Therese von Hohoff Torrey was an American literary editor with the publishing firm J. B. Lippincott & Co.. Strong-willed and forceful, she worked closely with author Harper Lee over the course of nearly three years to give final shape to her classic novel To Kill A Mockingbird. After the commercial and literary success of the novel, she shielded Harper Lee from the intense pressure to write another one. She retired from a senior editorial position at the firm in 1973 and died the following year.
Personal life
Tay Hohoff's parents, Ernest Albrecht Hohoff Jr. and Anna Walter Hallock, raised her in a multi-generational Quaker home in Brooklyn, near Prospect Park. She attended Brooklyn Friends, a Quaker school near her home. In 1919 she married Lewis Edgar Welsh, an architect and artist. They had a daughter, Anne Torrey Welsh and a son, John Hallock Welsh. The marriage ended in divorce in 1929. In 1931 she married Arthur Haviland Torrey, a literary agent. On June 15, 1951 her daughter, Anne Torrey Welsh, married Dr. Grady Harrison Nunn, a professor of political science at the University of Alabama, Tuscaloosa. The Nunns named their only daughter for her grandmother: Therese von Hohoff Nunn. Tay Hohoff was small and wiry with a deep, gravelly voice. She was a chain-smoker. She died in Manhattan.
Career
In New York in the 1930s she opened the office of Torrey Hohoff, Press Representatives along with her husband, Arthur Haviland Torrey. During the 1930s she also worked as a book editor, first at Cosmopolitan Book Corporation, then at Bobbs-Merrill Company. In 1942 Tay Hohoff joined J. B. Lippincott & Co., a large and well-known American publishing company. She acted as literary editor for several authors, including Harper Lee, Nicholas Delbanco, Thomas Pynchon, Eugenia Price, Zelda Popkin, Wayne Greenhaw, and Franklin Kauffmann writing under the pen nameLane Kauffmann. Hohoff contributed to a corporate history of J. B. Lippincott & Co. that was brought out in 1967 on the occasion of the firm's 175th anniversary. She retired from the firm in 1973 as a senior vice president, a senior editorial position that was rare for a woman to hold at a major publishing house at that time. An author herself, Hohoff published A Ministry to Man in 1959. It was a biography of John Lovejoy Elliott, a social activist and humanist in early 20th-century New York who had committed his life to helping the city's underclass. The same year, Hohoff also published a children's book The Cat Who Wanted Out, with illustrations by Bogdan Grom. In 1973 Hohoff published a memoir, Cats and Other People. In 1975 the book was read by Gillian Neumann in audiobook format on cassette tape.
Literary editor
Tay Hohoff worked closely with her authors to transform their manuscripts into critically acclaimed novels through several edits and rewrites. She cut Nicholas Delbanco's 1968 novel, Grasse, 3/23/66 from 500 pages to less than 200. When Hohoff first saw Harper Lee's manuscript in 1957, she considered it to be "more a series of anecdotes than a fully conceived novel" though "the spark of the true writer flashed in every line". Over the course of the next two years, she guided Harper Lee until the book finally achieved its finished shape and was retitled To Kill a Mockingbird. Once during the long editorial process, Lee lost confidence in herself and threw her manuscript out her window and into the snow. When she called her editor in tears, Hohoff "told her to march outside immediately and pick up the pages". The commercial and critical success of the novel led to pressure on Lee to publish a second novel but Hohoff "guarded Nelle like a junkyard dog". After their successful collaboration, Hohoff and Lee remained close. When Lee found an extra-toed kitten huddled against a pipe in the basement of her apartment building, she persuaded Hohoff and her husband to adopt him. "She knew us very well and pulled out all the right stops," Hohoff wrote in her memoir. When Hohoff died in 1974, Lee felt devastated.
Legacy
In 2015, Harper published Go Set a Watchman, an early draft for To Kill A Mockingbird. Therese Nunn, Hohoff's granddaughter, said that it was disrespectful to her grandmother's work and legacy that the novel was published after only a light edit, considering the effort that went into changing and polishing To Kill A Mockingbird. Jonathan Mahler of the New York Times compared the two books and praised Hohoff's large role "in reconceiving the story from a dark tale of a young woman's disillusionment with her father's racist views, to a redemptive one of moral courage and human decency". Mark Lawson of The Guardian found Go Set a Watchman more complex but less compelling than To Kill A Mockingbird, saying that "it is hard not to feel some awe at the literary midwives who spotted, in the original conception, the greater literary sibling that existed in embryo. If the text now published had been the one released in 1960, it would almost certainly not have achieved the same greatness." Todd Leopold of CNN wrote that "Lee's graceful, drily witty voice, at once childlike and knowing isn't lost in "Watchman," but one can see the impact of having a strong editor." He concluded that "The value of a good editor cannot be overstated."
