The Burning Bed


The Burning Bed is both a 1980 non-fiction book by Faith McNulty about battered housewife Francine Hughes, and a 1984 TV-movie adaptation written by Rose Leiman Goldemberg. The plot follows Hughes' trial for the murder of her husband, James Berlin "Mickey" Hughes, following her setting fire to the bed he was sleeping in at their Dansville, Michigan home on March 9, 1977, and thirteen years of physical domestic abuse at his hands.

Plot

On March 9, 1977, Francine Hughes, following thirteen years of physical domestic abuse at the hands of her husband, James Berlin "Mickey" Hughes, tells their children to put their coats on and wait for her in their car. She then pours gasoline around the bed in which Mickey is sleeping in their home in Dansville, Michigan, and sets the bed afire. After the house catches fire, Hughes drives with her children to the local police station in order to confess to the act. Hughes is tried for first degree murder, and is found by a jury of her peers to be not guilty by reason of temporary insanity. It is widely believed that the judge and the jury largely sympathized with Francine's plight and felt that Mickey's murder was a justifiable action.

Film adaptation

Having adapted the book into a made-for-television movie, Goldemberg's screenplay, The Burning Bed, premiered on NBC on October 8, 1984. Directed by Robert Greenwald, the film starred Farrah Fawcett as Francine Hughes and Paul Le Mat as Mickey Hughes.
The movie was filmed in Rosharon, Texas. The house that served as the Hughes' home is no longer there.
The movie was also filmed in El Monte, California.

Cast

The movie premiered with a household share of 36.2 ranking it the 17th highest rated movie to air on network television and NBC's highest rated television movie.

Critical response

Television critic Matt Zoller Seitz in his 2016 book co-written with Alan Sepinwall titled named The Burning Bed as the 7th greatest American TV-movie of all time, writing that "The film was a landmark in terms of content, depicting domestic violence as an unambiguous horror and a human rights violation". Seitz also praised the performance of Fawcett as "one of the finest in the history of TV-movies".