Street punk music is characterized by single-note guitar lines and short solos. Unlike similar genres, such as traditional hardcore punk, street punk bands sometimes consisted of two guitarists, one of which plays guitar melodies while not singing. Street punk also makes frequent use of communal vocals, gang vocals, and sing–along choruses. Street punk lyrics commonly address topics including fighting, drinking, partying, inner-city turmoil or personal relationships. Street punk bands sometimes express political viewpoints, typically of a left-wing variety, although some street punks eschew politics altogether in favor of a more hedonistic, nihilistic outlook. Punk veteran Felix Havoc said:
History
Origins (1980s)
UK 82
UK 82 took the existing punk sound and added faster drumbeats and an aggressive distorted guitar sound. The term UK 82 is taken from the title of a song by The Exploited. Cross-pollination existed between this era of British street punk and American hardcore punk. The lyrics of UK 82 bands tended to be much darker and more violent than the lyrics of earlier punk bands. They tended to focus on the possibilities of a nuclear holocaust, and other apocalyptic themes, partially due to the military tension of the Cold War atmosphere. The other mainstay of the lyrics of the era was unemployment, and the policies of the Conservative Party government. Lyrics frequently denounced the Conservative leader Margaret Thatcher in the same way that American hardcore punk bands addressed the Ronald Reagan administration. The three most prominent UK82 bands, according to Ian Glasper, are The Exploited, Discharge, and Charged GBH. The Exploited were controversial due to their aggressive lyrics and rowdy concerts, and were considered by Glasper to be "cartoon punks". Glasper wrote: "For many, The Exploited were the quintessential second wavepunk band with their senses-searing high-speed outbursts against the system, and wild-eyed frontman Walter 'Wattie' Buchan's archetypal orange mohican." Discharge's early work proved to be enormously influential, providing the blueprint for an entire subgenre. Their later work, however, has been described as moving into heavy metal.
D-beat
D-beat was developed in the early 1980s by imitators of the band Discharge, for whom the genre is named. The first such group was The Varukers. The vocal content of D-beat tends towards shouted slogans. The style is distinct from its predecessors by its minimal lyrical content and greater proximity to heavy metal. It is closely associated with crust punk, which is a heavier, more complex variation. D-beat bands typically have anti-war, anarchist messages and closely follow the bleak nuclear war imagery of 1980s anarcho-punk bands. The style was particularly popular in Sweden, and was developed there by groups such as Anti Cimex and Mob 47.