Sheila Bender is an American poet and essayist, best known for her popular books on writing instruction.
Works
Bender's many books on writing include Creative Writing DeMystified, Writing and Publishing Personal Essays, Writing in a New Convertible with the Top Down, Keeping a Journal You Love, A Year in the Life: Journaling for Self-Discovery, The Writer's Journal: Forty Writer's and Their Journals, and Perfect Phrases for College Application Essays. Her memoir, A New Theology: Turning to Poetry in a Time of Grief, chronicles how reading and writing poetry helped her cope after the loss of her 25-year-old son and find a wayto live with love in the spirit of her son. Her newest collection of poems, entitled Behind Us the Way Grows Wider, appeared in 2012. She has devoted most of her career to the teaching of writing and the improvement of writing instruction. In addition to her dozen books on writing, she has written instructional and feature articles for Writer's Digest magazine and The Writer magazine. She founded WritingItReal.com, where she provides an online instructional magazine for those who write from personal experience and offers individual as well as online group writing instruction. Bender provided the prompts to the innovative journaling software LifeJournal with Chronicles Software, which helps writers not only generate interesting journal content, but organize and retrieve their ideas. She is also a regular instructor, panelist, and presenter at writing and educational conferences, including at Centrum Foundation in Port Townsend, Washington, and many locations where annual Writing It Real conferences have been held, such as Port Townsend; Oracle, Arizona; Nashville, Tennessee; and Istanbul, Turkey. Bender is well known for her three-step response method that helps authors receive response from trusted listeners, which empowers authors' efforts at revision rather than have them feel their work is being "critiqued" or "torn apart," as the root of that word implies. Authors, she believes, can improve their writing and best fix their drafts after they have heard 1) the words and phrases that stick in the listeners' /readers' ears, 2a) the feelings listeners/readers have after hearing/reading a piece that they feel are in keeping with what the author attempted, 2b) the feelings that are in the way of fully appreciating the work such as places of confusion and feeling left out, and 3) curiosities, where the audience wishes to know.
