Sutton Place, Surrey


Sutton Place, north-east of Guildford in Surrey, is a Grade I listed Tudor manor house built c. 1525 by Sir Richard Weston, courtier of Henry VIII. It is of great importance to art history in showing some of the earliest traces of Italianate renaissance design elements in English architecture. In modern times, the estate has had a series of wealthy owners, a trend started by J. Paul Getty, then the world's richest private citizen, who spent the last 17 years of his life there. Its current owner is the Russian billionaire Alisher Usmanov. A definitive history of the house and manor, first published in 1893, was written by Frederic Harrison, jurist and historian, whose father had acquired the lease in 1874.

Architecture

Historical assessment

Bindoff stated: Harrison stated it to be "a landmark in the history of art", and "a cinquecento conception in an English gothic frame". He identified it as "one of the first houses built as a peaceful residence, with no thought for defence...one of the first country houses in the modern sense, instead of an imitation castle...Weston perceived that the Wars of the Barons were over, that a gentleman might live at his ease under protection of law and the king's peace". Weston was certainly daring in his choice of eye-catching decoration above his front-door, for which he surely risked being ridiculed by his manly friends, including the king himself: innocent loving children at play: the amorini. Was this a signal by an avant-gard Sir Richard to his visitors, many of whom must have been valiant and experienced soldiers, that his house was to be a haven where love and play were de rigueur, not the old-fashioned militaristic conversations and behaviours? What a different message this was to that placed above the gates of Dante's Inferno: Lasciate ogne speranza, voi ch'intrate, "Abandon all hope, ye who enter here".
At Sutton, the defensive towers and turrets of the old castles and fortified manors have been reduced to mere pilasters, covered with decorative terracotta, caricatures of their former selves, perhaps as symbols of a deliberate rejection of defensive elements by Weston. The symbolism of the short stretch of crenellated parapet on the roofline above the front-door, one of the most potent aspects of the old defensive fortress, has been disarmed and cancelled-out by the almost jarring sight of a covering of yet more playful amorini. A more deliberately dissonant juxtaposition would be hard to imagine, yet that is what Sir Richard ordered to be erected. Sutton is clearly a house with a message to proclaim, which would not have been, could not have been, missed by its visitors.

Description

The house is built of red brick and was originally of four blocks enclosing a quadrangle exactly 81 ft. 3 ins. square. The northern block or wing was demolished in 1782, giving the house its present open appearance of a U-shape, the two surviving flanking wings forming a courtyard looking to the east. An unusual feature is that, due to the extreme flatness of the site, the entire ground floor of the whole house stands on the exact level of the soil, so that no step exists for entering the house on any side. It is set within a separately listed formal parkland at the end of a long driveway.

Terracotta elements

The decorative elements made from moulded terracotta on the facade are renaissance italianate. They consist of designs made from 40-50 different moulds, most strikingly comprising a panel of two rows of amorini immediately above the entrance door. Such Italianate influence had never before been seen in English architecture, and is thought to have resulted from designs seen by Weston during his travels on embassies to France, where he might have seen some of the newly built chateaux on the Loire. With very minor exceptions, no stone was used in the building and decoration of Sutton Place, only brick and terracotta. Thus, the bases, doorways, windows, string-courses, labels and other dripstones, parapet, angles, cornices, and finials are all of moulded clay. Such usage is only found in two other contemporary English buildings, East Barsham Manor in Norfolk and Layer Marney Tower in Essex. Its use was, however, rapidly abandoned in England, to appear again only in the Victorian era. The terracotta proved very hard-wearing and was described by Harrison in 1899 as "sharp and perfect" in condition. The terracotta has, however, undergone, in the 1980s, a £12 million refurbishment, involving much replacement, by the specialist firm Hathernware Ceramics Ltd, which used 18 different colour blends of clay to match the original variety of shades. Prior to that, it seems the only new elements were from 1875 when 10 new terracotta mullions and window-frames made by Messrs Blashfield of Stamford, from moulds of existing windows, replaced sash-windows inserted in the 18th century. Two completely new small windows were, at the same time, created from terracotta in the gables of the quadrangle.
of Weston, a "waisted-tun", a barrel with concave ends. Terracotta moulding at Sutton Place
Other terracotta decorative elements include framed monograms of "R W", the builder, and reliefs of his rebus of the concave-ended barrel, probably signifying a "waisted-tun". The "tun" was a play on the last syllable of Weston. The concave-ended barrel is sometimes shown between two goose heads, the significance of which is unclear, unless it be the French word Oie plus -"tun". Willam Bolton, prior of St Bartholomew's in Smithfield, is also known to have used the rebus of a "tun", as can be seen in his surviving oriel window within the church in the form of a barrel with a bolt of a crossbow passing through vertically. Another recurring terracotta element is a double bunch of grapes, thought by some to represent hops. Harrison believes the story of Weston having been "the King's brewer" unfounded and "a vulgar story". Similar hop-like bunches of grapes also feature at Layer Marney, and there is no evidence of Lord Marney, captain of the royal bodyguard, having been similarly a brewer.

Painted glass

The hall windows contain fine painted glass, much installed contemporaneously with the building of the house. These consist of shields of arms and other rebuses. There are, in total, 14 windows containing 92 separate lights, each containing a shield or quarry of painted glass. They are of different dates and quality, belonging to three separate epochs, but mostly relating to the builder's family. Some glass predates the house and is believed to have come from the earlier manor house of Sutton. Harrison states certain to be "of extraordinary beauty and rarity"..."of the finest painted glass of the time of Henry VIII". Apart from family arms, the arms of King Richard III and emblems of the Roses, Red and White are also shown; all relate to the Battle of Bosworth at which Edmund Weston, Governor of Guernsey, father of Sir Richard, is thought to have assisted Henry Tudor by providing the use of money, ships or even a contingent of soldiers.

History

Sutton Manor, within which the Tudor mansion is situated, appears in the Domesday Book of 1086 as Sudtone. It was held by Robert Malet. Its Domesday assets were: 3 hides; 1 mill worth 5s, 3 ploughs, of meadow, woodland worth 25 hogs. It rendered £5. The previous manor house stood about a quarter of a mile from the present house, on the hill now occupied by St Edward's Chapel and Vine Cottage.
Within Sutton Place was once the blood-stained ruff of St Thomas More and a crystal pomegranate that once belonged to Queen Catherine of Aragon. The pomegranate emblem of the Queen features as a decoration in several places within the house, which suggested to Harrison that Weston certainly built the house before she was divorced by Henry VIII in 1533, and possibly before 1527 when it would have been known by his courtiers, such as Weston, that the King had turned his affections away from Catherine towards Anne Boleyn.

Descent of the manor

Sutton Place remained in the Weston family and families related to it by marriage until 1919, although let out for part of the time. The family was recusant from Tudor times, which precluded it from taking an active part in public life. Successive occupants thus lived as retiring country gentlemen of reduced means, which meant that the house escaped remodelling through the ages. A collection of portraits of the Weston, Webbe and Webbe-Weston family was sold at auction on 13 July 2005 by Sotheby's Olympia, London.

1521–1782: Weston


"To the Memory of Melior Mary Weston of Sutton Place in the county of Surrey, Spinster. This Marble was erected as a tribute of sincere respect and gratitude by John Webbe Weston of Sarnesfield Court in the county of Hereford, Esq. who in pursuance of her last will and bequest succeeded to her name and estates. She was the last immediate descendant of an illustrious Family which flourished in this county for many successive generations, and with the ample possessions of their ancestors inherited their superior understanding and distinguished virtues
obiit, 10 Junii, MDCCLXXXII, aet. 79. R.I.P."

John Webbe erected a tablet very similar to this one in Sarnesfield Church in 1795 to the memory of his other spinster distant cousin Ann Monington, a nun who had left her Hereford estates, including Sarnesfield, to him in 1780. Ann Monington's father Edward's second wife was Bridget Webbe and he died without any male heirs. John Webbe, to whom Ann Monington left the Sarnesfield Estate, was the son of Bridget Webbe's uncle Thomas Webbe of Hammersmith.
It appears both bequests came to him due to his having adhered to the Roman Catholic religion, which other cousins in contention for the bequests had deserted, to the displeasure of the legators. John Webbe-Weston was the son of Thomas Webbe, a linen draper, of York Street, St Paul's, Covent Garden and of Brook Green, Hammersmith by Ann Tancred, daughter of Thomas Tancred, a woollen draper, of St Paul's, Covent Garden by Frances Gazaigne.
Thomas Tancred was the grandson of Sir William Tancred, 2nd Baronet of Aldeborough, Boroughbridge, Yorkshire, by Elizabeth Waldegrave, da. of Charles Waldegrave of Stanninghall, Norfolk, 2nd son of Sir Edward Waldegrave, 1st Baronet. Thomas Webbe's mother was the sister of William Wolffe of St Giles-in-the-Field and Great Haseley, Oxon, who married Frances Weston, aunt of Melior Mary Weston. William Wolffe's mother was Anne Pincheon of Writtle, Essex, daughter of John Pincheon who was the son of Sir Edward Pincheon of Writtle by Dorothy Weston, sister of Richard Weston, 1st Earl of Portland, who shared a common descent with Richard Weston the founder of Sutton Place from a certain Humphrey Weston.

1782–1857: Webbe-Weston

On the death of Francis Salvin in 1904, the estate passed to his niece's son Philip Witham, a solicitor, who died in 1921. Witham was born in 1842, 4th son of Sir Charles Witham Knt., a Captain in the Royal Navy, by Jane, daughter of John Hoy, of Stoke Priory. He was the grandson of William Witham and Dorothy Langdale. He was educated at Mount St Mary's and abroad and admitted a Solicitor in 1866. He became head of the firm of Messrs Witham, Roskell, Munster and Weld. He served as a member of the Cardinal Vaughan Memorial Committee in 1904. He married, in 1878, Louisa Salvin, da. of Marmaduke Salvin of Burn Hall, Durham, and
niece of Captain Francis H. Salvin. Witham had never held vacant possession of Sutton Place and sold it on the expiry of the Northcliffe tenancy in 1918. His wife Louise lived on until 1945. In July 1945, the voluminous Weston family estate papers were presented to Surrey Archives by Mrs D Wolseley of Guildford.

Weston Chapel, Holy Trinity Church, Guildford

The "Weston Chapel" stands attached to the south side of Holy Trinity Church, Guildford. Its external walls are of a decorative chequerboard pattern of flint and freestone squares. It was built c.1540 by Richard Weston of nearby Sutton Place, primarily as his intended burial place, as his will, dated 15 May 1541, directs that his body be:

"buryed in the P'yshe Churche of the Holy Trinitye with in the Town of Guldforde in a Chapell which I have caused to be made for the same iyntent"

The Chantry established and funded by Weston is listed in the "Survey of Chantry Lands, Surrey" made between 1546 and 1548 as part of the administering of the Dissolution of the Monasteries as being:

"For the mayneteyninge of one priest and one yerely obite for the terme of xx ti yeares begyninge the xx th day of June in the xxxii yere of the reigne of our late sovereign lorde Kinge Henry the eight. The incumbent whereof is Anthony Cawsey clerke of the age of l yeres...which said chauntrey and obite are worth lands and tenements by the yere x li whereof to the pore xxvii s iiii d. and so remayneth clere viii li iiii d plate parcel gilt viii oz di. Qrt. xlii s iii d Ornamentes x li."

The Weston family maintained their Catholic faith throughout the Reformation and beyond, which was a great sacrifice for them as it prevented them from holding public office and brought much suspicion on them from government officials throughout the ages. The freehold of the Weston Chapel was retained by descendants of the Weston family until 2005, when the trustees of the Weston Estate granted it to the main Protestant Church of Holy Trinity, to which it has been physically attached since 1763. Part of the arrangement was that a Catholic mass be held in the Chapel at least annually. There are three surviving Weston monuments in the chapel. Two are wall tablets, the earliest of which commemorates Melior Mary Weston of Sutton Place, the last direct descendant of the founder and only child and sole heiress of John II Weston and Elizabeth Gage, sister of Thomas Gage, 1st Viscount Gage. The tablet was erected by her grateful distant Catholic cousin John Webbe-Weston to whom she bequeathed all her estates, including Sutton Place. The other tablet is for Elizabeth Lawson, who died in 1791, aged 34, first wife of John Webbe-Weston.
The other Weston Monument, which once stood in the centre of the Weston Chapel but now stands in the west porch of the main church, is the chest tomb of Anne Pickering, wife of Sir Francis Weston the only son of the founder who was executed in 1536, aged only 25, for supposed adultery with Queen Anne Boleyn. Although she remarried, she expressed the wish in her will to be buried near her first father-in-law. Francis, having been beheaded in the Tower of London, was buried in an unmarked tomb within the precincts of the Tower. The effigy is of a recumbent woman wearing a ruff and lies on a chest tomb sculpted with skulls showing behind a grille.

1918–present

St Edward the Confessor Church

Within the grounds of Sutton Place is St Edward the Confessor Church. It is a Roman Catholic Parish church. It was built in 1875 in the early English Gothic style and is a Grade II listed building.
The architect was Charles Alban Buckler. He was the son of John Chessell Buckler and is buried in the cemetery that surrounds the church. He also designed the Church of St Thomas of Canterbury and English Martyrs in St Leonards-on-Sea, St Peter's Church in Shoreham-by-Sea, St Francis of Assisi's Church in Midhurst, St Richard's Church in Slindon, most of St Dominic's Priory Church in Haverstock Hill, and parts of Arundel Castle.
The church was opened on 27 September 1876. In 1911, the parish priest was Arthur Hinsley. While he was priest, the reredos, which was designed by Frederick Walters and had glass by Hugh Ray Easton, was added to the church. Around that time, windows designed by Franz Mayer & Co. and Hardman & Co. were also installed. On 31 May 1950, the church was consecrated by the Bishop of Southwark, Cyril Cowderoy.

Sutton Place in fiction

The lives of various owners of Sutton Place through the centuries were fictionalized in the Sutton Place Trilogy by Dinah Lampitt, comprising the novels Sutton Place, about Richard Weston and his family, The Silver Swan, about Melior Mary Weston, and Fortune's Soldier, about Captain John Joseph Webbe Weston and Lady Horatia Waldegrave.