Stadthaus Ulm


The Stadthaus Ulm is an assembly hall and art exhibition centre in the city centre of Ulm.
As an international landmark of modern architecture it is a building that encourages encounters with art, people, and culture. At the foot of the famous Ulm Minster, forming both a contrast and a complement to this dominating late-Gothic building, the Stadthaus and Münsterplatz were designed by the renowned US architect Richard Meier.

History

For centuries a monastery stood in the square of today’s Stadthaus which was also used as Latin grammar school. It was finally dismantled in 1878 - shortly before completion of the Minster - in order to give a free view on the worlds highest spire. Thenceforth the design of Münsterplatz in front of Ulm Minster has been subject of heated argument for 105 years and there are records of 17 design competitions, expert opinions and design submissions.
It wasn’t until 1986 when Richard Meier’s design was chosen and construction work began in 1991. The decision provoked discussion and hearings throughout the whole city, but in 1987 the population voted in favour of the construction in a referendum. Construction was finished in 1993 and the Stadthaus opened its gates to the public. The
project was completed by the design of the Minster square. Some people were still sceptical about the architecture because they felt it wouldn't comply with that of the Minster.
Today the Stadthaus forms the centre of a redevelopment of Ulm’s city centre.

Architecture

The Stadthaus is experienced as one large space on different interrelated levels with a total area of 3,600 m². The open staircase connects all four levels and provides open and framed views to the interior spaces and the exterior beyond.
On the ground floor many public services are offered from behind the curved sweep of the reception counter. A permanent exhibition devoted to the archaeology and history of the Münsterplatz is located on the lower level. It offers a view out onto the square and is visible to passers-by.
The contrast of austerely linear and gently curving forms characterises the interior space, where architecture and art form a symbiosis. All sides of the building relate to the immediate surroundings and using Spanish Rosa Dante granite to clad the building, floor the terraces and pave the square, was a deliberate choice by Richard Meier. Additionally, the gentle incline of the roof adopts the architecture of the neighbouring buildings.

Events and exhibitions

The Stadthaus both organises and co-produces outstanding cultural projects. It has become the civic forum in Ulm for events involving visitors to the city in the fields of arts, science and scholarship, politics, business, media, and current topics of common interest to the public.
The hall seats up to 320 people and serves as concert hall, lecture hall, discussion forum and congress venue. The profile of the Stadthaus is characterised by experimental and unusual projects. High-calibre exhibitions have provided material for open debate. The exhibition programme focuses on contemporary art, including photography, as well as on architecture and environmental planning. It is a particular concern of the Stadthaus to provide a platform for young, upcoming artists.
Another central component of the Stadthaus’ concept is the annual ‘Festival für Neue Musik’.

Literature