Sonnet 43


's Sonnet 43 employs antithesis and paradox to highlight the speaker's yearning for his beloved and sadness in their absence, and confusion about the situation described in the previous three sonnets. Sonnet 27 similarly deals with night, sleep, and dreams.

Structure

Sonnet 43 is an English or Shakespeare sonnet. English sonnets contain three quatrains, followed by a final rhyming couplet. It follows the form's typical rhyme scheme, ABAB CDCD EFEF GG, and is written in iambic pentameter, a type of poetic metre based on five pairs of metrically weak/strong syllabic positions per line. The first line of the couplet exemplifies a regular iambic pentameter:

× / × / × / × / × / 
All days are nights to see till I see thee,

The second and fourth lines have a final extrametrical syllable or feminine ending:

× / × / × / × / × / 
And darkly bright, are bright in dark directed.

Musical settings

The sonnet was set to music by Benjamin Britten as the last song of his eight-song cycle Nocturne Op. 60 for tenor, 7 obbligato instruments and strings.
In 1990 Dutch composer Jurriaan Andriessen set the poem to a mixed chamber choir setting.
Rufus Wainwright's "Sonnet 43", the sixth track on his album , is a musical setting of the sonnet.
In 2004 the Flemish composer Ludo CLAESEN set this poem to a setting for chambermusic. An amazing recording as an attachment of the Book-CD
"Là-bas" you may find by the Belgian 'l'ensemble de musique Nahandove' edited by Esperluète editions.
A 2007 production by The Public Theater of King Lear in Central Park featured incidental music by Stephen Sondheim and Michael Starobin. It included a setting of Sonnet 43 by Sondheim.
Laura Hawley composed a lively setting of Sonnet 43 for choir in 2013.