After the killing of his father, by a mysterious assassin, Count Downe is summoned from his travels abroad by family advisor Merlin in order to prepare him to take over the throne. Baron Frankenstein is also on hand to help in any way he can. Problem is, Downe wants no part of this responsibility, and instead wishes to become human and mortal − especially after meeting a girl named Amber, with whom he falls in love. He approaches old family nemesis Dr Van Helsing, who agrees to enable the Count's transformation, much to the dismay of the residents of the Netherworld. Despite the best efforts of a host of monsters, as well as one traitorous figure who is dealt with by the trusted Merlin, Van Helsing performs the operation and removes Downe's fangs. He then informs the Count that he can now live out his days in the sunlight, with Amber at his side. Keith Moon of The Who and John Bonham of Led Zeppelin both appear in the film, alternating as drummer in Count Downe's band. Other band members include Klaus Voormann, Peter Frampton, an uncredited Leon Russell, and the regular Rolling Stoneshorn section of Bobby Keys and Jim Price.
Son of Dracula was made during a period when Starr, in between occasional single releases and session work, was concentrating on film-making and acting. Two movies in which he had starred, 200 Motels and Blindman, had been released at the end of 1971, and before starting on this one, he had just finished work on his directorial debut, the T. Rex documentary Born to Boogie. As well as producing Son of Dracula, Starr would appear as Merlin the Magician, who follows the birth and rise of young Count Downe, played by Nilsson. Starr and he were longtime friends, and the ex-Beatle had recently played drums on Nilsson's 1972 album Son of Schmilsson, which had spoofed horror movie motifs. A few months after those sessions, in August 1972, Starr decided to make a rock and roll Dracula movie, and invited Nilsson to come on board. At first, Nilsson thought the whole idea must have come from his recent album; as it turned out, Starr had not followed its release, and until then-wife Maureen brought him a copy, he did not even know that Son of Schmilsson had already used a similar theme.
Release
Filming was completed by November 1972, but Son of Dracula had to wait a year and a half for release. Soon after completion, Starr called in Graham Chapman, who was writing with Douglas Adams at the time and had been working on a proposed television special for Ringo. Along with Chapman's other regular collaborator, Bernard McKenna, they were asked to write a whole new script to be dubbed over the film's lacklustre dialogue, and they recorded an alternative, Pythonesque soundtrack, but the whole idea was then shelved. Later, attempts were made to market the movie, but as Starr later said, ‘No one would take it.’ Showings over the years have been limited to midnight movies and similar outlets. No official home video release has ever been made.
Soundtrack album
The Son of Dracula album includes Nilsson songs that were showcased in the film, as well as some instrumental tracks composed by Paul Buckmaster and portions of dialogue used as bridging sequences. All the song tracks except one are from the previously released Nilsson Schmilsson and Son of Schmilsson albums. The only new song, "Daybreak", was recorded in London sometime in September '72, during a break in filming. Joining Nilsson and Starr on the sessions at Trident Studios were the likes of Voormann, Frampton, Keys and Price, once again, as well as George Harrison on cowbell. Jim Price, along with pianist Gary Wright and orchestral arrangers Paul Buckmaster and Del Newman, also provided new, incidental music, some of which appeared in the film only. The USLP release of the soundtrack included a T-shirt iron-on advertising the film, and a companion songbook included a reproduction of the film poster. The single version of "Daybreak" edited out the words "it's pissing me off", repeating the lyric "it's making me cough" instead, and the fadeout is longer than on any LP or CD release of the song. The single peaked at number 21 on the BillboardHot 100 but did not chart at all in the UK. The album itself fared even worse, non-charting in Britain and climbing no higher than number 106in America. "Daybreak" was later covered by Nilsson friend and former MonkeeMicky Dolenz. A version with completely new lyrics in German was sung as "Hamburg im Regen" by Mary Roos.
