South Australian Society of Arts


The South Australian Society of Arts was a society for artists in South Australia, later with a royal warrant renamed The Royal South Australian Society of Arts in 1935.

History

SOUTH AUSTRALIAN SOCIETY OF ARTS: A meeting of persons interested in the formation of a Society for the promotion of the fine arts was held on Monday evening at the Adelaide School of Arts, in Pulteney street. Owing to the inclemency of the weather very few persons were present. Mr James MacGeorge took the chair. Letters were read from Mr. Fisher, M.L.C., Mr. Tomkinson, Mr. J. Howard Clark, Mr. C. A. Wilson, expressing regret at being unable to attend, but expressing approval of the objects sought to be attained by that meeting. The following resolutions were passed unanimously:—
'That a Society, to be called the South Australian Society of Arts, be now formed, 'The annual payment of one guinea shall entitle the subscriber to all the benefits of membership, consisting in free admission to all lectures, meetings, and exhibitions of the Society. 'A donation of painting, sculpture, or other such grant of not less value than £10 sterling, or of £10 in money, shall entitle the donor to all the advantages of membership for life; the Society reserving the right to decline any unsuitable object. 'The Society to be governed by a President, two Vice- Presidents, and a Committee of 10 members, to be elected by the Society annually. 'This meeting requests Mr. Hill to secure promises of membership, and to convene a meeting of the members for arranging the operations of the Society as soon as 50 names are enrolled.' The meeting then adjourned until the time appointed by the prior resolution.
‘That His Excellency Sir Richard Graves Mac Donnell be requested to be the first Patron of the Society.’
‘That the Committee take the necessary steps to have the Society incorporated into the South Australian Institute.'
We give publicity to this series of proposals, with a view of forwarding the interests of the new Society, by affording an opportunity to parsons favorable to its progress of considering and expressing their views regarding the contemplated arrangements. We do not, of course, suppose that with the materials at present in the colony any very rapid strides could be made in the development of works of art of any high pretensions. But the taste for the fine arts which exists without doubt among our community might be cultivated to a point that would give South Australia no mean position in this hemisphere.
We have no doubt that this Society, if successful, will ultimately include a School of Design, and the exhibition of improvements in colonial manufactures. Under the proposed rules of the Society it will be perceived that the promoters already contemplate the exhibition of works of art, either 'pictorial, ornamental, or useful,' and in this they partially carry out the views we would express. It would be necessary to make the laws of the Institution on such a basis as would tend to encourage those manufactures adapted to colonial wants, and involve the development of colonial resources.
A School of Art and Design would obtain a wider scope for its usefulness, and combine with a cultivation of graceful tastes an element of utilitarianism suited to the present position and future growth of the colony. Again, the proposed lectures or discourses on art might be made of immense benefit, if the topics discussed were not simply confined to a description of 'the line of beauty,' or the peculiarities of a classical profile. We imagine that the subjects, if selected with a view to the exposition of manufactures, agriculture, and chemistry, and the adaptability they would bear to colonial uses, would afford an attraction to every class in the community, and secure for the Society the popular support. In making these remarks we wish to be understood as cordially supporting the promoters in their project; but we conceive that a broader basis than that foreshadowed will establish the Society in greater strength and usefulness.
The establishment of a gallery of art would doubtless bring to light many valuable works at present scattered in different parts of the province unknown or unappreciated. When such shall have been collected and classified, we believe great surprise and gratification will be experienced at the extent of our wealth in works of a high class. Probably many paintings of really good character have been brought to this colony, especially from Germany and France, in the possession of families to whom they have descended as heirlooms, and who have hung them upon their walls simply as relics long after the name of the master has been lost, and long after the subject has ceased to be distinguishable under the smoky accumulations of age. If these could be brought together, ample work would be provided both for the connoisseur and the Restoration Committee.
'In addition to works of this class it may fairly be anticipated that many creditable productions will find their way into the exhibition from the easels of colonial amateurs, many of whom are not only industrious, but also deserving of the title of clever artists. And if an exhibition offers advantages to any class of persons, surely the amateur will expect to reap the greatest benefit, for he will have all the influences of comparison and competition. With such prospects before them, we shall feel great disappointment if the promoters of the Society of Arts do not spiritedly carry out their enterprise. From the names of the Provisional Committee — appointed to make rules and regulations for carrying out the objects of the Society— we feel assured that the project will be fairly started under the most favorable auspices, and with a good prospect of success.

Office holders

;President
;Secretary
Named for Alex Melrose, chairman of trustees of the Art Gallery of South Australia, the prize for portraiture was instituted in 1921 as a £25 prize awarded annually, then £100 awarded triennially from 1949. Prizewinners included: