The evil Klogg was banished from The Neverhood at the end of the first game, but has now ended up on the Planet Idznak, which is inhabited by creatures known as Skullmonkeys and an insect race known as YNT. Klogg becomes the leader of the Skullmonkeys and sets off to make "Evil engine number 9" to destroy the Neverhood, while Klaymen is brought onto the scene to stop him.
Gameplay
In the single-player platform game, the player controls Klaymen, a resident of the Neverhood who is kidnapped in order to prevent the destruction of the Neverhood. He can jump, duck, look up, and grab a wide range of items such as a halo and a wide range of quirky and crude projectile weapons. Aside from the assortment of weapons, enemies and bosses can be destroyed by jumping on them, and there are several secret levels where bonus points and extra lives can be earned. The levels are in a sidescrolling format, unlike the point and click format of The Neverhood. Throughout each of the levels, clay balls can be collected to earn points, with extra lives being awarded upon collecting 100. Several bosses are stationed throughout the game to be defeated. The game was noted for being hard to complete, but the game's password feature keeps things from being unreasonably difficult. The bonus stage is accompanied by a slow acoustic ballad, with lyrics about "guiding" the player like a "dad" or a "mom".
Development
Skullmonkeys was a strictly two-dimensional game developed at a time when this format was seen as increasingly outmoded. Project leadDoug TenNapel, however, preferred the 2D format and believed that 3D platform gaming could never work, being always plagued by depth-perception problems. Besides TenNapel, star creators who worked on the game included Mike Dietz and Mark Lorenzen. Klaymen's motions were penciled first, then used in tandem with a model to record the animation. One method used by the designers to create the creatures in the game, was to take children's toys and cover them with clay to see what shapes were formed. A boss in the game, Joe-Head-Joe, is actually the face of Joseph Sanabria, one of the game's designers. The cutscene clips were created by applying stop motion animation to the modeled clay figures. TenNapel commented, "When I sculpt , I feel very relaxed and comfortable, compared to doing art on the computer where you'll find me scowling and squinting a lot." During development TenNapel said that composer Terry Scott Taylor " coming up with this Hawaiian shit, like Don Ho. And we're like 'Go! Go!' because it's so stupid and so nongaming that we have to embrace it."
Release
The game was released in Japan on August 13, 1998. The game used the title Klayman Klayman 2 in Japan.
Reception
The game was widely praised for its graphics, music, sound, and humor. However, many video game websites panned it for its high difficulty, replacing the saves with passwords and technical problems which affected its playability. Some video game critics compared the game favorably to other successful platform games such as Earthworm Jim or the number of successful platform games produced by Virgin Interactive. PlayStation Pro rated the game 7.5 out of 10. GameSpot gave the game a 5 out of 10, stating that "What is most frustrating about Skullmonkeys is that it just wears you down after a while." The original IGN review gave Skullmonkeys an 8 out of 10, but an updated review lowered the score to a 6 out of 10. Official U.S. PlayStation Magazine gave the game 5 stars out of 5. Weekly Famitsu gave the game a score of 26 out of 40. Next Generation reviewed the PlayStation version of the game, rating it two stars out of five, and stated that "Skullmonkeys contains some of the best audio and graphics for any platformer on PlayStation. Sadly, somewhere between concept and completion, this project went wrong."
