In Athens, Azad, Ralph and 2 other accomplices, Renzi and Helen, steal a suitcase of emeralds from a rich Greek citizen, M.Tasco, when the latter is away on vacation. The thieves break into the house, manage to open the safe, and escape with the jewels. A police detective, Abel Zacharia, spots the burglars’ car in front of the house. Azad chats with the detective telling a cover story of being a salesman with engine trouble. Zacharia leaves and Azad thinks he has gotten away with it. The thieves plan to leave the country immediately on a merchant ship. However when they arrive at the dock they discover the ship is undergoing repairs and will not be ready for five days. They hide the money, split up, and agree to wait out the delay. Zacharia reappears, having decided to find and keep the emeralds himself. Azad falls in love with Lena. Zacharia identifies the thieves and kills Renzi, seeing to it that Ralph seems guilty of the crime. Azad narrowly escapes the police with Lena, but he soon discovers that she is conspiring with Zacharia. Ralph is arrested by police. Azad and Zacharia have a confrontation which results in Zacharia being buried under wheat.
Cast
Jean-Paul Belmondo as Azad
Omar Sharif as Abel Zacharia
Dyan Cannon as Lena
Robert Hossein as Ralph
Renato Salvatori as Renzi
Nicole Calfan as Helene
Production
The Burglar by David Goodis had been published in 1953 and filmed in 1956. Goodis was popular with French filmmakers; his novel Down There had been adapted by François Truffaut as Shoot the Piano Player. Filming took place in Athens and Paris.
Reception
The film was a box office hit in France, being the sixth most popular movie of the year. The Los Angeles Times said "the scenery is lovely, Belmondo is fun to watch even in a flat, silly part like this" but that it was "finally an uninteresting and uninvolving movie" because "it has no reality except as a movie". The New York Times called it "yet another international caper film... that does nothing very well and almost everything in excess" in which the director would "fill up a great deal of film time with a device rather than with an action". Time Out said the film "suffers an overdose of sunshine and multi-national production values to emerge as just another glossy heist."