Squirrel Bait signaled the second coming of American punk - bands of little brothers and sisters who got to grow up on Black Flag and Hüsker Dü without a preparatory course in Supertramp.... Like a hundred other little Düs across the country, Squirrel Bait managed to make a couple of records before spintering off to form five more bands. Unlike most of that punk rock loam, the members of Squirrel Bait chewed up their legacy and shat out something curious and consequential.
History
The band started as a hardcore punk trio of high school friends, originally known as Squirrelbait Youth, with David Grubbs on guitar and vocals, Clark Johnson on bass guitar, and Rich Schuler playing drums for the band's first demo tape in August 1983. By the time Squirrel Bait recorded their second demo in 1984, Peter Searcy had taken over vocal duties and Britt Walford was playing drums. Three of this demo's songs would later appear on the band's vinyl releases. Walford left and was replaced by Ben Daughtrey on drums and Brian McMahan joined on second guitar. The band continued to play locally and toured to nearby cities where they opened for Hüsker Dü and Chicago-based bands Naked Raygun and Big Black, who recommended Squirrel Bait to their label, Homestead Records. Through Homestead, Squirrel Bait released an eponymous EP in 1985, a single in 1986 and an LP in 1987, all of which were later compiled on a single CD. In the midst of the young band's success, Grubbs and Johnson had moved away to college, and artistic tensions were causing a "jocks-vs.-nerds" split in the band. These differences ultimately resulted in the band's break-up in 1988.
Post-disbanding
Grubbs was subsequently a member of Bitch Magnet, Bastro, Gastr del Sol and The Red Krayola and has released a number of solo projects. Daughtrey played with The Lemonheads and then with Love Jones. McMahan, and Walford formed Slint, and appeared on the first single by King Kong. McMahan also formed The For Carnation and played with Palace Music. Walford would later play in Evergreen and The Breeders. Johnson played in Bastro with Grubbs but then chose not to make a career in music, and now works as an attorney in Louisville. Searcy played with Big Wheel and Starbilly before embarking on a solo career. In 1997, Grubbs reissued Squirrel Bait's vinyl releases on Dexter's Cigar, an imprint of the Drag City label. The band's demo and live recordings have resurfaced on the internet.
