Storyville, New Orleans
Storyville was the red-light district of New Orleans, Louisiana, from 1897 to 1917. It was established by municipal ordinance under the New Orleans City Council, to regulate prostitution. Sidney Story, a city alderman, wrote guidelines and legislation to control prostitution within the city. The ordinance designated a thirty-eight block area as the part of the city in which prostitution, although still nominally illegal, was tolerated or regulated. The area was originally referred to as "The District", but its nickname, "Storyville", soon caught on, much to the chagrin of Alderman Story. It was bound by the streets of North Robertson, Iberville, Basin, and St. Louis Streets. It was located by a train station, making it a popular destination for travelers throughout the city, and became a centralized attraction in the heart of New Orleans. Only a few of its remnants are now visible. The neighborhood lies in Faubourg Tremé and the majority of the land was repurposed for public housing.
History
Though developed under the proposed title The District, the eventual nickname Storyville originated from City Councilman Sidney Story, who wrote the legislation and guidelines to be followed within the proposed neighborhood limits. The thirty-eight block area was bounded by Iberville, Basin Street, St. Louis, and N. Robertson streets. His vision came from port cities that legalized prostitution and was officially established on July 6, 1897. For decades most of this former district was occupied by the Iberville Housing Projects, two blocks inland from the French Quarter.The District was established to restrict prostitution to one area of the city where authorities could monitor and regulate such activity. In the late 1890s, the New Orleans city government studied the legalized red light districts of northern German and Dutch ports and set up Storyville based on such models. Between 1895 and 1915, "blue books" were published in Storyville. These books were guides to prostitution for visitors to the district wishing to use these services; they included house descriptions, prices, particular services, and the "stock" each house offered. The Storyville blue-books were inscribed with the motto: "Order of the Garter: Honi Soit Qui Mal Y Pense ". It took some time for Storyville to gain recognition, but by 1900, it was on its way to becoming New Orleans's largest revenue center.
Establishments in Storyville ranged from cheap "cribs" to more expensive houses, up to a row of elegant mansions along Basin Street for well-heeled customers. New Orleans' cribs were 50-cent joints, whereas the more expensive establishments could cost up to $10. Black and white brothels coexisted in Storyville; but black men were barred from legally purchasing services in either black or white brothels. Following the establishment of these brothels, restaurants and saloons began to open in Storyville, bringing in additional tourists. The District was adjacent to one of the main railway stations, where travelers arrived in the city.
Jazz did not originate in Storyville, but it flourished there as in the rest of the city. Many out-of-town visitors first heard this new style of music there before the music spread north. Some outsiders continue to associate Storyville with the origins of jazz. It was a tradition in the better Storyville establishments to hire a piano player and sometimes small bands. Musicians who got their start in Storyville include Buddy Bolden, Jelly Roll Morton, and Pops Foster.
At the beginning of the United States' involvement in World War I, Secretary of War Newton Baker did not want troops to have distractions while being deployed. The Navy had troops located in New Orleans and the city was pressed to close Storyville. Prostitution was made illegal in 1917 and Storyville was used for the purpose of entertainment. Most of its buildings were later destroyed, and in 1940 its location was used to create the Iberville housing projects.
The Blue Book
In the early 1900s, a Blue Book could be purchased for 25 cents. Blue Books were created for tourists and those unfamiliar with this area of New Orleans and contained, in alphabetical order, the names of all the prostitutes of Storyville. It also included, in a separate section, the addresses of these prostitutes and separated them based on race. Sex workers were identified as white, black, or octoroon. Landladies would be identified in bold font and information about popular houses, including interior and exterior pictures, was included. They also included advertisements for national and local cigar makers, distillers, lawyers, restaurants, drugstores, and taxi companies. The fees for general or specific services at the listed brothels were not included.Blue Books could be purchased throughout the district in various barbershops, saloons, and railroad stations. Primarily they were sold on the corner of Basin Street and Canal Street.
The first Blue Book of Storyville was made between 1895 and 1896, but it wasn't until 1909 that the first popular edition was published. Billy Struve was its main producer in New Orleans. Struve, a manager of the saloon of Thomas Charles Anderson, the "Mayor of Storyville", published the books on the second floor of Lulu White's saloon on the corner of Basin Street and Bienville. Approximately sixteen editions were published until 1915.
Mahogany Hall
Storyville contained a large variety of brothels and parlors to satisfy the diverse tastes of visitors to New Orleans. Mahogany Hall was the most lavish of them, operated by Lulu White, an important businesswoman in the district. Mahogany Hall was an octoroon hall, employing prostitutes of mixed races. It was located at 235 Basin Street.Mahogany Hall employed roughly 40 prostitutes. Popular women of Mahogany Hall included Victoria Hall, Emma Sears, Clara Miller, Estelle Russell, Sadie Reed and Sadie Levy. Lulu White advertised these women as having beautiful figures and a gift from nature, and gained a reputation for having the best women around.
Mahogany Hall was originally called the Hall of Mirrors and was built of solid marble with a stained glass fan window over the entrance door. It had four floors, five different parlours, and fifteen bedrooms with attached bathrooms. The rooms were furnished with chandeliers, potted ferns, and elegant furniture. The house was steam-heated, and each bathroom was supplied with hot and cold water. The interiors of the rooms of Mahogany Hall filled the ads in Blue Books and other advertising pamphlets of the period.
The Hall was forced to close down in 1917 following the closure of Storyville. Originally built for $40,000, it did not sell until 1929, when it fetched just $11,000. The hall became a House for the Unemployed in the mid-1940s until 1949 when it was finally demolished. However, the significance of the Hall can be found in various museums and in the jazz tune "Mahogany Hall Stomp" by Spencer Williams.
Notable people associated with Storyville
Alderman Sidney Story
Notably the Father of Storyville, Alderman Sidney Story, an American politician, wrote the legislation to set up the District, basing his proposals around other port cities that limited prostitution. Storyville became the nation's only legal red-light district, due to Ordinance No. 13,032, which forbade any and all prostitution in New Orleans outside of a tightly defined district in 1897. The original ordinance, written by Story, read:Story's vision allowed authority to regulate prostitution without technically legalizing it.
Lulu White
Lulu White was one of the best known madams in Storyville, running and maintaining Mahogany Hall. She employed 40 prostitutes and sustained a four-story building that housed 15 bedrooms and five parlors. She often found herself in trouble with law enforcement for serving liquor without a license and was known to get violent when another intervened in her practice. Her clients were the most prominent and wealthiest men in Louisiana and she is remembered for her glamour and jewels "which were like the 'lights of the St. Louis Exposition' just as reported in her promotional booklet"Prior to leaving New Orleans, White lost $150,000 in her investment schemes following the closure of Storyville.
Additional brothel proprietors
Others
Music
music, while not created specifically in Storyville but all over the city, gave musicians the opportunity to perform in the saloons, brothels, dance clubs, and cribs of Storyville. At the creation of Storyville, black and white musicians were segregated. The red-light district first opened to African Americans who brought their musical background with them. As time went on and white musicians started to enter Storyville, they increasingly were influenced by black performers. The segregation slowly started to diminish, and sharing their common interest brought the races together in some informal musical ventures. Bands signed to labels remained segregated.The owners of the brothels, saloons, and cribs would hire musicians to entertain the clients. These audiences tended to not be very critical, giving performers the freedom to experiment with their musical styles. Many different forms and genres of music arose from this experimentation, combining different influences such as African, French, and contemporary. With the closing of Storyville in 1917, the New Orleans musicians who had relied on the district for employment moved elsewhere. Many of these musicians moved to the next major urban center of jazz, Chicago.
Closure
In 1908, a train-route connecting Canal and Basin Street was completed, centralizing the location of Storyville in New Orleans. This new train station was located adjacent to the District, leading to citizens' groups protesting its continuance. Prostitutes, often naked, would wave to the train's passengers from their balconies.At the beginning of World War I, it was ordered that a brothel could not be located within five miles of a military base. The US Navy, driven by a reformist attitude at home, prohibited soldiers from frequenting prostitutes, based on public health. In October 1917, shortly after the United States entered World War I, Secretary of War Newton D. Baker said:
Aided by the campaigns of the American Social Hygiene Organization, and with army regulations that placed such institutes off limits, he implemented a national program to close so-called "segregated zones" close to Army training camps.
In the early days of the war, four soldiers were killed within the district within weeks of each other. The Army and Navy demanded that Storyville be closed down, with the Secretary of the Navy Josephus Daniels citing the district as a "bad influence".
The New Orleans city government strongly protested against closing the district; New Orleans Mayor Martin Behrman said, "You can make it illegal, but you can't make it unpopular." He then ordered the District be shut down by midnight of November 12, 1917. After that time, separate black and white underground houses of prostitution were set up around the city.
The district continued in a more subdued state as an entertainment center through the 1920s, with various dance halls, cabarets and restaurants. Speakeasies, gambling joints and prostitution were also regularly found in the area despite repeated police raids. Prostitution was made illegal throughout the city in 1917.
Storyville today
Almost all the buildings in the former District were demolished in the 1930s during the Great Depression for construction of public housing, known as the Iberville Projects. While much of the area contained old and decayed buildings, the old mansions along Basin Street, some of the finest structures in the city, were also levelled. The city government wanted to change the area by demolition and new construction. Basin Street was renamed "North Saratoga".Today there are three known buildings that still exist from the Storyville time period: Lulu White's Saloon, Joe Victor's Saloon, and Tark "Terry" Musa's store, formerly known as Frank Early's Saloon.
Representation in media
- William J. Toye painted several works of Storyville, but they were damaged less than two weeks before he was to exhibit them in 1969.
- A collection of photographs by E. J. Bellocq, a turn of the century photographer, were discovered in the mid-twentieth century. He had portrayed many Storyville prostitutes. His work was published in 1971 for the first time, under the title Storyville Portraits.
- Films with fictional portrayals of Storyville have included New Orleans, Pretty Baby, and Storyville.
- In Michael Moorcock's History of the Runestaff the city of Narleen is intended to be a post-apocalyptic New Orleans, with the city-within-a-city of Starvel meant to be Storyville.
- David Fulmer has set five mystery novels—Chasing the Devil's Tail, Jass, Rampart Street, Lost River, and The Iron Angel—in Storyville circa 1907–1915.
- Anne Rice's novel The Witching Hour mentions Storyville in the chapters regarding Julien Mayfair.
- A musical called Storyville in tribute to the historic New Orleans district is performed by the York Theatre Company, with the play written by Ed Bullins and the music and lyrics written by Mildred Kayden.
- Charlayne Elizabeth Denney's novel Lilly's Angel has the main character, Lilly Marchantel, living as a prostitute in Mahogany Hall, the largest of the Storyville brothels. All of the characters except for Lilly, Marcus, and the brothel's bouncer, Abe, are all historical persons who actually lived in or near Storyville in 1900.
Citations