Simon Hantaï


Simon Hantaï is a painter generally associated with abstract art.

Biography

After studying at the Budapest School of Fine Art, he traveled through Italy on foot and moved to France in 1948. André Breton wrote the preface to his first exhibition catalogue in Paris, but in 1955 Hantaï broke with the surrealist group over Breton's refusal to accept any similarity between the surrealist technique of automatic writing and Jackson Pollock's methods of action painting.
A retrospective of his work was held at the Centre Pompidou in 1976, and in 1982 he represented France at the Venice Biennale.
A representative collection of Hantaï's works is held at the Musée National d'Art Moderne, Centre Georges Pompidou, Paris, and at the Musée d'Art Moderne de la Ville de Paris.
A Simon Hantaï Retrospective opened at the Centre Pompidou on May 22, 2013 with more than 130 works from 1949 to 1990s, and a full color illustrated catalog.
His sons are the musicians Marc, Jérôme and Pierre Hantaï.

The folding method

In 1960, Hantaï developed his technique of "pliage" : the canvas is first folded in various forms, then painted with a brush, and unfolded, leaving apparent blank sections of the canvas interrupted by vibrant splashes of color. From 1967 to 1968 he worked on the Meuns series where he studies the theme of the figure. Meun is the name of a small village in the Forest of Fontainebleau where the artist lived starting 1966. Hantaï stated: "It was while working on the Studies that I realized what my true subject was - the resurgence of the ground underneath my painting." In contrast with the Meun, the figure, in the Studies, is absorbed and the white detaches from being the background and becomes dynamic.
Mariales
Meuns
Etudes
Blancs
Tabulas
Laissées

Selected bibliography

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