Take Me Back to Tulsa


"Take Me Back to Tulsa" is a Western swing standard song. Bob Wills and Tommy Duncan added words and music to the melody of the traditional fiddle tune "Walkin' Georgia Rose" in 1940. The song is one of eight country music performances selected for the Rock and Roll Hall of Fame's "500 Songs That Shaped Rock & Roll".

Song

"Take me Back to Tulsa" features one of Western Swing's greatest bands in full flight. It originated as a Bob Wills fiddle tune and was so popular at shows that Wills and singer Tommy Duncan added words and recorded it in early 1941.
Musically, the song has been described as a "jubilant Western Swing romp", with Wills urging fiddler Louis Tireney to "turn it on boy, turn it on" half way through the song.
Wills's organization was based in Tulsa from 1934 to 1942, and the song takes its name from the chorus: "Take me back to Tulsa, I'm too young to marry".
Lyrically, the song is a series of unrelated, mostly nonsense, rhyming couplets. One was:
The last quoted line was changed by 1946 by Wills to: "Little man raise the cotton, beer joints get the money.".
When Wills was asked about the lines, he said they were just nonsense lyrics that he learned as a youth.
When played at Cain's Ballroom in Tulsa and other venues, it often included the lines:
Bob Wills and The Texas Playboys recorded "Take Me Back to Tulsa" on February 25, 1941 in Dallas, Texas and it became one of their larger hits. Bob Wills and His Texas Playboys previously performed the song in his 1940 movie Take Me Back to Oklahoma. Spade Cooley's Western Dance Gang also performed it in their 1944 short movie titled for the song, Take Me Back to Tulsa.
The song has been recorded by many other artists over the years.

Errata

is sometimes erroneously credited with writing "Take Me Back to Tulsa", perhaps due to his musically similar hit song "Pistol Packin' Mama".

Covers

The country music group Asleep at the Wheel covered the song on their 1973 album Comin' Right at Ya.
Red dirt band Cross Canadian Ragweed performed a backstage cover of the song, released on their 2006 live album Back to Tulsa – Live and Loud at Cain's Ballroom.