The program started locally on radio station WEAF in New York City in December 1923. The idea for the program came when the National Carbon Company's George Furness tuned in WJZ that summer and heard Edgar White Burrill reading Ida M. Tarbell's He Knew Lincoln. Envisioning the unexplored possibilities of radio programming and advertising, Furness became the producer and supervisor of The Eveready Hour, a show he structured to bring the full spectrum of American culture to the airwaves. Media critic Ben Gross later stated that "Immediately after its première in 1923, it became the most important program in broadcasting." In early 1924 The Eveready Hour began to be carried simultaneously by a second station, WJAR in Providence, Rhode Island, and the number of outlets was expanded to a group of Eastern and Midwestern stations "as quickly as WEAF could add stations" to its "WEAF chain" radio network. On election night, November 4, 1924, the program, hosted by Wendell Hall, was carried by 18 stations, with Will Rogers, Art Gillham, Carson Robison and the Eveready Quartet entertaining between election returns given by Graham McNamee. Joseph Knecht led the Waldorf-Astoria Dance Orchestra. In 1926 the WEAF chain operations were purchased by the Radio Corporation of America, becoming the basis of the National Broadcasting Company in early 1927. The Eveready Hour continued as a featured broadcast on NBC until 1930. A 1926 Saturday Evening Post advertisement for The Eveready Hour and Eveready Batteries showed a fantasy illustration of radio listeners above the following copy: Guests included Lionel Atwill, Arthur "Bugs" Baer, Belle Baker, Eddie Cantor, Pablo Casals, Irvin S. Cobb, Richard Dix, Emma Dunn, Lew Fields, the Fonzaley String Quartet and Laurette Taylor. Directed by Paul Stacey and Douglas Coulter, the show featured an orchestra conducted by Nathaniel Shilkret. In 1924, Charles W. Harrison brought together the Eveready Mixed Quartet, a group that included Harrison, soprano Beulah Gaylord Young, contralto Rose Bryant and bass Wilfred Glenn. Tom Griselle provided the piano accompaniment. Harrison also led a male quartet for the radio show. The songwriter Yip Harburg was involved in several shows as indicated by existing scripts:
The Mayor of Hogan's Alley Typed script of one-act musical play; music by Jay Gorney and Henry Souvaine . — 27 pages.
How's the Judge Typed script of one-act musical play; music by Jay Gorney and Henry Souvaine . — 27 pages.
For Dear Old Delta Typed script of one-act musical play; music by Jay Gorney and Henry Souvaine . — 29 pages.
Surviving recordings
The only known recording of an Eveready Hour broadcast was made by an engineer at the Edison Laboratory in West Orange, New Jersey on the evening of May 15, 1928, from the over-the-air signal of station WEAF. This remarkably clear recording contains a local announcement by a WEAF staff announcer, Paul Dumont, and then the first 18 minutes of the hour-long broadcast. This same recording holds the distinction of being the earliest known aircheck of a live dramatic radio broadcast. In other words, it was a recording of a radio transmission that was not a news event, speech or music only presentation. This rare recording is now archived at the Edison National History Site, which is part of the National Park Service.
