The Big Trees


The Big Trees is a 1952 Western film starring Kirk Douglas and directed by Felix E. Feist. It was Kirk Douglas's final film for Warner Brothers, a film he did for free in exchange for the studio agreeing to release him from his long-term contract.
The film has fallen into the public domain. Douglas plays a greedy timber baron who seeks to exploit the sequoia forest, while facing the protest of the Quaker colonists.

Plot

In 1900, lumberman Jim Fallon greedily eyes the big redwood trees in the virgin region of northern California. The land is already settled by, among others, a religious group led by Elder Bixby who have a religious relationship with the redwoods and refuse to log them, using smaller trees for lumber. Jim becomes infatuated with Bixby's daughter, Alicia, though that does not change his plan to cheat the homesteaders. When Jim's right-hand man, Yukon Burns finds out, he changes sides and leads the locals in resisting Jim. The locals combat Jim's loggers with a sympathetic judge with Jim fighting back by using Federal laws.
Elder Bixby is killed when a big sequoia tree is chopped down by Jim's men and falls on his cabin. Jim's desperate attempt to rescue Alicia's father saves him from being convicted of murder. Meanwhile, timber rival Cleve Gregg appears on the scene, making it a three-way fight. Gregg and his partner Frenchy LeCroix try to assassinate Jim, but end up killing Yukon instead. Jim has a dramatic change of heart and leads the settlers in defeating Gregg and Frenchy. Afterwards, Jim marries Alicia and settles down.

Cast

Students from Humboldt State University played members of the Quaker congregation and members of its choir.

Production

The film includes establishing shots featuring Wayne Morris that were taken from the 1938 film Valley of the Giants. The film was made with the cooperation of the Hammond and Carlotta Lumber companies, and was shot on locations in Humboldt County, California.

Reception

The New York Times called it a "stormy and sometimes silly saga" based on a script "not terribly far removed from the Warners Valley of the Giants"; its "plot and emoting seem to be as old as the giant redwoods with which they are concerned."