Tadeusz Fuss-Kaden


Tadé was the name used by Tadeusz Fuss-Kaden to sign his paintings as Tadé or Fuss or Kaden. Fuss was his mother's name. After an acknowledgement of paternity by justice, his name was Kaden - that of his father. He was a painter of Polish origin who gained international attention in the 1960s for his powerful abstract compositions made of plaster and resin on board, with strips and rounds of rusted tin cans embedded on the surface. Later in the 60s, Tadé expanded his work by wooden sculptures looking like insects or Mars people. In addition, he started his typical design of Mediterranean houses.
Fuss-Kaden was born 15 September 1914 in Krakow, Poland, and was educated at Krakow University, the Institute of Plastic Arts, Warsaw, and the Academy of Fine Arts, Florence. After fleeing Poland in 1939, he lived in Switzerland, in Nice and in Paris. In Nice he won first prizes in 1951 and 1952 from the Mediterranean Union for Modern Art. In Paris he studied architecture and went on to design distinguished Mediterranean-Modern residences in Puerto de Andratx on Mallorca. He died 16 November 1985 and is buried in Andratx.
In 1941 together with other Polish painters he renovated a ceiling painting of a chapel in Zuchwil, Switzerland and in 1942 delivered a design for glass windows of a church in Canton of Solothurn. In 1947 there followed a mosaic work in Bellach, Switzerland.

One-person exhibitions

Notable buyers of his paintings included playwright Samuel Beckett, pianist Artur Rubinstein, art historian Will Grohmann and entrepreneurs Burton Tremaine and John Delorean as well as collections in New York United States Galerie BING and Weintraub and Richard Sussman and La Rochefoucauld Duc D´Estrées.
Known purchases from art museums are Museum d´Art Moderne, Paris 1962, 1963 and University of Massachusetts, Amherst 1962.
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