On May 14, 1916, the Lidové noviny newspaper published verses titled "From a Pen of the Self-taught Writer". This "diary in poems" tells the story of a village boy who falls in love with the young gipsy girl Zefka, and decides to leave his family and village with her. The verses made a deep impression on Leoš Janáček, and he decided to rework the poems into the song cycle. He created a work in twenty-two parts, accompanied by scenic demands. The cycle was composed during August 1917 and June 1919; the last modifications were finished in December 1920. The composer created the work simultaneously with other compositions. The composition was based on the story of Janáček's friend and late love Kamila Stösslová. Janáček expressed his inclination in the letters to Stösslová, and he mentioned even the inspiration for the character of the gipsy girl Zefka: "...And the black gipsy girl in my Diary of One Who Disappeared – that was you. That's why there's so much emotional fire in the work. So much fire that if we both caught on, we'd be turn into ashes....And all through the work I thought of you! You were my Žofka. Žofka with a child in her arms, and he runs after her!..." The Diary was premiered at the Reduta Theatre in Brno on 18 April 1921 under the title The Diary of One Who Disappeared and Never Heard of Again; the end of the title was later crossed out. The tenor part was performed by Karel Zavřel, the alto by Ludmila Kvapilová-Kudláčková, and piano part played Janáček's student, the pianist and conductor Břetislav Bakala. In 1943 the work was orchestrated by Ota Zitek and Vaclav Sedláček for a staged performance in Plzen. A recording of this version was made in 1987 by Brigitte Balleys and Philip Langridge with the Berlin Philharmonic under Claudio Abbado. In 2012 the German pianist recorded the first version of the piano solo, based on the composer's manuscript.
Libretto
The author of the text was originally anonymous. Dr. Jan Mikeska in 1998 identified the author of the poems as the Wallachian writer Ozef Kalda.
The atmosphere of the work is mysterious; it contains emotional strength as well as psychological depth. The piano part bears some impressionist features. The soprano parts were rewritten and lowered by the composer for alto. Approximate duration is 37 minutes.
Arrangements
Arrangement suitable for: tenor, alto, three female voices and piano
