The swans were originally commissioned by Nixon in 1969 to join his oval office collection of works by the late Edward Marshall Boehm. Helen Boehm, Edward's widowand operator of his business posthumously, was the organizer of this collection for Nixon. One day, after presenting a selection of 18 porcelain birds for Nixon's choosing, he expressed fatigue toward doves and hawks. Helen suggested finding a new bird to be an updated symbol of peace, one with less political baggage than say the dove, to which Nixon said "That's a fine idea." Helen subsequently wrote to ornithologistsaround the world, seeking suggestions for what that new peace bird ought to be. Among the responses, and her own research, both gathered over several months, the mute swan was most mentioned, frequently having been cited for its tranquility, even over the traditional dove. Helen decades later would express that the mute swan captures "serenity and purity, a bird that had been associated with peace throughout history and in mythology. The mute swan's range is worldwide; it came to the shores of America during the nineteenth century. Perhaps its most important characteristic is that it speaks with a soft voice." Boehm and a team of 14 porcelain artists and craftsmen then worked for two years to produce the sculpture, using 10 tons of plaster to create the master molds. The sculpture featured a male and female mute swan, three infant swans, a natural setting of rocks and grass. Formed from roughly 60,000 sculpted lines, it weighed roughly 250 lbs, and stood over 42 inches high on a 3-foot base. The softness and detail in the feathers of the swans make it "hard to believe are made of porcelain". Upon Boehm notifying the White House of the completion of the statue in 1971, she was asked to make one additional change: because Nixon had decided to present the swans to Mao Zedong as a gift during the U.S President's upcoming visit to China, that a plaque and presidential seal should be added to the statue. This request was fulfilled. During Nixon's visit the following year, he presented the swans to Premier Zhou Enlai in a gift-giving ceremony, and introduced the sculpture's artist.
Original Copies
A total of two other copies were made before the molds were destroyed in 1974. The first copy was made for the White House Historical Society, finished in 1975. This copy was later loaned to a six-week exhibit in Russia, opened May 16, 1987 and organized by Helen Boehm, Raisa Gorbacheva, Vassili Zakharon, and sponsored by Armand Hammer. During transit back to the U.S. and upon inspection, the statue was found permanently damaged, with one of the necks severed, and the feathers broken into hundreds of pieces. Helen described the situation as "The Peace Birds are in pieces. They're completely busted. I've been crying for two days." The statue was one of half of 48 damaged in transit. The statue was packed by Boehm employees, shipped via Lufthansa and Finnair, arrived at JFK Airport, and was insured for an unknown amount. "One cannot place a value on them. They are priceless because they are not replaceable," Helen remarked further. The second copy was later auctioned in 1976 for a wildlife benefit, selling for $150,000. The donor subsequently gifted the statue to the Vatican. At the time, this was the highest price paid for a porcelain sculpture.
Present Day
Today, the original statue of swans reside at the State Gifts exhibit in the National Museum of China, viewable behind glass box to museum visitors. The only other extant copy remains in the Vatican City.
