St Matthew Passion discography


Notable recordings of Johann Sebastian Bach's St Matthew Passion are shown below in a sortable table.
The selection is taken from the 253 recordings listed on bach-cantatas as of 2015, beginning with a recording from 1939 by a symphony orchestra and choir to match. Beginning in the late 1960s, historically informed performances paved the way for recordings with smaller groups, boys choirs and ensembles playing period instruments, taken to an extreme in recordings using only one voice on a vocal part.

History

The work was first recorded by symphonic choirs and orchestras. From the late 1960s, historically informed performances tried to adhere more to the sounds of the composer's lifetime, who typically wrote for boys choirs and for comparatively small orchestras of Baroque instruments, often now called "period instruments". Some scholars believe that Bach used only one singer for a vocal part in the choral movements, termed "one voice per part". On some of these recordings, the solo singer is reinforced in choral movements with a larger orchestra by a ripieno singer.
The first recording of the work was conducted by David McKinley Williams with the choir of St. Bartholomew, New York in 1930, but was not complete. Serge Koussevitzky conducted a performance on Good Friday 1937, sung in English. The table begins with [|the recording] conducted by Willem Mengelberg in 1939. In 1970 the [|first HIP recording] appeared, conducted by Nikolaus Harnoncourt. The [|first OVPP recording] appeared in 2003, conducted by Paul McCreesh.

Table of recordings

The sortable listing is taken mostly from the selection provided by Aryeh Oron on the Bach-Cantatas website.
The information lists for one recording typically: