The University of Chicago began seriously planning to build an art museum and establish a permanent art collection in the 1960s. The founding gift came from the Smart Family Foundation in 1967 and construction began in 1971. The museum was named after David A. Smart and his brother Alfred Smart, the Chicago-based publishers of Esquire, Coronet, and, with Teriade, Verve, as well as the founders of Coronet Films. David Smart was an art collector and owned paintings by Picasso, Renoir, and Chagall. However, the founding gift was of Esquire stock and did not include any works from his personal collection. Instead, the collection was initially assembled from a variety of sources, including works of art in various university departments and gifts from foundations and individual donors. The Smart's founding director was the art historian and professor Edward A. Maser and the museum was originally associated with the university's department of art history. In 1983, the museum became a separate unit of the university devoted to serving the entire community, including educational outreach activities in local public schools. In its early years it was known as the Smart Gallery but was renamed the David and Alfred Smart Museum of Art in 1990 to reflect the expanded mission.
Collection
There are over 15,000 objects in the Smart Museum's collection. A selection is displayed in four permanent collection galleries dedicated to modern art, Asian art, European art, and contemporary art. These galleries are rehung annually. The collection is also often used in special exhibitions and for courses taught at the University of Chicago.
The Asian collection includes literati scroll paintings from China, Japan, and Korea, Buddhist sculpture, ceramics, and ukiyo-e prints. The museum also has a large contemporary Chinese photography collection.
The Smart Museum and the adjacent Cochrane-Woods Art Center, which houses classrooms and offices for the University of Chicago's department of art history, were designed by the Chicago-born architect Edward Larrabee Barnes. The unadorned modernist buildings are linked by covered walkways and face a common outdoor sculpture garden. The buildings are clad in Indiana limestone. They "seem simple but the design is sophisticated" and relate to the gothic architecture and quadrangles found elsewhere on campus. The lobby of the museum features a vaulted ceiling with a north facing clerestory window. A renovation in 1999 reconfigured and expanded the public gallery spaces within the building's existing footprint. At the 1971 groundbreaking for the building, Edward H. Levi, the president of the University of Chicago, noted that the design was meant "to display rather than to distract from the works exhibited, and to enhance communication among the scholars" inside. Levi also noted that the project was originally intended to be much larger. Barnes had designed never-realized plans for music, theater, and library facilities extending to the north.
Operations
The Smart Museum is wholly part of the University of Chicago. Its exhibitions and operations are funded through a variety of university, foundation, and individual contributions. It has a board of governors, a membership program, and faculty and student advisory committees. The museum is open to the public. There is no general admission fee or special charge for exhibitions. It is accredited by the American Alliance of Museums.