Sweet Blue Flowers
Sweet Blue Flowers is a Japanese yuri manga series written and illustrated by Takako Shimura. It was serialized between November 2004 and July 2013 in Ohta Publishing's Manga Erotics F manga magazine and is licensed in English by Viz Media. Eight volumes were published between December 2005 and September 2013. The story focuses on Fumi Manjōme, a lesbian high school girl, and her close childhood friend Akira Okudaira, who tries to keep her friends happy through difficult times.
An 11-episode anime television series produced by J.C.Staff and directed by Ken'ichi Kasai aired in Japan between July and September 2009 on Fuji TV. An Internet radio show to promote the anime was produced between June and October 2009 on HiBiKi Radio Station hosted by Ai Takabe and Yūko Gibu, who voiced Fumi and Akira in the anime, respectively. The anime has been licensed by Right Stuf Inc.
Plot
At the start of Sweet Blue Flowers, Akira Okudaira, who is an entering high school student into Fujigaya Girls Academy, becomes reacquainted with her childhood friend Fumi Manjōme whom she has not seen for ten years. Fumi is attending Matsuoka Girl's High School where she quickly becomes friends with a handsome third-year student named Yasuko Sugimoto. Akira joins her school's drama club with her friend and classmate Kyōko Ikumi, who is in love with Yasuko, though Yasuko turns her down. Akira meets Kyōko's fiancé Kō Sawanoi. Yasuko and Fumi become a couple, and Fumi comes out to Akira who is at first unsure on how to act, but still tries to support Fumi's new relationship.Akira's drama club does an adaptation of Wuthering Heights for a drama festival; Fumi helps out with her friends Yōko Honatsugi, Misako Yasuda, and Miwa Motegi. Yasuko breaks up with Fumi, who learns that Yasuko's older sister Kazusa is marrying a teacher at Fujigaya named Masanori Kagami whom Yasuko had fallen in love with. Time passes after the wedding, and Yasuko decides to study abroad in London after graduating. Miwa and Akira's older brother Shinobu start going out, and Fumi tells Akira that she was her first love, much to Akira's embarrassment.
When Akira and her friends enter their second year of high school, an energetic first-year student named Haruka Ōno joins the Fujigaya drama club. Akira and Kyōko are split into different classrooms, and Akira meets a tall girl in her new class named Ryōko Ueda. The high school division of Fujigaya does the play Rokumeikan with Akira, Kyōko and Ryōko playing lead roles, though Ryōko only agrees to act because Akira also agrees to act alongside her. Fumi and Haruka become friends, and Haruka confides in Fumi that she suspects her older sister Orie may like women. Not knowing how to respond, Fumi seeks advice from Akira, but ends up confessing her love for her instead. Kyōko does not want Kō to break off the engagement, but he ends up finally breaking up with her. The play goes well and everyone praises the actress' performances. Over summer vacation, Akira suggests to Fumi that they go out together after thinking deeply about it.
Characters
Main characters
;Fumi Manjōme;Akira Okudaira
Fujigaya students
;Kyōko Ikumi;Ayako Kawasaki
;Kaori Miura
;Haruka Ōno
;Ryōko Ueda
Matsuoka students
;Yasuko Sugimoto;Yōko Hon'atsugi
;Miwa Motegi
;Misako Yasuda
;Kaori Ueno
Other characters
;Okudaira family- Shinobu Okudaira: Akira's older brother, who attends college. He is constantly worried about his sister, and often takes her places in his car, though Akira often gets very annoyed at how protective her brother is towards her. When she was younger, he would sneak into her futon at night; now he tries to follow her around when he thinks she might be meeting with guys. He suspects Kō of being interested in Akira. Later, Shinobu starts dating Mogii and relaxes a little about Akira.
- Sakiko Okudaira: Akira and Shinobu's mother, who tends to get easily excited. She often yells at Shinobu for his inappropriate behavior regarding Akira, but she also worries about Akira, just like Shinobu does. Her sister describes Sakiko as the black sheep of the family. Sakiko was friends with Yoshie years ago, and regularly visits with her now that Fumi's family has moved back.
- Yoshimichi Okudaira: Akira and Shinobu's father. He doesn't appear much, but he seems to have a personality similar to Shinobu's. He's a salaryman working for an IT company.
- Keiko: Keiko is Akira and Shinobu's aunt, as well as Sakiko's sister. She currently lives in the outskirts of Yokohama, but she graduated from Fujigaya. Keiko and Sakiko don't always get along because of snobbish comments Keiko makes, while Akira is afraid of Keiko's forceful personality. When Shinobu introduces Mogii to her, Keiko overwhelms Mogii so much that she basically hides behind Shinobu.
- Yoshie Manjōme: Fumi's mother. She is good friends with Sakiko Okudaira.
- Akio Manjōme: Fumi's father. He works at a bank. His job transfers him back to Kamakura, which brings Fumi and Akira back together.
- Chizu Hanashiro: Fumi's cousin who lived near Fumi's family while she was going to college. She and Fumi were very close as children and developed a more physically intimate relationship once they were older. Fumi is in love with Chizu, but Chizu chooses to marry instead, breaking Fumi's heart. Chizu's first child looks a lot like Fumi did as a baby.
- Fumi's grandmother: Fumi's strict grandmother, who used to treat Akira like her own granddaughter. She died two years before Fumi's family moved back to Kamakura. When Fumi is feeling bad about herself, she sometimes hears her own negative thoughts as if her grandmother were saying them.
- Chie Sugimoto: Yasuko's mother. She often pretends to be scandalized by her daughters' antics, but then says the most scandalous things herself. Despite this, she shows a caring side to Fumi when she visits.
- Shinako Sugimoto: The oldest Sugimoto sister, who likes to joke and tease Yasuko. She attended Fujigaya at the same time as Hinako; Orie had a crush on Shinako in school before Hinako confessed. Shinako was quite popular in school and often had younger students admiring her and wanting to date her. She dated a female student named Kaoruko, who broke up with her, but it seems they got back together several times. Shinako regularly had many girlfriends and says she loved all of them.
- Kazusa Sugimoto: Kazusa is an artist. She has a kind personality and appears very feminine, except when she paints. For a short time, she worked as an art teacher at Fujigaya after graduating from there. While teaching, she met her future husband Masanori Kagami, also a teacher. She knows two of her sisters loved her husband when they were younger, but this doesn't appear to bother her. She also teaches Kyōko private art lessons and suspects Kyōko's feelings for Yasuko.
- Kuri Sugimoto: Kuri is similar to Yasuko in that she was very popular when attending Fujigaya. Also like Yasuko, she too fell in love with Masanori Kagami, but she never told him her feelings. She wields a blunt personality and smokes. While at Fujigaya, her best friend Komako had a crush on her, though Kuri may not know this.
- Masanori Kagami: Kazusa's husband, he teaches at Fujigaya, where they met. He nominally advises the Drama Club, but he almost never shows up, which the club members, especially Kaori, remark on often. He was the one who named Yasuko "Mistress of the Library"; Yasuko left Fujigaya after confessing her feelings to him and being turned down. He withheld this information from Kyōko when she asked if he knew why Yasuko had left. After his marriage to Kazusa, both Kuri and Yasuko seem to accept that he is beyond their reach.
- Fumi: Sugimoto family cook and helper. She is soft-hearted and allows the younger Fumi to take tea to Yasuko after the sisters fight with each other.
- Ogino: Sugimoto family driver. He insists on driving Yasuko around when he can.
- Kayoko Ikumi: Kyōko's mother. Kyōko hated her for a long time because of Kayoko's illness and how other people treated their family as a result. However, as Kyōko grew up, she came to realize that this wasn't her mother's problem. Kayoko is still disliked by many members of the Sawanoi family and is gossiped about by them, as Akira discovered by accident.
- Kō Sawanoi: Kyōko's fiancé, in name only. He is a college student from a wealthy family. They have known each other since childhood and Kō has a great concern for Kyōko, but he knows that she is in love with someone else.
- Hanae: Kō's aunt, who welcomes Kyōko's friends to their family vacation home. She is kind to Fumi and Akira when they get sick, and she tries to stand up for Kyōko when other family members complain about her mother.
- Orie Ōno: Haruka's older sister. Orie also attended Fujigaya, where she fell in love with her best friend Hinako. Haruka finds a love letter in Orie's room and realizes that Orie is probably a lesbian. This worries her at first, but Haruka has always been close to Hinako as well, so she accepts the relationship.
- Hinako Yamashina: A science teacher at Fujigaya, and the homeroom teacher of Akira's second year class. She also attended Fujigaya, where she and Orie fell in love. Hinako often finds herself giving students advice; for example, Fumi comes to her when she's worried about her relationship with Akira. She also rescues the drama club when Haruka leaves several of the costumes at home right before the festival. Since Orie and Hinako have known each other since high school, Haruka refers to her as Hina.
- Haruka's mother: Haruka and Orie's mother is invested in her children's lives, but she also knows when to let go. She has given up on Orie getting married. Haruka seems to have inherited some of her mother's personality, including her loud and friendly nature. However, her mother is more respectful of other people's privacy than Haruka tends to be.
Production
Manga
When Takako Shimura was writing her manga Dōnika Naru Hibi, she became interested in a story between girls, leading her to create Sweet Blue Flowers. While she felt that the story focus should be on girls for yuri works, Shimura also wanted to introduce some males since she thought it would add an interesting aspect to the series. Shimura felt it difficult to balance the need for some males, but also not wanting to add too many. When depicting the characters, she did not want to write about them going through puberty. When starting to write Sweet Blue Flowers, Shimura noticed that, in her opinion, she felt like a person depicting sexual perversion for writing about yuri relationships.Before starting to write Sweet Blue Flowers, Shimura went with her editor to Kamakura, Kanagawa with the main objective of visiting the Kamakura Museum of Literature. Shimura took many pictures during their trip, and thought Kamakura felt like a great place to set the story. With a guide book of Kamakura in hand, Shimura thought of various locations that would later appear in Sweet Blue Flowers, such as the café that the characters frequent. Many of the pictures taken turned out unusable, though there were some she used as references for the setting, such as modeling the exterior of Fujigaya after the Kamakura Museum of Literature. Shimura also used the Komaba Park estate in Meguro, Tokyo for the interior of Fujigaya, such as with the staircase featured in chapter eleven. A large Japanese-style house on the same property as the Kamakura Museum of Literature was used as a model for the Sugimoto residence. The Enoshima Electric Railway is also featured in the series.
Anime
In 2005, anime producer Yūji Matsukura of J.C.Staff was meeting at Ohta Publishing for an unrelated anime project and told the editor-in-chief of Manga Erotics F, "U-mura", that he liked the Sweet Blue Flowers manga and would like to produce it into an anime in the future. Shortly after the first manga volume was released in December 2005, Matsukura went to a Media Factory producer, who also agreed to collaborating on a Sweet Blue Flowers anime. Matsukura went on to say that J.C.Staff is not the type of company to usually go out and make suggestions for anime projects and it was only because he liked Sweet Blue Flowers and later met U-mura by chance that an anime eventually became possible. Matsukura was in charge of choosing much of the staff. Ken'ichi Kasai was chosen as the director, because of his intuitiveness to make good-feeling anime according to Matsukura. For the series composition, Matsukura thought it would appear unexpected to pick Fumihiko Takayama, though he was asked to participate, because he likes shōjo manga. Takayama, who has experience as an animation director, would often make suggestions during the production of the animation, enough for Matsukura to joke that Takayama should have been staffed as the director instead, though Takayama flatly refused. Neither Kasai nor Takayama initially knew of the manga, but were approached by Matsukura, because he thought they would enjoy working on the project. This was the same case for the character designer and chief animation director Masayuki Onji.Takayama initially suggested not to produce an anime, because of the difficulty in maintaining the feeling of the original work, and wanted to let someone else deal with it. Further difficulty was cited in Sweet Blue Flowers not being a plot driven story, but rather character driven. After accepting and beginning work on the scenario, Takayama happened to read a poem titled "Hana no Oshie" by Bin Ueda which had the phrase "At this time, the lily in the tailwind", and remarked that this was like the world was telling him he should write the scenario. At first, Kasai thought the entire work was going to be about yuri, but felt that an important point of the story was that Yasuko Sugimoto initially likes her teacher Masanori Kagami, rather than it being a complete yuri story if Yasuko had liked a female teacher. When writing the scenario for the first episode, Takayama found the length to be insufficient, and even after handing it over to Kasai, the episode was still about two minutes short. The missing material was filled in with various scenes of Fumi and Akira when they were younger, and Akira going to school. Where and how to end the anime was also an issue when writing the scenario, and it took a long time to decide.
Media
Manga
Sweet Blue Flowers is a manga series written and illustrated by Takako Shimura. It was serialized in Ohta Publishing's Manga Erotics F manga magazine between the 30th issue sold on November 17, 2004 and the 82nd issue released on July 6, 2013. Eight tankōbon volumes were released between December 15, 2005 and September 12, 2013 in Japan.The manga has been licensed for release in French by Asuka under the title Fleurs Bleues. The series was released digitally in English on JManga, but after JManga closed down, Digital Manga Publishing took over the English-language publication rights. The series was later re-licensed in 2016 by Viz Media, who will publish the series in omnibus editions. In Spain, it was titled Flores azules by Milky Way. It allegedly sold poorly, prompting the editors to reply, "Our warehouse is full of flowers" when asked in the 2018 Barcelona Manga Convention about the possibility of licensing other yuri titles.
Internet radio show
An Internet radio show to promote the anime series called Aoi Hana: Sweet Blue Radio was broadcast between June 26 and October 30, 2009 on HiBiKi Radio Station in nineteen episodes, and aired between July 3 and November 6, 2009 on Media Factory Net Radio. The show, which aired every Friday, was hosted by Ai Takabe and Yūko Gibu, who voiced Fumi and Akira in the anime, respectively. Chiemi Ishimatsu, the voice of Yasuko, also joined the show for three broadcasts in late August 2009. A CD containing a couple of parts from some episodes as well as newly recorded material was released on December 22, 2009.Anime
An 11-episode anime television series adaptation was produced by the animation studio J.C.Staff and directed by Ken'ichi Kasai. The anime aired in Japan between July 2 and September 10, 2009 on Fuji TV as the third series in Fuji TV's Noise timeslot. It was also streamed online on Crunchyroll. The anime has been licensed by The Right Stuf International and was released on subtitled DVD under their Lucky Penny label on March 5, 2013.The series has two pieces of theme music; one opening theme and one ending theme. The opening theme is "Aoi Hana" by Kukikodan, and the ending theme is "Centifolia" by Ceui. The single for "Aoi Hana" was released on July 22, 2009, followed by the single for "Centifolia" on August 5, 2009. The anime's original soundtrack was released on August 26, 2009 by Lantis. Fuji TV producer Kōji Yamamoto revealed that a second season is not planned due to low DVD sales of the anime.
Reception
Erica Friedman, the president of Yuricon and ALC Publishing, reviewed the Sweet Blue Flowers anime and manga, praising Takako Shimura's original cover and interior art from the manga, and how that art style is "captured in the anime through crisp, realistic art." The story is also lauded for "far surpassing most Yuri in general" by its strength in a "character-driven" story, which is described as being both "aesthetically appealing" and "simple". Friedman cites that Sweet Blue Flowers could easily be compared to a Jane Austen story, and feels that the story is not "a melodrama or a parody, like Strawberry Panic!." Friedman later called Sweet Blue Flowers the best yuri anime of 2009, where she wrote how the series was one of the "most realistic portrayals of a young woman in love with another woman ever seen in an anime." Friedman also praised the faithful adaptation from manga to anime, including parts that she felt were done better animated.Sweet Blue Flowers was featured as Anime News Network's Import of the Month in May 2007 where it was described as "the best of its genre" that "makes stuff like MariMite and Strawberry Panic! look like trashy dime-store romance by comparison." Takako Shimura's art was seen as "economical" with "clean layouts, sparse backgrounds, and everything that needs to be said contained within a single facial expression." However, the plot points are described as so calm that they are easy to gloss over. The relationships presented are seen as complex and the reviewer felt it was difficult to remember all the particulars in the story. G.B. Smith of Mania described the anime as presenting the story in a "sincere and open way...without any gimmicks," as opposed to other yuri-themed series that are "either heavily comedic in nature, or have disguised the relationship in one way or another." The replay value of the anime was questioned, because of situations that "lack a certain amount of compelling drama that makes for a truly memorable experience." The Sweet Blue Flowers anime was selected as a recommended work by the awards jury of the thirteenth Japan Media Arts Festival in 2009.