did not know when she chose the song she would sing on the program. Prophetically, the song was named "That's All." The series also ended with Lucy and Ricky making up and kissing, while in reality Ball and Arnaz would not. The last produced half-hour episode was titled "The Ricardos Dedicate a Statue" which included real-life kids Luci Arnaz and Desi Arnaz Jr. in the final scene where Ricky unveils what he thinks is a Revolutionary War statue only to find out that it is Lucy.
The afore-mentioned Magnum, P.I. had a premature series finale, as well. At the end of the seventh season, protagonist Thomas Magnum was to be killed off, which was intended to end the series. The final episode of the season, "Limbo", after seeing Magnum wander around as a ghost for nearly the entire run-time, closes with him appearing to walk off into heaven. However, following outcry from fans, who demanded a more satisfactory conclusion, an eighth, final season was produced, to bring Magnum "back to life", and to round the series off. The mystery of whether Higgins was Robin Masters, or not, was a highly anticipated series finale reveal. The mystery still has yet to be revealed. A number of other episodes also make reference to supernatural occurrences and the seeming existence of ghosts.
The Showtime series Californication was designed from start to make any season finale work as a series finale, in case of early cancelling the show. It is seen most primarily at the end of the first and fourth season.
After its 5th season, the television show Reba was in danger of being cancelled; the 6th and final season's finale episode was written to serve as a series finale, in which Brock and Barbara-Jean come to a reconciliation and Van and Cheyenne move back in with Reba, bringing the show to a full wrap.

Finales launching spin-offs

Series finales are sometimes used as a backdoor pilot to launch spinoff series. Two well-known examples include The Andy Griffith Shows series finale, which launched the spinoff Mayberry RFD and The Practices series finale, and much of its final season was used as a launching pad for Boston Legal, starring James Spader and William Shatner. The Golden Girls series finale was set up to lead into a new series with most of the remaining cast, The Golden Palace, Three's Company transitioned more or less seamlessly into Three's a Crowd while The Fosters series finale acted as an introduction to its spin-off series Good Trouble. Additionally, the Steven Universe finale "Change Your Mind" served as not just a conclusion to the original series and its overarching plot, but helped pave the way for ', and eventually the limited epilogue series Steven Universe Future. The Harvey Girls Forever! series finale will lead to two spinoffs, one is with Lotta for Universal Kids, and another is for the Horn-A-Corns.
Some planned spin-offs that influenced series finales, however, never materialized, as in the case of the proposed Laverne & Shirley spin-off for Carmine that never came into fruition, or Posse Impossible, a proposed spin-off of Hong Kong Phooey that, instead of getting its own show, aired as an interstitial segment on CB Bears''.