Strange Interlude


Strange Interlude is an experimental play in nine acts by American playwright Eugene O'Neill. O'Neill began work on it as early as 1923 and developed its scenario in 1925; he wrote the play between May 1926 and the summer of 1927, and completed its text for publication in January 1928, during the final rehearsals for its premiere performance. Strange Interlude opened on Broadway on January 30, 1928, and won the Pulitzer Prize for Drama. Lynn Fontanne originated the central role of Nina Leeds on Broadway. It was also produced in London at the Lyric Theatre in 1931. It was included in Burns Mantle's The Best Plays of 1927-1928. Because of its length, around five hours if uncut, the play has sometimes been produced with a dinner break or on consecutive evenings. The play's subject matter, very controversial for the 1920s, led to it being censored or banned in many cities outside New York.
Strange Interlude makes extensive use of a soliloquy technique, in which the characters speak their inner thoughts to the audience.

Plot summary

The plot centers on Nina Leeds, the daughter of a classics professor at a college in New England, who is devastated when her adored fiancé is killed in World War I, before they have a chance to consummate their passion. Ignoring the unconditional love of the novelist Charles Marsden, Nina embarks on a series of sordid affairs before determining to marry an amiable fool, Sam Evans. While Nina is pregnant with Sam's child, she learns a horrifying secret known only to Sam's mother: insanity runs in the Evans family and could be inherited by any child of Sam's. Realizing that a child is essential to her own and to Sam's happiness, Nina decides on a "scientific" solution. She will abort Sam's child and conceive a child with the physician Ned Darrell, letting Sam believe that it is his. The plan backfires when Nina and Ned's intimacy leads to their falling passionately in love. Twenty years later, Sam and Nina's son Gordon Evans is approaching manhood, with only Nina and Ned aware of the boy's true parentage. In the final act, Sam dies of a stroke before he can learn the truth. This leaves Nina free to marry Ned Darrell, but she declines to do so, choosing instead to marry the long-suffering Charlie Marsden, who proclaims that he now has "all the luck at last."
The meaning of the title is suggested by the aging Nina in a speech near the end of the play: "Our lives are merely strange dark interludes in the electrical display of God the Father!"

Soliloquy technique

Many who have never read Strange Interlude or seen it performed will nevertheless associate the title with the unusual soliloquy technique employed by O’Neill to delve into his characters’ psychology. Throughout the play, the characters alternate their spoken dialogue with monologues and side comments, many in stream-of-consciousness style, expressing their unspoken thoughts.
The play begins with a long soliloquy by the writer Charles Marsden. In this monologue, Marsden lays bare his ambiguous passion for Nina and his own conflicted attitude toward sex:
In Act Two, Marsden is introduced to Sam Evans, who will eventually marry Nina:
Later in Act Two, Dr. Ned Darrell, who is treating Nina for nervous disorders, arrives, and he and Marsden size each other up:
In Act Eight, set during a rowing competition twenty years later, Nina has difficulty coming to terms with the fact that her beloved son Gordon is now a grown man with a fiancée, Madeline:

Production

Produced by the Theatre Guild, Strange Interlude opened January 30, 1928, at the John Golden Theatre. The original production was directed by Philip Moeller with settings by Jo Mielziner. The nine-act melodrama ran five hours, beginning at 5:15 p.m., breaking for dinner at 7:40 p.m., and resuming at 9 p.m.

Cast

Five members of the original cast — Powers, Helen Westley, Burns, Ethel Westley and Walters — were still with the play when the production reached its first anniversary, and they had not missed a single performance. Powers was compelled to leave the cast at the end of March 1929 due to exhaustion. The original Broadway production ran 17 months.
Recent revivals of Strange Interlude have mostly edited the text to allow a three to 3.5 hour running time that can be accommodated in a normal, if lengthy, evening performance. Notable recent productions include the 1985 London and Broadway revival starring Glenda Jackson, a 2012 production at the Shakespeare Theatre Company in Washington, D.C., and a 2013 production at the National Theatre London, starring Anne-Marie Duff.

Adaptations

Strange Interlude was adapted by Hollywood only once, in 1932. The MGM film, which starred Norma Shearer as Nina Leeds and Clark Gable as Dr. Ned Darrell, was a shortened and toned-down version of the play. Voiceovers were used for the soliloquies.
A 1963 Actors Studio production directed by Jose Quintero was issued by Columbia Masterworks Records in 1964. The company included Betty Field, Jane Fonda, Ben Gazzara, Pat Hingle, Geoffrey Horne, Geraldine Page, William Prince, Franchot Tone, and Richard Thomas. The album set was five LPs and was nominated for a Grammy in the category Best Documentary, Spoken Word Or Drama Recording.
A 1988 television version directed by Herbert Wise was based on a 1985 London stage revival and starred Edward Petherbridge as Charles, Glenda Jackson as Nina, and David Dukes as Ned. This version follows O'Neill's original text fairly closely, and allows the actors to speak their soliloquies naturally in the manner of the stage production. It was broadcast in the U.S. as part of the PBS series American Playhouse.

Cultural references