Soft Machine


Soft Machine are an English rock band from Canterbury formed in mid-1966, currently consisting of John Marshall, Roy Babbington, John Etheridge, and Theo Travis. As a central band of the Canterbury scene, the group became one of the first British psychedelic acts and later moved into progressive and jazz-rock. Their varying lineups have included prominent former members such as Mike Ratledge, Robert Wyatt, Kevin Ayers, and Hugh Hopper.
Though they achieved little commercial success, the Soft Machine are considered by critics to have been influential in rock music, Dave Lynch at AllMusic called them "one of the more influential bands of their era, and certainly one of the most influential underground ones". The group were named after the novel The Soft Machine by William S. Burroughs.

History

Beginnings, psychedelic, jazz fusion (1966–68, 1969–1971)

Soft Machine were formed in mid-1966 by Robert Wyatt, Kevin Ayers, Daevid Allen and Mike Ratledge plus, for the first few gigs only, American guitarist Larry Nowlin. Allen, Wyatt and future bassist Hugh Hopper first played together in the Daevid Allen Trio in 1963, occasionally accompanied by Ratledge. Wyatt, Ayers, and Hopper had been founding members of The Wilde Flowers, incarnations of which would include members of another Canterbury band, Caravan.
This first Soft Machine line-up became involved in the early UK underground, performing at the UFO Club and other London clubs like the Speakeasy Club and Middle Earth. Their first single, "Love Makes Sweet Music", was released by Polydor in February, backed with "Feelin' Reelin' Squeelin'". In April 1967 they recorded seven demo songs with producer Giorgio Gomelsky in De Lane Lea Studios that remained unreleased until 1971 in a dispute over studio costs. They also played in the Netherlands, Germany, and on the French Riviera. During July and August 1967, Gomelsky booked shows along the Côte d'Azur with the band's most famous early gig taking place in the village square of Saint-Tropez. This led to an invitation to perform at producer Eddie Barclay's trendy "Nuit Psychédélique", performing a forty-minute rendering of "We Did It Again", singing the refrain over and over in a trance-like quality. This made them instant darlings of the Parisian "in" crowd, resulting in invitations to appear on television shows and at the Paris Biennale in October 1967. After their return from France, Allen was denied re-entry to the United Kingdom, so the group continued as a trio, while he returned to Paris to form Gong.
Sharing the same management as Jimi Hendrix, the band supported the Jimi Hendrix Experience's North America tour throughout 1968. Soft Machine's first album was recorded in New York City in April at the end of the first leg of the tour. Back in London, guitarist Andy Summers, later of The Police, joined the group following the breakup of Dantalian's Chariot. After a few weeks of rehearsals, the quartet began a tour of the U.S. with some solo shows before reuniting with Hendrix during August and September 1968. Summers was fired at the insistence of Ayers, who departed amicably after the final tour date at the Hollywood Bowl in mid-September, and for the remainder of 1968 Soft Machine were no more. Wyatt stayed in the U.S. to record solo demos, while Ratledge returned to London and began composing in earnest. One of Wyatt's demos, Slow Walkin' Talk, allowed Wyatt to make use of his multi-instrumentalist skills and featured Hendrix on bass guitar.
In December 1968, to fulfill contractual obligations, Soft Machine re-formed with former road manager and composer Hugh Hopper on bass added to Wyatt and Ratledge and recorded their second album, Volume Two, which started a transition toward jazz fusion. In May 1969 this line-up acted as the uncredited backing band on two tracks of The Madcap Laughs, the debut album by Syd Barrett. In 1969 the trio was expanded to a septet with the addition of four horn players, though only saxophonist Elton Dean remained beyond a few months, the resulting Soft Machine quartet running through Third and Fourth, with various guests, mostly jazz players. Fourth was the first of their fully instrumental albums and the last one featuring Wyatt.
Their propensity for building extended suites from regular sized compositions, both live and in the studio, reached its apogee in the 1970 album Third, unusual for its time with each of the four sides featuring one suite. Third was also unusual for remaining in print for more than ten years in the U.S., and is the best-selling Soft Machine recording.
They received unprecedented acclaim across Europe, and they made history by becoming the first rock band invited to play at London's Proms in August 1970. The show was broadcast live on national TV and later appeared as a live album.

Post-Wyatt era (1971–72)

After differences over the group's musical direction, Wyatt left the band in August 1971 and formed Matching Mole. He was briefly replaced by Australian drummer Phil Howard. This line-up toured extensively in Europe during the end of 1971 and attended the recording of their next album, but further musical disagreements led to Howard's dismissal after the recording of the first LP side of Fifth before the end of 1971 and some months later in 1972 to Dean's departure. They were replaced respectively in 1971 by John Marshall and in 1972 by Karl Jenkins, both former members of Ian Carr's Nucleus, for the recording of Six, and the band's sound developed even more towards jazz fusion.

Jenkins era part #1 (1972–78)

In 1973, after the release of Six, Hopper left and was replaced by Roy Babbington, another former Nucleus member, who had already contributed double bass on Fourth and Fifth and took up bass guitar successfully, while Karl Jenkins took over as bandleader and composer. After they released Seven without additional musicians, the band switched record labels from Columbia to Harvest. On their 1975 album, Bundles, a significant musical change occurred with Allan Holdsworth adding guitar as a prominent melody instrument to the band's sound, sometimes reminiscent of John McLaughlin's Mahavishnu Orchestra, setting the album apart from previous Soft Machine albums which had rarely featured guitars. Holdsworth was replaced by John Etheridge for the next album Softs. Ratledge, the last remaining original member of the band, had left during the early stages of recording. Other musicians in the band during the later period were bassists Percy Jones and Steve Cook, saxophonists Alan Wakeman and Ray Warleigh, and violinist Ric Sanders. Their 1977 performances and record were among the last for Soft Machine as a working band, their last performance being the only Soft Machine concert of 1978.

Jenkins era part #2 (1980–81; 1984)

The Soft Machine name was used for the 1981 record Land of Cockayne, and for a final series of dates at London's Ronnie Scott's Jazz Club in the summer of 1984, featuring Jenkins and Marshall leading an ad hoc lineup of Etheridge, Warleigh, pianist Dave MacRae and bassist Paul Carmichael.

Alternative bands: Soft Heap / Soft Head, Soft Ware, Soft Mountain, Soft Works, Soft Bounds and Soft Machine Legacy (1978–2015)

Soft Machine having been a much loved band since their inception in the late 1960s and having always been at the cutting edge of many music genres, it was inevitable that former Soft Machine members would reconvene over the years, to continue on their legacy.

Soft Heap / Soft Head (1978–1988)

The first such conception was the band Soft Heap, formed in January 1978, which featured Hugh Hopper and Elton Dean from Soft Machine, and Alan Gowen and Pip Pyle from the band National Health. The newly formed band soon toured in Spring/Summer 1978 as Soft Head as Dave Sheen replaced Pip Pyle due to the latter's commitments with the band National Health. The live album Rogue Element was recorded on that tour and was released in 1978.
The original Soft Heap line-up reconvened in October 1978 to record their eponymous studio album Soft Heap which was released in 1979.
After 2 line-up changes that occurred in 1979–81, the new line-up toured intermittently throughout the 1980s, embarking on four tours during the decade with a total of 25 European concerts, culminating with a gig on 11 May 1988 at the Festival "Jazz sous les pommiers" in Coutances, France.

Soft Ware (1999–2002), Soft Works (2002–04), Soft Mountain (2003) and Soft Bounds (2004)

The second such conception was the band Soft Ware, formed in September 1999, which featured Elton Dean, Hugh Hopper, John Marshall and long-time friend Keith Tippett. This line-up would only remain together briefly. Then in 2002, another former Soft Machine member, Allan Holdsworth, joined the remaining three members of Soft Ware who would rename themselves Soft Works in June 2002. They had changed their name to avoid confusion with Peter Mergener's band Software. As Soft Works, they made their world live debut on 17 August 2002 at the Progman Cometh Festival, released their only album, Abracadabra, consisting of all new material recorded at the Eastcote Studios in London on 5–7 June 2002, and toured Japan in August 2003, Italy in January and February 2004, and Mexico in March 2004.
During a Japanese Soft Works tour in August 2003, Elton Dean and Hugh Hopper formed the short-lived band Soft Mountain along with Japanese musicians Hoppy Kamiyama and Yoshida Tatsuya. Indeed, looking for a break from relatively fixed setlists and song forms, Hugh Hopper had contacted Kamiyama with the idea of hitting a studio for a day to see what might happen. Kamiyama brought in Tatsuya, and, with no discussion, the quartet dove right in, playing two 45-minute improvisations. In 2007, a year after Elton Dean unexpectedly passed at the age of sixty, the one-time meeting band released their eponymous album Soft Mountain that they had recorded on that 10 August 2003 day in Tokyo, Japan. The two-part "Soft Mountain Suite" extracts the best thirty minutes from each improvisation. Soft Mountain named themselves after Hoppy Kamiyama, whose name translates into "God Mountain" in English.
On the occasion of a unique concert that occurred on 17 June 2004 during the Festival "Les Tritonales" at Le Triton in Les Lilas, France, Elton Dean and Hugh Hopper formed the short-lived band Soft Bounds along with new comers Sophia Domancich and Simon Goubert. This concert was partially released as the album Live at Le Triton in 2005.

Soft Machine Legacy (2004–2015)

In October 2004, a new variant of Soft Works, with John Etheridge permanently replacing Holdsworth, took the name of "Soft Machine Legacy" and performed their first two gigs, Liam Genockey temporarily replacing John Marshall who had ligament problems. Later on, Soft Machine Legacy released three albums: Live in Zaandam, the studio album Soft Machine Legacy recorded in September 2005 and featuring fresh material and the album Live at the New Morning. After Elton Dean died in February 2006, the band continued with British saxophonist and flautist Theo Travis, formerly of Gong and The Tangent.
In December 2006, the new Legacy line-up recorded the album Steam in Jon Hiseman's studio. Steam was released in August 2007 by Moonjune before a European tour.
Hopper left in 2008 because he was suffering from leukaemia, so the band continued live performances with Fred Baker. Following Hopper's death in 2009, the band announced that they would continue with Roy Babbington again replacing Hugh Hopper on bass.
Soft Machine Legacy released their fifth album in October 2010: a 58-minute album entitled Live Adventures recorded live in October 2009 in Austria and Germany during a European tour.
Founding Soft Machine bassist Kevin Ayers died in February 2013, aged 68, while Daevid Allen died in March 2015 following a short battle with cancer, aged 77.
On 18 March 2013, the Legacy band released a new studio album, titled Burden of Proof. Travis stated that "legally we could actually be called Soft Machine but for various reasons it was decided to be one step removed."

A return to the name "Soft Machine" (2015–present)

In September and October 2015, it was announced that the band Soft Machine Legacy would be performing under the name "Soft Machine" in late 2015 and early 2016: two shows in the Netherlands and Belgium in early December 2015 and a series of seven UK shows in March–April 2016.
In December 2015, it was confirmed that the band had dropped the "Legacy" tag from their name, as the band featured three of the group's 1970s era members – John Etheridge, John Marshall and Roy Babbington – joined by Theo Travis on sax, flute and keyboard.
On 7 September 2018, Soft Machine released Hidden Details, their first new studio album in five years. In Fall and Winter 2018, they toured the world as part of their 50th anniversary celebration and in support of the new album, and the US in January and February 2019.
On 25 June 2019, The New York Times Magazine listed Soft Machine among hundreds of artists whose material was reportedly destroyed in the 2008 Universal fire.
On 20 March 2020, Soft Machine released Live at The Baked Potato, their first new original live album since decades. Recorded live at The Baked Potato, Los Angeles, CA on 1 February 2019 and only available as a twelve-track only-200-numbered-copie limited edition double vinyl LP, it documents their extensive 2018–2019 world tour.

Style

Soft Machine's music has been described by critics and journalists as progressive rock, experimental rock, jazz rock, jazz, psychedelic rock and art rock, as well as being a part of the Canterbury scene of progressive rock. According to Hugh Hopper, "We weren't consciously playing jazz rock, it was more a case of not wanting to sound like other bands; we certainly didn't want a guitarist."

Members

Current members

Studio albums

Live albums

Compilation albums

Other minor releases

These albums were released by small labels, and most of their content is available on the main albums listed above.
YearAlbumNote
1972Rock Generation Vol. 7One side only, April 1967 De Lane Lea Studios demo recordings with Giorgio Gomelsky.
1972Rock Generation Vol. 8One side only, more April 1967 demo recordings; this and the preceding entry were combined on many subsequent releases, under such titles as Faces & Places Vol.7, At the Beginning, Jet Propelled Photographs, and several others. These issues contain the track "She's Gone", recorded in April 1967, which is not the same track released in Triple Echo.
1975Soft Machine 1&2
1990The UntouchableCompilation from Bundles, Softs, and Alive and Well.
1991As If...Curious compilation with six Ratledge/Hopper compositions ranging from 1970 to 1973 in sparse order.
1994Soft MachineLive At The Paradiso 1969 plus six tracks from Jet Propelled Photographs.
1995The Best of Soft Machine – The Harvest Years – Anthology 1975–1978Includes tracks from Bundles to Alive & Well.
1998Canterburied Sounds Voiceprint Records released four CDs, containing several tracks by various musicians from the Canterbury scene, compiled and with notes by Brian Hopper. The four single CDs are re-released in 2013 in a boxed set.
1998Live 1970 Tracks 1 & 2 recorded on 13 February 1970 at Swansea ; tracks 3–11 also in Live at the Proms; here, with the edited version of "Out-Bloody-Rageous" from 11:54 to 8:46, and "Esther's Nose Job" split in 7 contiguous tracks.
1999Fourth / Fifth
2001Turns On vol. 1Includes tracks from the Middle Earth and Speakeasy clubs in London, recorded in 1967, including a low-quality remaster of "She's Gone", recorded in June 1967, previously available only on Triple Echo.
2001Turns On vol. 2Includes low-quality tracks from the Concertgebouw in Amsterdam, 10 December 1967, the Middle Earth Club, 10 November 1967 and from the Col Ballroom, Davenport, Iowa, 11 August 1968.
2001Man in a Deaf CornerAnthology 1963–1970; CD1 mainly with live pieces from 1963 to circa 1967, with tracks 7, 8, 9 also in Turns On vol. 1, resp. tr. 2-1-16; CD2 with tracks 1–10 recorded at the Paradiso, 29 March 1969 also in Live at the Paradiso ; tracks 11–12 also in Live 1970, resp. tr. 1–2; tracks 13–16 recorded at the Fairfield Halls in Croydon on 26 April 1970 also in Facelift, resp. tr. 4–7; track 17 is a Jakko Jakszyk rendition of "As Long as He Lies Perfectly Still" in conjunction with the two short tracks "That Still and Perfect Summer" and "Astral Projection in Pinner" to appear in his future album The Bruised Romantic Glee Club.
2004Six/Seven
2005Out-Bloody-Rageous: An Anthology 1967–1973
2005Orange Skin FoodA 2-CD live compilation of previously released live recordings; tracks from Somewhere In Soho, recorded 20–25 April 1971, Facelift, recorded 26 April 1970 and the entire Live in Europe 1970, recorded 13 or 14 February 1970 and 13 August 1970 at the Proms.
2010Original Album ClassicsIncludes the whole Third, Fourth, Fifth, Six and Seven in the 2007 remaster.
2011Tales of Taliesin: The EMI Years Anthology 1975–1981
201368Credited to Robert Wyatt, it nonetheless contains an 18 minutes early version of "Rivmic Melodies" and a 20 minutes early version of "Moon in June", both recorded in U.S. in 1968, after Soft Machine dissolution, and just before the new formation with Hopper in place of Ayers.
2013Canterburied SoundsRe-issue in a single 4 CDs edition of the four titles previously released in 1998 by Brian Hopper on Voiceprint.
2014Tanglewood Tails, anthology; Disc 1 with tracks 1–4 from 1963, tracks 5–12 from 1967 studio recordings ; Disc 2 with tracks 1–4 live from the Col Ballroom, Davenport, Iowa, 11 August 1968, tracks 5–6 live from the Paradiso, Amsterdam, 29 March 1969, tracks 7–11 live from the Fairfield Halls, Croydon, 26 April 1970. The quality of tracks are far better than in both volumes of Turns On.
2014Soft Machine Turns On is a reprint of the two Turns On volumes of 2001, with the same track list. The low quality of the former editions was here maintained.
2014Live in 1970 is a reprint of two live concerts, CD1 and CD2 recorded at Ronnie Scott's Jazz Club on 20–25 April 1970, CD3 and CD4 recorded at Het Turfschip, Breda, Netherlands on 31 January 1970.
2014Live in the 70s is a reprint of various live concerts, CD1 and the first four tracks on CD2 also issued as Live in Paris, tracks 5–7 of CD2 also appear on Backwards ; Mark Charig is here wrongly mentioned as the trumpet player; CD3 was previously released as Noisette and CD4 was previously issued as Drop.
2015Hugh Hopper - Volume 9: Anatomy of FaceliftFive performances of "Facelift", 1969 through 1971.

Singles

The 1960s

1968
1969
1970
1971
1972
1974
1975
1976

Discography

Filmography