Symphony No. 3 (Chávez)


The Symphony No. 3 by Carlos Chávez was composed in 1951–54 on a commission from Clare Boothe Luce, and is dedicated to the memory of her daughter, Anne Clare Brokaw.

History

Chávez had evidently met former U.S. congresswoman, ambassador, publisher, playwright, and journalist Clare Boothe Luce in Florence at some point in the late 1940s. An unlikely friendship sprang up between them, which continued for nearly three decades. In February 1950 Luce came to Mexico City for a week of cultural exploration, and on 18 February 1950 wrote on a scrap of newspaper a commission for a musical work, "for Ann Clare Brokaw the most beautiful and sad and gay thing you ever wrote that has her lovely face and my broken heart in it". Brokaw, who had died as the result of an automobile accident in 1944 at the age of nineteen, was Mrs. Luce's only child, from her first marriage.
Composition of the Third Symphony began in 1951, but was interrupted repeatedly. After completing the first movement and a large part of the second, Chávez fell ill. By the time he recovered, there were more urgent deadlines requiring Chávez to put the score aside in order to work on the Fourth and Fifth Symphonies, both of which were completed before the Third. In April 1954 Chávez resumed work, completing the piano score on 14 June and the full score by the end of the same month. It was premiered in the Anfiteatro José Ángel Lamas in Caracas, Venezuela, by the Orquesta Sinfónica de Venezuela, conducted by the composer. According to, this was on 9 December 1954, though others put the date at 11 December 1954. It received further performances, in Europe in June 1955 at the I.S.C.M. Festival in Baden-Baden, in London with the London Symphony Orchestra conducted by Juan José Castro, and in the United States, with the New York Philharmonic under the composer's baton . Thanks to the efforts of his friend Aaron Copland, Chávez was able to secure a contract with Boosey & Hawkes in 1955, and the Third Symphony was the first of his works published by that firm.

Instrumentation

The symphony is scored for piccolo, two flutes, two oboes, cor anglais, E clarinet, two clarinets, bass clarinet, three bassoons, four horns, three trumpets, three trombones, tuba, timpani, percussion, harp, and strings.

Analysis

The Third Symphony consists of four movements:
  1. Introduzione: Andante moderato
  2. Allegro
  3. Scherzo
  4. Finale
The opening movement introduces a number of thematic elements that will be developed throughout the symphony—a procedure known as cyclic form. The character at the outset is dramatic and tense, recalling somewhat the "Greek" style of the Sinfonía de Antígona and the ballet La hija de Cólquide. Later in the movement, a jarring contrast is created when Chávez introduces a universally familiar five-note children's chant, a figure that is also found in a number of the composer's contemporaneous and earlier works—the Fourth Symphony, the choral works Tierra mojada and Llamadas, and the ballet Caballos de vapor—whose presence here may be explained by a hidden program connected to the terms of the Symphony's commission.
After the slow first movement, the fast tempo and sonata-allegro design of the second movement more closely resembles the traditional opening movement of a symphony. This Allegro is the main focus of the symphony because of the solidity of its formal structure and its greater length than the other movements. To describe it as a sonata-allegro, however, refers to its character but not its form, which is both simple and original. Chávez replaces the usual exposition–development–recapitulation with two alternating sections, each of which occurs three times. Development occurs during the appearances of the second of these, through either the reappearance of motives from the first section, or the production from them of variants.

Discography