The film is based on the life and career of Italian-born classical violinist Nadja Salerno-Sonnenberg, and provides an insight into the style of the artist - who is noted by critics for pouring her own emotions into her musical performances. The film started from Salerno-Sonnenberg's birth in Rome, and followed her story as she moved to United States at age 8 and was brought up by her mother in New Jersey. She grew up with her brother who is also a musician. The film concentrates on the violinist's difficult childhood as she had to experience scorn and laughter by her friends when she played a recording of Brahms in front of the class. This is among the incidents that caused the artist to develop her overly emotional performing style and personality as she became a professional violinist and rose to stardom. In the documentary, Salerno-Sonnenberg talks about periods of depression in her life and her suicide attempt; she also discusses her views on how music is connected to human emotions.
The film earned $1,519 in its opening weekend in one theater, and went on to gross $6,859 domestically within two weeks from release.
Critical reaction
The documentary received mixed response from critics. It got a score of 56 out of 100 based on 10 reviews at Metacritic, and 3.5 out of 4 stars at TV Guide. In general, critics agreed on the point that the film lacked information on the private life of Salerno-Sonnenberg, particularly her romance relationship which was mentioned during the documentary. Edward Guthmann of San Francisco Chronicle gave generally positive reviews, stating that the film "takes us inside Salerno-Sonnenberg's experience, challenging us to respect a woman so naturally intense that she can't help wearing out friends and colleagues, and alienating members of her audience." Meanwhile, San Francisco Examiner 's critic Allan Ullrich criticised that, due to the musical excerpts used in the documentary, "the movie can't help looking like a prolonged promotional video." Critic Robert Hilferty of Village Voice called the documentary "a clumsy labor of love with unforgivable lapses", and noted that it "fails to show why Salerno-Sonnenberg's controversial interpretations are so original and valid." However, he added that it "sometimes rises to a compelling portrait of a neurotic personality". According to Hilferty, the documentary leaves an impression that music is the factor that "ruined" the life of the violinist.
Nominations and awards
Despite the mixed reviews by critics, Speaking in strings received a nomination for Best Feature Documentary at the 72nd Academy Awards. The film won a Jury Award for Documentary Competition at the Newport International Film Festival and the same year, won a cable Ace Award.
