Simone Leigh


"I came to my artistic practice via the study of philosophy, cultural studies, and a strong interest in African and African American art, which has imbued my object and performance-based work with a concern for the ethnographic, especially the way it records and describes objects." - Simone Leigh
Simone Leigh is an American artist from Chicago who works in New York City in the United States. She works in various media including sculpture, installations, video, performance, and social practice. Leigh has described her work as auto-ethnographic, and her interests include African art and vernacular objects, performance, and feminism. Her work is concerned with the marginalization of women of color and reframes their experience as central to society. Leigh has often said that her work is focused on “Black female subjectivity,” with an interest in complex interplays between various strands of history.

Early life and career

Leigh was born to Jamaican parents and received a BA in Art and minored in Philosophy from Earlham College in 1990.
The artist combines her training in American ceramics with an interest in African pottery, using African motifs which tend to have modernist characteristics. Though Leigh considers herself to be primarily a sculptor, she recently has been involved in social sculpture, or social practice work that engages the public directly. Her objects often employ materials and forms traditionally associated with African art, and her performance-influenced installations create spaces where historical precedent and self-determination co-mingle. She describes this combination representing "a collapsing of time." Her work has been described as part of a generation's reimagining of ceramics in a cross-disciplinary context. She has given artist lectures in many institutions nationally and internationally, and has taught in the ceramics department of the Rhode Island School of Design.

Works and critical reception

Leigh has exhibited internationally including: MoMA PS1, Walker Art Center, Studio Museum in Harlem, Yerba Buena Center for the Arts, The Hammer Museum, The Kitchen, The Bronx Museum of the Arts, Tilton Gallery, Contemporary Arts Museum Houston, SculptureCenter, Kunsthalle Wien in Vienna, L'appartement 22 in Rabat, Morocco, the Andy Warhol Museum in Pittsburgh, and the Association for Visual Arts Gallery in Cape Town, South Africa. Leigh organized an event with a group of women artists, who performed in "Black Women Artists for Black Lives Matter" part of her solo exhibition, The Waiting Room at the New Museum in 2016. Leigh's work was selected among "the most important and relevant work" by curators Jane Panetta and Rujeko Hockley for the 2019 Whitney Biennial.
During her residency at the New Museum, Leigh founded an organization called Black Women Artists for Black Lives Matter, a collective formed in direct response to the murder of Philando Castille, and in protest against other similar injustices against black lives.
Simone Leigh is the creator of the Free People's Medical Clinic a social practice project created with Creative Time in 2014. A reenactment of the Black Panther Party's initiative of the same name. The installation was located in a 1914 Bed-Stuy brownstone called the Stuyvesant Mansion, previously owned by notable African-American doctor Josephine English. As an homage to this history, Leigh created a walk-in health center with yoga, nutrition and massage sessions, staffed by volunteers in 19th-century nurse uniforms.
She is the recipient of many awards, including: a Guggenheim Fellowship; The Herb Alpert Award; a Creative Capital grant; a Blade of Grass Fellowship; the Studio Museum in Harlem's Joyce Alexander Wein Artist Prize; the Guggenheim Museum's Hugo Boss Prize; United States Artists fellowship; and a Foundation for Contemporary Arts Grants to Artists award. Her work has been written about in many publications, including Art In America, Artforum, Sculpture Magazine, Modern Painters, The New Yorker, The New York Times, , and Bomb magazine.

''Brick House''

Brick House is a bronze bust of a Black woman with a torso standing at 16 feet tall and looks out over the raised outdoor park in New York. The sculptures torso combines the forms of a skirt and a clay house. The sculpture’s head is crowned with an afro framed by cornrow braids. This is the first piece in Leigh's Anatomy of Architecture collection, an ongoing body of work in where the artist combines architectural forms from regions as varied as West Africa and the Southern United States with the human body. Brick House combines a number of different architectural styles: "Batammaliba architecture from Benin and Togo, the teleuk dwellings of the Mousgoum people of Cameroon and Chad, and the restaurant Mammy’s Cupboard in Natchez, Mississippi." The content of Leigh's sculpture contrasts the location it is in directly, as it is surrounded by "glass-and-steel towers shoot up from among older industrial-era brick buildings, and where architectural and human scales are in constant negotiation."

''The Waiting Room''

The Waiting Room was exhibited at the New Museum in New York City from June to September 2016. This exhibition honors Esmin Elizabeth Green, who died from blood clots after sitting in a waiting room of a Brooklyn hospital for 24 hours, and provides an alternative vision of health care shaped by female, African-American experience. In an interview with the Guardian, Leigh says "obedience is one of the main threats to black women's health" and "what happened to Green is an example of the lack of empathy people have towards the pain of black women." The Waiting Room involved public and private care sessions from different traditions of medicine such as herbalism, meditation rooms, movement studios, and other holistic approaches to healthcare. Outside of museum hours this exhibition became "The Waiting Room Underground" providing free, private workshops outside of the public eye, an homage to the healthcare work of the Black Panthers and the United Order of Tents. Additionally this exhibition featured lectures; workshops on self-defense, home economics, and self-awareness; Taiko drumming lessons for LGBTQ youth, and summer internships with the museum for teens. This work came after and is related to Leigh's previous project Free People's Medical Clinic.

Awards received

Leigh is a recipient of The Studio Museum in Harlem's Joyce Alexander Wein Artist Prize ; John Simon Guggenheim Memorial Foundation Fellowship ; Anonymous Was a Woman Award ; Herb Alpert Award in the Arts ; and A Blade of Grass Fellowship for Socially Engaged Art. Guggenheim Fellowship, Louis Comfort Tiffany Foundation Biennial Award, Creative Capital Grantee, Lower Manhattan Cultural Council's Micheal Richards Award, Joan Mitchell Foundation Grant, Artist-in-Residence The Studio Museum in Harlem, NYFA Fellowship, Art Matters Foundation Grant, Foundation for Contemporary Arts Grants to Artists Award, The Hugo Boss Prize .

Selected exhibitions