The tower dates from the 12th and 13th centuries, the top stage being either added or rebuilt in the 15th century. The rest of the church, together with the west doorway, was rebuilt in 1721–72, when the diagonal buttresses were added to the tower. The 18th-century rebuilding was almost certainly designed by William Etty of York.
Architecture
Exterior
The tower is constructed in red sandstonerubble. Its lower part originally served a defensive purpose, being built with thick walls, no buttresses, very small windows, and no entrance. The bell openings are straight-headed with two lights. The west doorway has a Neoclassical surround, including a triangular pediment, a triglyphfrieze, and Doric columns. The body of the church is built in red sandstone ashlar. It is in Georgian style, with an eight-bay nave, and a two-bay chancel terminating in a shallow square apse. Along the sides of the church are two tiers of round-arched windows separated by broad pilasters, and at the east end are three windows beneath a large arch. On the south wall of the church is a sundial.
Interior
Inside the church are galleries on the north, west, and south sides. These are carried on Tuscan columns, which rise to the ceiling as wooden quasi-Tuscan columns. At the east end of the church are paintings by Jacob Thompson of Penrith dated 1845 depicting the Angel and the Shepherds, and the Agony in the Garden. The communion table dates from 1722, and was lengthened in 1951. The brass chandeliers were given to the church in 1746 by the 2nd Duke of Portland in recognition of the part the town played in the defence against the Young Pretender in 1745. The pulpit consists of the top section of a former three—decker. At the back of the gallery are royal arms dated 1723 by Mathias Read. The font consists of a simple octagonal bowl, and is dated 1661 which is the date it was brought back into use after the Restoration of King Charles II. The stained glass in the east window of 1870 is by Hardman, and that in the north aisle, dating from 1889, is by Burlison and Grylls. Elsewhere are windows by Clayton and Bell, Powell's, G.J.Baguley, and by Cox, Sons and Buckley. The monuments include two coffin lids inscribed with foliated crosses, one dating from the 14th century, the other possibly from the 12th century. There are also two worn stone effigies from the 17th century. The original pipe organ was installed in the west gallery in 1796 by Samuel Green. In 1868 a two manual organ was built by Forster and Andrews in the present position in the south gallery. This was increased to three manuals in 1923 but reduced to two in the 1972 rebuilding by Jardines. Further rebuilds have been undertaken by Rushworth and Dreaper. and by Andrew Carter in 2015. There is a ring of eight bells. Six of these were cast in 1763 by Lester and Pack at the Whitechapel Bell Foundry, and the other two by John Taylor and Company of Loughborough. The church contains a stained glass image of Joan Neville born about 1375, daughter of John of Gaunt and Katherine Swynford. Joan married her second husband, Ralph Neville, in 1396. She died in 1440 and her tomb lies next to her mother in Lincoln Cathedral. Joan was the niece of Geoffrey Chaucer, author of The Canterbury Tales, husband of her mother’s sister, Philippa,, and her son was Sir William Neville, Baron Fauconberg, Commander of the Yorkist army at the Battle of Towton in 1461.
External features
In the churchyard are two monuments, each of which has been scheduled. One is known as the Giant's Grave, and dates from the 10th century. It consists of two Anglo-Saxon cross shafts and four hogbacks, which have been in their present arrangement since at least 1664–65. The other, known as the Giant's Thumb, also dates from the 10th century. It consists of a single sandstone Anglo-Saxon cross shaft set on a modern sandstone base, which was erected here in 1887. It has a wheel head, and carving on its sides. Also in the churchyard is a monument dated 1846 in memory of Robert Vertue, an engineer employed on the construction of the Lancaster and Carlisle Railway, in Gothic Revival style, listed at Grade II, and a war memorial dated 1919 in the form of a Celtic cross.
