The Square des Batignolles, which covers 16,615 square metres of land, is the largest green space in the 17th arrondissement of Paris. Designed in the naturalistic English-garden style, it lies in the district of Batignolles, near the new Parc Clichy-Batignolles.
The name
The origin of the name "Batignolles" may be the Latin word, "batillus", meaning "mill", or, it may be derived from the Provençal word "bastidiole", meaning "small farmhouse".
History
Until the early nineteenth century, the area was largely deserted countryside with a few scattered farms. The square was established under the Second Empire, at the request of Baron Haussmann, who fulfilled the desire of Napoleon III to establish several English-style gardens in the capital. Napoleon III had acquired a taste for the English garden during his exile in England, prior to 1848. The Square des Batignolles was created by Jean-Charles Alphand, assisted by the engineer, Jean Darcel, the architect, Gabriel Davioud, and the horticulturist, Jean-Pierre Barillet-Deschamps, on a tract of land that had been described as "a vast wasteland". This was the same team that had been assembled to design and execute the Bois de Boulogne on the western edge of Paris. In 1860, Napoleon III annexed the district of Batignolles to Paris. In 1862, Jean-Charles Alphand designed and created the Square des Batignolles. Alphand was the engineer for most of the parks built at this time, including the Parc des Buttes Chaumont, Parc Montsouris, and others. Currently, the mayor of Paris is trying to maintain the Square des Batignolles in the pure Haussmann-Alphand style. This style is most visible in small bridges, concrete designs with plant motifs, and faux rocks with the appearance of stratification.
Description
The Square des Batignolles was designed as an English garden, a style first made popular by the English landscape architect, Capability Brown.
The English ''landscape garden''
The key to this style is naturalism, a studied, but unselfconscious, attempt to leave the impression that the grounds are untouched by human hands. The landscaper employs his artistry, through the use of various forms of asymmetric balance, to convince the visitor that the apparent wildness and randomness of the terrain is the product of artful Nature, rather than the artifice of Man. In contrast to previous formal gardens, with their geometrically designed parterres and pathways, their severely clipped shrubbery, and the artificiality of their topiary, which reflect an attempt to impose the gardener's will on Nature, the English garden adopts a more cooperative or collaborative approach. The English gardener and landscape architect, Capability Brown, compared his role as a garden designer to that of a poet or composer: "Here I put a comma, there, when it's necessary to cut the view, I put a parenthesis; there I end it with a period and start on another theme.". The English-garden style also relies heavily on symbolism by using objects that are clearly man-made as focal points for gazing at the overall landscape. These human touches usually take the form of sham ruins; this is to demonstrate the impermanence of man's achievements in comparison to those of Nature. Other man-made features typically used in these gardens are temples, tea-houses, belvederes, pavilions, and gazebos whose placement invites the visitor to engage the landscape from the most aesthetically pleasing vantage points. These locative devices are usually supplemented by vast rolling lawns, well-placed copses of trees, quaint stone bridges, pieces of statuary casually installed in the landscape, grottos, strategically located ponds and watercourses, small waterfalls, and artificial cascades. Exotic vegetation was also planted, both to amaze the senses but also to display the power and reach of the Second Empire, which was capable of gathering and nurturing living species from all over the world. True to the archetype, the Square des Batignolles features extensive rolling lawns and a large pond that is fed by a natural stream that courses through the park. The pond is home to large red Japanese carp, known as koi, and over three hundred ducks of various species. In the middle of the pond stands a statue created by Louis de Monard in 1930 called Vautours. Elsewhere in the Square is a bust of the poet, Léon Dierx, created by Bony de Lavergne in 1932.
Vegetation
For a park of this relatively modest size, there are surprisingly large undulating lawns here, and the many wandering paths are shaded by a remarkable variety of trees. There are oriental plane trees that are over 140 years old and over thirty metres in height. There is a relatively young giant sequoia, which has yet to become gigantic. There are hazelnut trees from Asia Minor, Siberian elms, Japanese cherry trees, ash trees, willows, black walnuts, and others. On top of a small rocky outcrop is a glass-walled gazebo which acts as a greenhouse for a solitary tropical palm tree. The following tree specimens can be found in the square :
four hybrid trees, planted in 1840 and 1880, all between 32 and 38 metres high, one of which is 5.90 m in circumference and among the largest in Paris
the purple beech, one example of which is now gigantic
Square des Batignolles is popular with children. There are several playgrounds, sand-boxes, swings, a carousel with old-fashioned wooden horses, an area for roller skating, and ping-pong tables. There are also areas for adults who wish to play pétanque, or boules.
Metro stations
The Square des Batignolles is: It is served by lines 2, 3, and 13.
