Shooting of Amadou Diallo
In the early hours of February 4, 1999, a 23-year-old Guinean immigrant named Amadou Diallo was fatally shot by four New York City Police Department plainclothes officers: Sean Carroll, Richard Murphy, Edward McMellon, and Kenneth Boss. Carroll would later claim to have mistaken him for a rape suspect from one year earlier, a claim never confirmed by objective evidence. The officers fired a total of 41 shots, 19 of which struck Diallo, outside his apartment at 1157 Wheeler Avenue in the Soundview section of the Bronx.
The four officers, who were part of the now-defunct Street Crimes Unit, were charged with second-degree murder and acquitted at trial in Albany, New York. Diallo was unarmed and a firestorm of controversy erupted after the event, as the circumstances of the shooting prompted outrage both inside and outside of New York. Issues such as police brutality, racial profiling, and contagious shooting were central to the ensuing controversy.
Early life
Amadou Diallo was one of four children born to Saikou and Kadijatou Diallo, and part of a historic Fulbe trading family in Guinea. He was born in Sinoe County in Liberia on September 2, 1975, while his father was working there, and while growing up followed his family to Togo, Singapore, Thailand, and back to Guinea. In September 1996, he followed other family members to New York City and started a business with a cousin. According to his family's lawyer he sought to remain in the United States by filing a political asylum application falsely claiming that he was from Mauritania and that his parents had been killed in fighting. He sold video cassettes, gloves, and socks on the sidewalk along 14th Street during the day.Death
In the early morning of February 4, 1999, Diallo was standing near his building after returning from a meal. At about 12:40 a.m., police officers Edward McMellon, Sean Carroll, Kenneth Boss and Richard Murphyall in plain clothesdrove by. Carroll later claimed that Diallo matched the general description of a serial rapist reported a year earlier, or that he might have been a "lookout".The officers later claimed that,
However, a witness testified that they shot with no warning.
The four officers fired 41 shots with semi-automatic pistols, striking Diallo 19 times.
The investigation found no weapons on or near Diallo; what he had pulled out of his jacket was a wallet. The internal NYPD investigation ruled that the officers had acted within policy, based on what a reasonable police officer would have done in the same circumstances. Nonetheless the Diallo shooting led to a review of police training policy and of the use of full metal jacket bullets.
On March 25, 1999, a Bronx grand jury indicted the four officers on charges of second-degree murder and reckless endangerment. On December 16, a court ordered a change of venue to Albany, New York because of pretrial publicity. On February 25, 2000, after two days of deliberation, a jury in Albany acquitted the officers of all charges.
Aftermath
In April 2000, Diallo's mother and father filed a $61million lawsuit against the city and the officers, charging gross negligence, wrongful death, racial profiling, and other violations of Diallo's civil rights. In March 2004, they accepted a $3 million settlement, one of the largest in the City of New York for a single man with no dependents under New York State's "wrongful death law", which limits damages to pecuniary loss by the deceased person's next of kin.Anthony H. Gair, representing the Diallo family, argued that federal common law should apply.
In April 2002, as a result of the killing of Diallo and other controversial actions, the Street Crime Unit was disbanded. In 2003, Diallo's mother published a memoir, My Heart Will Cross This Ocean: My Story, My Son, Amadou, with the help of author Craig Wolff.
Diallo's death became an issue in the 2005 New York City mayoral election. Bronx borough president and mayoral candidate Fernando Ferrer, who had protested the circumstances of the killing at the time, was criticized by the Diallo family and many other for telling a meeting of police sergeants that although the shooting had been a tragedy, the officers had been "over-indicted".
Boss had shot another unarmed black man dead in 1997. After the trial Boss was reassigned to desk duty, but in October 2012, Commissioner Raymond W. Kelly restored Boss' ability to carry a firearm. As of 2012 he was the only one of the four officers still working for the NYPD. In 2015 he was promoted to sergeant in accordance to police policy, which is not subject to review by top department officials.
Cultural references to Diallo
Investigative journalism
- Malcolm Gladwell devotes the sixth chapter of his book Blink: the Power of Thinking Without Thinking to the Amadou Diallo shooting. Gladwell spent more than a year interviewing cognitive psychologists, trying to understand how the psychology of a police officer's instant response to an object in an innocent black person's hand might differ from his/her response to an object in a white person's hand.
Music
- The music of rapper 88-Keys;
- Bruce Springsteen's song "American Skin ";
- "Diallo" by Wyclef Jean;
- "I Find It Hard to Say " by Lauryn Hill;
- "Lament for the Late AD" by Terry Callier.
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- The Public Enemy album There's a Poison Goin' On features a song titled "41:19" based on the number of rounds fired at and striking Diallo and contains lyrics concerning police harassment and violence.
- The song "W.O.L.V.E.S." by Krumbsnatcha and M.O.P., which appeared on the soundtrack for the 2001 film Training Day.
- Electro pop band Le Tigre, formed by Kathleen Hanna, lamented the Diallo shooting in their song "Bang! Bang!", which ends with a vocal chorus counting numbers that ends with 41, the number of shots fired.
- In his song "The Other White Meat", which deals with police brutality and racism, New York rapper Immortal Technique tells the police "I got 41 reasons to tell you to suck a dick" and "Guns don't look like wallets", clearly referencing the shooting and counting every bullet fired as a reason.
- The incident was briefly mentioned by rapper Heems in his song "WOYY": "Diallo got shot when he said the block was hot."
- "Cop Shot" by Dead Prez
- "One Dead Cop" by Leftover Crack
- "Contempt Breeds Contamination" by Trivium
- The piece "Amadou Diallo", included in the album Ethnic Stew and Brew by jazz trumpeter Roy Campbell, Jr., was inspired by the shooting, ending with a rapid burst of notes replicating the 41 gunshots.
- The incident also served as the basis for Erykah Badu's track "A.D. 2000", from the album Mama's Gun. Rather than singing a condemnation of the NYPD, as had most other artists who were incensed by the event, Badu chose to sing an elegy which, while noting the tragedy of Diallo's killing, also observes the furor over the circumstances, which she viewed as likely to be temporary: "No you won't be namin' no buildings after me/To go down dilapidated ooh/No you won't be namin' no buildings after me/My name will be misstated, surely".
- In his album The Beautiful Struggle, Talib Kweli speaks of "Brother Amadou as a modern day martyr." Kweli makes further reference to the shooting in his song "The Proud": "It's in they job description to terminate the threat/So 41 shots to the body is what he can expect".
- In a March 2018 Vulture interview, Julian Casablancas of The Strokes revealed that "New York City Cops" off The Strokes' debut album Is This It was a political song influenced by the shooting of Amadou Diallo.
- The underground rap artist Milo referenced Amadou quoting, "Surrounded by Anglos in Almelo, thinkin 'bout Amadou Diallo"
- The composer Joel Thompson named the third movement in his choral composition, "The Seven Last Words of the Unarmed", after Diallo, utilizing a final voicemail left to his mother for the lyrical inspiration, "Mom, I'm going to college."
- Rebel Diaz reference Diallo in their song "La Patrulla" along with a number of other shootings by police and neighborhood watch, saying "Amadou Diallo only had a wallet. Trayvon Martin couldn't go to college."
- Mike Ladd album Welcome to the Afterfuture, track 4 “Takes More Than 41” and track 13 “Feb 4 ‘99
- "41 Shots" by Merauder on their 2003 album Bluetality.
Fiction
- Amadou Diallo appears as a character in Alfredo Vea's novel The Mexican Flyboy.
Film
- In 2000, a group of human rights organizations completed "The Day After Diallo", a short video about police violence against people of color in the context of the killing of Amadou Diallo. The video was co-produced by WITNESS, New York City PoliceWatch and The Ella Baker Center for Human Rights.
Television
- Season 1, Episode 14 of The Boondocks, "The Block is Hot," features the shooting of Amadou Diallo as the main plot point.
- The cultural and political backlash following the shooting of Diallo was heavily featured in episode 8 of Louis Theroux's Weird Weekends in which journalist and documentary filmmaker, Louis Theroux, discusses the shooting with community leaders including Khalid Abdul Muhammad and Al Sharpton. Theroux attends a rally in which Sharpton and 28 others purposefully block traffic on Wall Street in protest of the lack of action taken upon the officers involved.
- Diallo's death is referenced in season 6 of NYPD Blue, episode 20 "I'll Draw You a Map." The ex-boyfriend of a woman whose husband is shot in their apartment expresses concern that he'll end up with the same fate as Diallo. The detectives discuss later in the episode that they're just trying to do the right thing and not all cops are like the ones who shot Diallo. It was also covered in the next episode, "Voire Dire this"
- Diallo's death is also referenced in November, 2000, in season 11, episode 6 of Law & Order, in which a witness describing the racial tensions caused by young white police officers patrolling black communities states, "that's how you wind up with 41 shots in some poor black guy coming home from work."
- The shooting, the trial and the media coverage surrounding both are the focus of the third episode of the Netflix show, "Trial by Media." The episode, entitled "41 Shots" features headlines, video clips and interviews that provide context to the events resulting from the shooting of Diallo.
Visual arts
- A drawing by Art Spiegelman showing a police officer at a shooting gallery with a banner reading "41 shots 10¢" was featured on the cover of The New Yorker on March 8, 1999. 250 police officers picketed the magazine's headquarters in response.