The Diving Bell and the Butterfly (film)
The Diving Bell and the Butterfly is a 2007 French biographical drama film directed by Julian Schnabel and written by Ronald Harwood. Based on Jean-Dominique Bauby's 1997 memoir of the same name, the film depicts Bauby's life after suffering a massive stroke that left him with a condition known as locked-in syndrome. Bauby is played by Mathieu Amalric.
The Diving Bell and the Butterfly won awards at the Cannes Film Festival, the Golden Globes, the BAFTAs, and the César Awards, and received four Oscar nominations. Several critics later listed it as one of the best films of its decade. It ranks in BBC's 100 Greatest Films of the 21st Century.
Plot
The first third of the film is told from the main character's, Jean-Dominique Bauby, or Jean-Do as his friends call him, first person perspective. The film opens as Bauby wakes from his three-week coma in a hospital in Berck-sur-Mer, France. After an initial rather over-optimistic analysis from one doctor, a neurologist explains that he has locked-in syndrome, an extremely rare condition in which the patient is almost completely physically paralyzed, but remains mentally normal. At first, the viewer primarily hears Bauby's "thoughts", which are inaccessible to the other characters.A speech therapist and physical therapist try to help Bauby become as functional as possible. Bauby cannot speak, but he develops a system of communication with his speech and language therapist by blinking his left eye as she reads a list of letters to laboriously spell out his messages, letter by letter.
Gradually, the film's restricted point of view broadens out, and the viewer begins to see Bauby from "outside", in addition to experiencing incidents from his past, including a visit to Lourdes. He also fantasizes, imagining beaches, mountains, the Empress Eugénie and an erotic feast with one of his transcriptionists. It is revealed that Bauby had been editor of the popular French fashion magazine Elle, and that he had a deal to write a book. He decides that he will still write a book, using his slow and exhausting communication technique. A woman from the publishing house with which Bauby had the original book contract is brought in to take dictation.
The new book explains what it is like to now be him, trapped in his body, which he sees as being within an old-fashioned deep-sea diving suit with a brass helmet, which is called a scaphandre in French, as in the original title. Others around see his spirit, still alive, as a "Butterfly".
The story of Bauby's writing is juxtaposed with his recollections and regrets until his stroke. We see his three children, their mother, his mistress, his friends, and his father. He encounters people from his past whose lives bear similarities to his own "entrapment": a friend who was kidnapped in Beirut and held in solitary confinement for four years, and his own 92-year-old father, who is confined to his own apartment, because he is too frail to descend four flights of stairs.
Bauby eventually completes his memoir and hears the critics' responses. He dies of pneumonia ten days after its publication. The closing credits are accentuated by reversed shootings of breaking glacier ice, accompanied by the Joe Strummer & the Mescaleros song "Ramshackle Day Parade".
Cast
- Mathieu Amalric as Jean-Dominique Bauby
- Emmanuelle Seigner as Céline Desmoulins
- Anne Consigny as Claude Mendibil
- Marie-Josée Croze as Henriette Durand
- Olatz López Garmendia as Marie Lopez
- Patrick Chesnais as Dr. Lepage
- Max von Sydow as Mr. Bauby Sr.
- Isaach de Bankolé as Laurent
- Marina Hands as Joséphine
- Niels Arestrup as Roussin
- Anne Alvaro as Betty
- Zinedine Soualem as Joubert
- Emma de Caunes as Empress Eugénie
- Françoise Lebrun as Madame Bauby
Production
According to the New York Sun, Schnabel insisted that the movie should be in French, resisting pressure by the production company to make it in English, believing that the rich language of the book would work better in the original French, and even went so far as to learn French to make the film. Harwood tells a slightly different story: Pathé wanted "to make the movie in both English and French, which is why bilingual actors were cast"; he continues that "Everyone secretly knew that two versions would be impossibly expensive", and that "Schnabel decided it should be made in French".
Schnabel said his influence for the film was drawn from personal experience:
Several key aspects of Bauby's personal life were fictionalized in the film, most notably his relationships with the mother of his children and his girlfriend. In reality, it was not Bauby's estranged wife who stayed by the patient's bedside while he lay almost inanimate on a hospital bed, it was his girlfriend of several years.
Reception
The film received universal acclaim from critics. Review aggregation website Rotten Tomatoes gives the film a score of 94%, based on reviews from 165 critics, with the general consensus stated as, "Breathtaking visuals and dynamic performances make The Diving Bell and the Butterfly a powerful biopic." Metacritic gave the film an average score of 92/100, based on 36 reviews.In a 2016 poll by BBC, the film was listed as one of the top 100 films since 2000.
Top ten lists
The film appeared on many critics' top ten lists of the best films of 2007.- 1st
- * Ann Hornaday, The Washington Post
- * Carina Chocano, Los Angeles Times
- * David Edelstein, New York magazine
- * Frank Scheck, The Hollywood Reporter
- * Joe Morgenstern, The Wall Street Journal
- * Kevin Crust, Los Angeles Times
- * Kirk Honeycutt, The Hollywood Reporter
- * Kyle Smith, New York Post
- * Lawrence Toppman, The Charlotte Observer
- 2nd
- * Kenneth Turan, Los Angeles Times
- * Lou Lumenick, New York Post
- * Michael Phillips, Chicago Tribune
- * Peter Rainer, The Christian Science Monitor
- * Fredrik Gunerius Fevang, The Fresh Films
- 3rd
- * Dana Stevens, Slate
- * Desson Thomson, The Washington Post
- * Liam Lacey and Rick Groen, The Globe and Mail
- * Stephanie Zacharek, Salon
- * Stephen Farber, The Hollywood Reporter
- * Stephen Holden, The New York Times
- * Steven Rea, The Philadelphia Inquirer
- 4th
- * Ray Bennett, The Hollywood Reporter
- 5th
- * Andrew O'Hehir, Salon
- * Ty Burr, The Boston Globe
- 6th
- * James Berardinelli, ReelViews
- * Glenn Kenny, Premiere
- * Peter Vonder Haar, Film Threat
- 7th
- * A. O. Scott, The New York Times
- * David Ansen, Newsweek
- * Michael Rechtshaffen, The Hollywood Reporter
- * Rene Rodriguez, The Miami Herald
- * Sheri Linden, The Hollywood Reporter
Awards and nominations
Award | Category | Recipient | Result |
Academy Awards | Best Director | Julian Schnabel | |
Academy Awards | Best Adapted Screenplay | Ronald Harwood | |
Academy Awards | Best Cinematography | Janusz Kamiński | |
Academy Awards | Best Film Editing | Juliette Welfling | |
BAFTA Awards | Best Film Not in the English Language | ||
BAFTA Awards | Best Adapted Screenplay | Ronald Harwood | |
Golden Globe Awards | Best Foreign Language Film | ||
Golden Globe Awards | Best Director | Julian Schnabel | |
Golden Globe Awards | Best Screenplay | Ronald Harwood | |
Cannes Film Festival | Best Director | Julian Schnabel | |
Cannes Film Festival | Golden Palm | Julian Schnabel | |
Cannes Film Festival | Vulcan Award | Janusz Kamiński | |
César Awards | Best Film | Jérôme Seydoux and Julian Schnabel | |
César Awards | Best Director | Julian Schnabel | |
César Awards | Best Actor | Mathieu Amalric | |
César Awards | Best Adaptation | Ronald Harwood | |
César Awards | Best Cinematography | Janusz Kamiński | |
César Awards | Best Editing | Juliette Welfling | |
César Awards | Best Sound | Dominique Gaborieau | |
National Board of Review | Best Foreign Film | ||
Boston Society of Film Critics | Best Film | ||
Boston Society of Film Critics | Best Foreign Language Film | ||
Boston Society of Film Critics | Best Director | Julian Schnabel | |
Boston Society of Film Critics | Best Screenplay | Ronald Harwood | |
Boston Society of Film Critics | Best Cinematography | Janusz Kamiński | |
New York Film Critics Online | Best Picture | ||
Los Angeles Film Critics Association | Best Film | ||
Los Angeles Film Critics Association | Best Foreign Language Film | ||
Los Angeles Film Critics Association | Best Director | Julian Schnabel | |
Los Angeles Film Critics Association | Best Cinematography | Janusz Kamiński | |
Prix Jacques Prévert du Scénario | Best Adaptation | Ronald Harwood | |
Washington D.C. Area Film Critics Association | Best Foreign Language Film | ||
San Francisco Film Critics Circle | Best Foreign Language Film | ||
American Film Institute Awards | Top Ten AFI Movies of the Year | ||
Satellite Awards | Best Cinematography | Janusz Kamiński | |
Alliance of Women Film Journalists | Best Film | ||
Alliance of Women Film Journalists | Best Foreign Film | ||
Alliance of Women Film Journalists | Best Director | Julian Schnabel | |
Alliance of Women Film Journalists | Best Screenplay, Adapted | Ronald Harwood | |
Alliance of Women Film Journalists | Best Editing | Juliette Welfling | |
Alliance of Women Film Journalists | Outstanding Achievement by a Woman in 2007 | Kathleen Kennedy | |
Toronto Film Critics Association | Best Foreign Language Film | ||
Belgian Film Critics Association | Grand Prix | ||
Directors Guild of America | Outstanding Directing | Julian Schnabel |