South Indian culture
South Indian culture refers to the culture of the South Indian states of Andhra Pradesh, Karnataka, Kerala, Tamil Nadu, and Telangana. South Indian culture though with its visible differences forms an important part of the Indian culture. The South Indian Culture is essentially the celebration of the eternal universe through the celebration of the beauty of the body and femininity. It is exemplified through its dance, clothing, and sculptures.
Traditional clothing
South Indian women traditionally wear the sari while the men wear a type of sarong, which could be either a white dhoti or a colourful lungi with typical batik patterns. The saree, being an unstitched drape, enhances the shape of the wearer while only partially covering the midriff. In Indian philosophy, the navel of the Supreme Being is considered as the source of life and creativity. Hence by tradition, the stomach and the navel is to be left unconcealed, though the philosophy behind the costume has largely been forgotten. This makes the realization of sharira-mandala, where in Angikam bhuvanam yasya unites with the shaarira-mandala, as expressed in the Natyashastra. These principles of the sari, also hold for other forms of drapes, like the lungi or mundu or panchey, worn by men. The lungi is draped over clockwise or counterclockwise and is tied at the back or fixed just along the waistline. It's sometimes lifted to the knee and tied at the waist leisurely or just held in hand to speed up walking.Traditionally, South Indian men do not cover their upper body. Sometimes, in a formal situation, a piece of cloth may cover the upper body. Certain temples in South India even ban men from wearing upper-body garments when inside the temple. In Andhra and parts of north Karnataka, men wear kachche panchey where it is tied at back by taking it between legs. A similar pattern is seen in women. All over the peninsular coastal region, men wear coloured lungis and women wear saris in a manner of tying them at the back.
The Araimudi is a small silver metal plate, shaped like a heart or a fig leaf, formerly worn by young Tamil girls on their genitals. "Arai" means loin and "mudi" means cover. The araimudi is also known as the "Genital shield" and an araimudi was mentioned in the "Guide to the principal exhibits in the Government Museum, Pudukkottai", by M. S. Chandrasekhar, published in 1966 as being displayed in an exhibit in the Madras Government Museum. "A Manual of the Salem district in the presidency of Madras, Volume 1" said "The children sometimes, to the age of ten years or more, go in a state of nudity, relieved perhaps by a piece of string round the waist which sustains the "araimudi" or heart-shaped piece of silver, which calls attention to what it purports to conceal." The "Madras district gazetteers, Volume 1, Part 1" said 'Little girls, up to the age of about 3, wear nothing but the little heart-shaped piece of silver suspended by a waist-cord " which calls attention to what it purports to conceal."' "Percival's Tamil-English dictionary", edited by P. Percival defined Araimudi as "அரைமுடி arai múḍi, A small plate of gold or silver, appended to the girdle of female children, for the sake of decency". Miron Winslow's dictionary, "A comprehensive Tamil and English Dictionary of High and Low Tamil" defined araimudi as "அரைமுடி, s. A small plate of metal worn by little girls over the private parts." The Abbe Dubois book "Hindu manners, customs and ceremonies", translated from French and edited by Henry King Beauchamp stated that "Even the private parts of the children have their own particular decorations. Little girls wear a gold or silver shield or codpiece on which is graven some indecent picture; while a boy's ornament, also of gold or silver, is an exact copy of that member which it is meant to decorate." "Description of the character, manners, and customs of the people of India; and their institutions, religious and civil", also written by Dubois said "The children of either sex are likewise ornamented with various trinkets of the same form, though smaller than those of grown persons. They have also some that are peculiar. As all children in India go perfectly naked till they are six or seven years old, the parents, of course, adapt the ornaments to the natural parts of the body. Thus, the girls have a plate of metal suspended so as to conceal, in some measure, their nakedness. The boys, on the other hand, have little bells hung round them, or some similar device of silver or gold, attached to the little belt with which they are girt. Amongst the rest, a particular trinket appears in front, bearing a resemblance to the sexual part of the lad." Until the 1960s in the Ampara District of Sri Lanka girls wore the Araimudi.
Cuisine
Food habits are diverse even regionally and are largely based on the traditions. Rice is the staple diet. Coconut is an important ingredient in Kerala and coastal part of Karnataka of South India, Hyderabadi biryani is also very special in Telangana and other neighbouring states whereas the cuisine in Andhra Pradesh is characterized by the pickles, spicy aromatic curries and the generous use of chili powder. Dosa, Idli, Uttapam etc. are popular throughout the region. Coastal areas like the state of Kerala and the city of Mangalore are known for their seafood. South Indian coffee is generally quite robust, and coffee is a preferred drink throughout the Malabar region. Tamil Nadu is well known for its Idli, Dosa, Pongal, Sambhar, Vada, Puri, which are the common breakfast in Tamil families. Among the Malayalees, Appam, Puttu, Upamav, Malabar biriyani are some of the common dishes. In Karnataka, Bisibele bath, Kara bath, Kesari bath, Raggi mudda, Udin Vada, Bene Masala Dosa, Paper Dosa are some of the common dishes.Music
There is a variety of music. It ranges from rural folk music to the sophisticated Indian Classical Music of South India is known as Carnatic music. It includes melodious, mostly devotional, rhythmic and structured music by composers such as Purandara Dasa, Kanaka Dasaru, Tyagaraja, Dikshathar, Shyama Sasthri, and Swati Tirunal. It is difficult to discuss the culture and music of the four states of South India in a single breath. In Tamil Nadu, there is Tamil Pann, which is sung by Oduvars in Temples. They sing the works of famous Tamil Poets like Sambandar, etc. in various panns.Hindu Temple Music
The main instrument that is used in south Indian Hindu temples is the It is said to have been created when the very first temple was established in South India. The nadaswaram and the were played together in South Indian temples to create a periya melam ensemble. Because of its harsh tone, periya melam is not favored by many Europeans, but to South India, it is a sound of pride and majesty. For many temple traditions, periya melam is necessary for worshippers to feel a spiritual presence. Periya melam is used to play for daily rituals inside the temples and annual rituals outside and around temples. Terada, Yoshitaka. "Temple Music Traditions in Hindu South India: "Periya Melam" and its Performance Practice." Asian Music 39.2 : 108-51. ProQuest. Web. 24 Sep. 2013.Dance
The South Indian culture is celebrated in the elaborate dance forms of South India: Koodiyattam, Bharatanatyam, Oyilattam, Karakattam, Kuchipudi, Kathakali, Thirayattam, Theyyam, Bhuta Kola, Ottamthullal, Oppana, Kerala Natanam, Mohiniaattam and Yakshagana. Thirayattam is a Ritualistic Performing art of South Malabar region in Kerala state. The Bharatanatyam is the celebration of the eternal universe through the celebration of the beauty of the body. This is done through its tenets of having a perfectly erect posture, a straight and pout curving stomach, a well rounded and proportionate body mass to the body structure, very long hair and curvaceous hips. These tenets bring to life the philosophy of Natyashastra, ‘Angikam bhuvanam yasya’. This is elaborated in the araimandi posture, wherein the performer assumes a half sitting position with the knees turned sideways, with a very erect posture. In this fundamental posture of the Bharatanatyam dance, the distance between the head and the navel becomes equal to that between the earth and the navel. In a similar way the distance between the outstretched right arm to the outstretched left arm becomes equal to the distance between the head and the feet, thus representing the "Natyapurusha", the embodiment of life and creation.Architecture and paintings
South India boasts of having two enchanting styles of rock architecture, the pure Dravida style of Tamil Nadu and the Vesara style present in Karnataka. The inspirational temple sculptures of Mahabalipuram, Tanjore, Hampi, Badami, Pattadakal, Aihole, Belur, Halebidu, Lakkundi, Shravanabelagola, Madurai and the mural paintings of Travancore and Lepakshi temples, also stand as a testament to South Indian culture. The paintings of Raja Ravi Varma are considered classic renditions of many themes of South Indian life and mythology. There are several examples of Kerala Mural paintings in the Mattancherry Palace and the Shiva kshetram at Ettamanoor. South India is home, as of April 2006, to 5 of the 26 World Heritage-listed sites in India.
Sculptures and figurine
s became one of the finest medium of South Indian expression after the human form of dance. In this medium it was possible to etch the three-dimensional form in time. The traditional South Indian sculptor starts his sculpture of the divinities from the navel which is always represented unclothed by the sari. A koshta or grid of the sculpture would show the navel to be right at the centre of the sculpture, representing the source of the union of the finite body and the infinite universe.Sculptures adorn many of the temples around the complexes and also inside them. They are also depiction of dance steps of various stylizations and have served to preserve dance forms and revive it.