SpongeBob SquarePants (musical)


SpongeBob SquarePants: The Broadway Musical is a stage musical, co-conceived and directed by Tina Landau with songs by various artists and a book by Kyle Jarrow. It is based on the Nickelodeon animated television series SpongeBob SquarePants and made its world premiere in June 2016 at the Oriental Theatre in Chicago. Following a month of previews, the musical opened on Broadway at the Palace Theatre in December 2017.
The show was produced by Nickelodeon, The Araca Group, Sony Music Masterworks and Kelp on the Road.
The musical opened to critical acclaim. With twelve Tony Award nominations, it tied with Mean Girls for the most-nominated production at the 72nd Tony Awards in 2018. The show closed at the Palace Theatre on September 16, 2018. At the time of its closing, it had played 29 previews and 327 regular performances. A non-Equity North American tour opened on September 22, 2019 at Proctors Theatre in Schenectady, New York. On December 7, 2019, Nickelodeon aired a television special of the show featuring members from the original Broadway cast.

Development

On January 16, 2014, The Flaming Lips' lead singer Wayne Coyne mentioned through Twitter that he was writing lyrics for a developing SpongeBob musical. Official plans for the show were first announced at Nickelodeon's upfront on February 25, 2015. The upfront presentation included a performance of the musical's opening number, "Bikini Bottom Day." On February 26, Nickelodeon's chief operating officer Sarah Kirshbaum Levy told the Associated Press that the show was "not definite."
In August 2015, Nickelodeon announced that the show would premiere in Chicago before a Broadway run in late 2016. Its director, book author, and several of the musicians involved were also announced. The full cast list was released in April 2016. Rehearsals for the show's debut in Chicago began on April 11 in New York. Throughout early 2016, Nickelodeon executives met with Broadway theater owners to arrange its Broadway premiere. Michael Reidel of New York Post stated that Broadway representatives were "impressed" after seeing a presentation of the show.
In late May 2016, technical rehearsals for the show were conducted. Chris Jones of Chicago Tribune stated that Nickelodeon was concerned about "an incomplete SpongeBob costume it into a photograph, spoiling a planned big reveal." In June 2016, Gordon Cox of Variety reported that the musical's budget was between $15 and $20 million. The show opened on June 7, 2016 at the Oriental Theatre in Chicago before opening on Broadway on December 4, 2017 at the Palace Theatre.

Synopsis

Pre-Show

Patchy the Pirate, SpongeBob's number one fan, sits on the stage after the audience has taken their seats. He reveals he has traveled from Encino, California, to catch the musical. Two security guards tell Patchy to leave, as the show is about to begin. Patchy objects but gets kicked out as Patchy claims he is a victim of pirate discrimination and sings a protest chant. One of the guards apologizes, then tells the audience to enjoy the show. In the television special, this prologue is replaced by an animated segment about theatre etiquette.

Act One

awakens and welcomes the day with his pet sea snail, Gary. He greets various friends in his hometown of Bikini Bottom—including his best friend Patrick, his neighbor Squidward, and his friend Sandy Cheeks—as he walks to the Krusty Krab restaurant. At work, his boss Mr. Krabs tells his daughter Pearl that she will manage the restaurant one day. With Pearl uninterested, SpongeBob hints at his desire to become the manager. Mr. Krabs laughs at the idea, telling SpongeBob he is "just a simple sponge". Then, a violent tremor suddenly rocks the entire town.
A news report reveals that the tremor was caused by the nearby Mount Humongous, a volcano that will soon erupt. SpongeBob cheers up an upset Patrick by reiterating that they are best friends forever. With the town in a panic over the impending doom, married villains Plankton and Karen try to convince the citizens to enter an escape pod that ensures safety—a cover-up for their secret scheme to hypnotize the citizens in the pod into liking the chum that they serve at their restaurant, the Chum Bucket. The townspeople, unknowingly, support this idea and decide to hold a last-minute music concert to raise enough money to build the pod. Squidward's idea of his one-man show is immediately shut down. Instead, Pearl suggests that the famous rock band, the Electric Skates, play at the concert. Everyone agrees and Squidward is named manager of the event. Despite Sandy's pleas that science could help them solve the problem, the townsfolk ignore her for being a land mammal.
SpongeBob, however, is against the idea of leaving town and believes the citizens should save Bikini Bottom. SpongeBob thinks back on Mr. Krabs' words from earlier and wonders if he could save the town. He goes to Patrick and Sandy for help. Mr. Krabs sees the upcoming disaster as a money-making opportunity, holding an "apocalypse sale". Pearl worries about her father's greed, believing that it overshadows his care for her.
Meanwhile, SpongeBob convinces Patrick and Sandy to team up, climb the volcano, and stop it from erupting with a bubble device Sandy will build. The friends are determined to succeed. Before they start their plan, a group of cultist sardines appear. They found wisdom in Patrick's thoughts at the town meeting and decide to make him their new leader. Patrick likes the idea and decides to back out of SpongeBob's plan so that he can bask in self-glory, angering SpongeBob. The two argue and end their "BFF" status. After Patrick leaves, Sandy reminds SpongeBob that things are bound to be okay. The entire company reveals their personal thoughts and feelings about the impending disaster.

Act Two

Patchy again sneaks onstage, telling the audience that pirates are persecuted by others because of stereotypes, supported in song by a group of pirates he discovered during the show's first act, wandering into a dive bar in the nearby Hell's Kitchen. The theater's security again intervenes to chase Patchy away as he screams that he'll be back.
SpongeBob wakes up and greets a new day—the day when the volcano is expected to erupt. Bikini Bottom has fallen into anarchy and chaos: the mayor has employed a dictatorship over the people and an angry mob has started to hunt down Sandy, thinking her science is the cause for the volcano's impending eruption. Sandy hides from the mob and shows SpongeBob the ingenious bubble device, the Eruptor Interrupter. They plan to throw it inside the volcano and save the town.
Back in Bikini Bottom, Plankton worries that Sandy and SpongeBob will successfully climb up the mountain and save the town, but Karen tells him that she found his avalanche maker. She says they can use it to create an avalanche that SpongeBob and Sandy will not survive. The Electric Skates finally arrive. Squidward asks if he can perform with them as an opening act. The band will only allow it if Squidward buys every item on a long shopping list. Meanwhile, SpongeBob and Sandy make their way up the volcano with great difficulty. Sandy tries to lift their spirits by reminding them of what they have learned in karate class about never giving up. SpongeBob cannot help but think of how he misses Patrick and wishes he were there to help them. In Bikini Bottom, Patrick finds life as a guru unexciting and misses SpongeBob as well, prompting him to leave his followers behind to help SpongeBob.
Squidward obtains all but one of the items on the Electric Skates' list, so the band refuses to let him perform despite his pleas, calling him a "loser" in the process. Their use of this word causes Squidward—constantly called a loser in childhood—to snap back at the band in anger. The band quits, leaving Squidward alone; he insists that he is not a loser and performs a song with a tap dance number and back-up chorus, but becomes depressed again when he realizes that it was all in his imagination. However, due to the band being gone, there is no concert or escape pod. Pearl suggests Mr. Krabs hand over his money to build the escape pod, but even that isn't enough to meet the price and the town citizens start panicking and fighting violently. Back on the mountain, Plankton and Karen use the avalanche maker to cause an avalanche, sending SpongeBob falling off the mountain. Patrick arrives and saves him with a jetpack Sandy invented, and the two reaffirm their friendship and follow Sandy to the summit of the mountain. When they reach the top, neither Sandy nor Patrick are able to reach the rim where they need to throw the device in. They turn to SpongeBob, who doubts his skills Simple Sponge" ). They remind him that he is the only one who can squeeze through tight areas and that his optimism has gotten them this far. With new determination, SpongeBob throws the Eruptor Interrupter in. They soon discover the chaos Bikini Bottom is having, and they immediately parachute down to the town to stop the fighting from getting worse.
SpongeBob tries to calm everyone down, insisting that, despite whatever happens, they have each other. When the time comes for the volcano to erupt, everyone braces for their potential deaths. Time passes without an eruption and bubbles fall down from above, signaling that the Eruptor Interrupter worked. With Bikini Bottom safe, everyone apologizes for their behavior, as Plankton and Karen argue and accidentally reveal their secret plot. Mr. Krabs decides to have SpongeBob as manager of the Krusty Krab someday. Everyone then decides that they should celebrate by having a new concert led by Pearl and Squidward, much to his delight, as Sandy is now welcomed back by the citizens of Bikini Bottom. Patchy descends from above on a rope, having finally managed to sneak into the show. He makes the cast reluctantly agree to let him be a part of the finale as the townspeople welcome the brand new day. During the curtain call, the cast performs one final song.

Musical numbers

;Act I
;Act II
  1. Cut from the original airing of the TV special
  2. Cut from abbreviated airings of the TV special

    Instrumentation

The show's Tony-nominated orchestrations by Tom Kitt utilized an orchestra of 18 for the Broadway production, including Mike Dobson who served as the live sound effects artist.

''SpongeBob SquarePants'' Original Cast recording

On June 28, 2016, Masterworks Broadway announced that the Chicago cast would record a cast album in early August, with Masterworks producing the album. On September 14, 2017, the full cast recording was made available on the NPR website. The cast recording was released in its physical form in stores as well as on streaming sites on September 22, 2017, two months prior to the show's Broadway premiere.
All tracks are written and composed by various artists, as listed below.

Productions

SpongeBob SquarePants opened at the Oriental Theatre, Chicago on June 19, 2016. The musical began previews on Broadway at the Palace Theatre on November 6, 2017, and opened on December 4, 2017 with choreography by Christopher Gattelli, musical supervision by Tom Kitt, music direction by Julie McBride, scenic and costume design by David Zinn, lighting design by Kevin Adams, projection design by Peter Nigrini, sound design by Walter Trarbach, and hair and wig design by Charles G. LaPointe. The musical closed on September 16, 2018, after 327 regular performances, without recouping its $18 million cost. According to its producers, the Broadway run of SpongeBob SquarePants was cut short due to the renovation of the Palace Theatre, though The New York Times noted that the musical's financial performance had also been disappointing.
A non-Equity North American tour opened on September 22, 2019, in Schenectady, New York, at Proctors Theatre. It was later announced that the rest of the tour had been cancelled due to the COVID-19 pandemic, which forced theaters across the nation to close.
On October 17, 2019, Nickelodeon announced it would air a television special of the show titled The SpongeBob Musical: Live On Stage!, to be filmed in front of a live audience and feature members of the original Broadway cast such as Ethan Slater, Danny Skinner, and Gavin Lee. On November 19, 2019, it was announced that Tom Kenny would reprise his series role as Patchy the Pirate for the special and that it would air on December 7, 2019.

Cast

;Notable replacements
The original Chicago production received mostly positive reviews. Dean Richards of WGN-TV gave it an A+, writing that "the story is multi-layered for kids and adults. It all adds up to one of the most fun, well produced, and best acted shows Chicago has seen in a long time." Chris Jones of the Chicago Tribune praised the cast and the production values. He wrote positively of the show's songs, writing that the musical's "biggest gamble—a score made up of singles by different songwriters and unified by orchestrator Tom Kitt—works quite beautifully." Nonetheless, he warned "the transition to Broadway now needs to involve a dialing back of excess and more attention to truth—Bikini Bottom truth, sure, but metaphoric human veracity." Similarly, Steve Oxman in Variety praised the entertainment, invention and "terrifically talented cast" but argued for a "slight shift in world view" to truly engage the broadest audience. In the Chicago Sun-Times' review, Hedy Weiss expressed praise for the set design's creativity and the coherency, but felt that it was almost too extravagant, writing that the "predictable" musical "exhausts itself long before it's over." Kendall Ashley of Nerdist described the set as "pretty darn impressive" and called the decision not to use extensive makeup on the actors "interesting." Barbara Vitello of the Daily Herald also commended the actors' costumes and performances, stating that the "imaginative costumes that add a punch of color to the glittering sea green and aquamarine backdrop are among the delights."
The Broadway production opened to similar reviews. Ben Brantley of The New York Times, called it a "ginormous giggle of a show", and particularly praised Slater's performance as the titular character. Marilyn Stasio of Variety stated the show provided a good amount of "giddy, goofy fun" for all audiences. Peter Marks of The Washington Post explained that, although the show displays "impressive design and engineering" along with "exuberant neon-colored sets and costumes", its "lumbering," "drawn-out" plot makes the show a novelty recommendable to only true fans of the source material. Alexis Soloski of The Guardian agreed, calling the main plot "bottom-feeder low" and subplots "roundly ignorable", resulting in a show that "is as perfunctorily entertaining as it is insistently forgettable."

Awards and nominations

Original Broadway production

1 Tied with Bartlett Sher for My Fair Lady