The Cheaters is a Christmas"screwball comedy" tale about a has-been actor invited to Christmas dinner by a rich family. The film was atypical of the Republic Pictures studio, directed by Joseph Kane and starring Joseph Schildkraut. The film was re-released in 1949 under a new title, The Castaway, and when the Republic film catalogue was sold in the 1950s as late night television fodder, it appeared consistently for years as a Christmas staple throughout the 1960s and 1970s.
Plot
businessman James C. Pidgeon is on the verge of bankruptcy. His only hope is rich uncle Henry, who is on his deathbed. J. C.'s daughter Therese persuades the rest of the family to take in a charity case for the holidays, not out of the goodness of her heart but to impress her upper-class boyfriend Stephen Bates and his mother. From a newspaper list, they pick Anthony Marchaund, an actor injured in a car accident at the height of his career 10 years before, who is now a broken-down drunk. J. C.'s son Reggie returns with bad news: uncle Henry left his $5 million estate to Florie Watson, a showgirl he had once seen perform as a child actress 30 years before in Uncle Tom's Cabin. The will stipulates if Florie cannot be found within a reasonable amount of time, the estate goes to the Pidgeons. After bribing the sole executor, J. C. conspires to limit the search to just placing newspapers ads for a week without mentioning the inheritance. Furthermore, the executor believes the woman is in New York City, not Denver, where uncle Henry died. J. C. decides to look for Florie himself, so he can better keep the news from her. Marchaund overhears the whole scheme and suggests he can probably find her easily through Actors' Equity. Reggie worries about a blackmail attempt, but Marchaund makes a seemingly heartfelt speech about honor and his gratitude to the Pidgeons. He then eavesdrops and walks away without his customary limp, but is spotted by Angela, J. C.'s younger daughter. She lets him know that she is amused by his deception and he regains the limp. Marchaund and Willie Crawford, J. C.'s freeloading brother-in-law, have little trouble locating Florie. Willie tells her that they are cousins and that the family wants her to spend the holidays with them. Florie recognizes Marchaund's name and confides to him, one trouper to another, that she knows she is not related to the Pidgeons, but as she is broke and behind on her rent, she is eager to play along. After the search ends up on the front page of the newspaper, the Pidgeons hastily relocate to an isolated house in the country to keep Florie in the dark. When they arrive, they discover that all of their servants have quit. J. C., having been raised there, refuses to hire new ones, fearing that they may be people he grew up with. The family, with the exception of Angela, pitch in. Soon, even Angela is helping out. Meanwhile, two private detectives are closing in. When they show up at the house, they are lied to, but the detectives are not fooled and set about getting a search warrant. That night Marchaund alludes to the situation, implicitly comparing the family's deception to Jacob Marley's misdeeds in Charles Dickens' A Christmas Carol before passing out from too much drink. All of the Pidgeons are ashamed of themselves and finally confess everything to Florie. Later, Marchaund wakes up and departs, leaving a note explaining his divided loyalties. Florie tracks him down at a bar in the nearest town and tells him she is going to give half the money to the Pidgeons.
The original story by Frances Hyland and Albert Ray was written in 1941 as a vehicle for Binnie Barnes, a comedian known for supporting roles at major studios and leading roles for "low-rent" studios, like Republic. The Cheaters was bought by Paramount as a comeback vehicle for John Barrymore and Carole Lombard, but was shelved and later recast after the deaths of both stars, ultimately, the story was sold to Republic Pictures. At a time when the studio specialized in low-budget westerns, it was an odd choice for Republic to take on a "screwball comedy". Many of the stars in the film had to be borrowed from other studios, including Schildkraut, a legendary silent film star. Principal photography for the production ran from February 1 to mid-March 1945.
Reception
The unnamed critic for The New York Times gave The Cheaters a scathing review:
Republic wasn't kidding when it titled the vapid little film which it delivered yesterday to the Gotham "The Cheaters." It's a swindle, all right.... the whole thing is trashy—just a compound of witless platitudes. And several good actors are wasted in it.
In a later review, film critic and historian Leonard Maltin was much more charitable: "Excellent cast in enjoyable tale of wealthy family of snobs humanized by downtrodden actor they invite for Christmas dinner."
