The Fall of the House of Usher


"The Fall of the House of Usher" is a short story by American writer Edgar Allan Poe, first published in 1839 in Burton's Gentleman's Magazine, then included in the collection Tales of the Grotesque and Arabesque in 1840. The short story, a work of Gothic fiction, includes themes of madness, family, isolation, and metaphysical identities.

Plot

The story begins with the unnamed narrator arriving at the house of his friend, Roderick Usher, having received a letter from him in a distant part of the country complaining of an illness and asking for his help. As he arrives, the narrator notices a thin crack extending from the roof, down the front of the house and into the adjacent lake.
It is revealed that Roderick's twin sister, Madeline, is also ill and falls into cataleptic, deathlike trances. Roderick and Madeline are the only remaining members of the Usher family.
The narrator is impressed with Roderick's paintings and attempts to cheer him by reading with him and listening to his improvised musical compositions on the guitar. Roderick sings "The Haunted Palace", then tells the narrator that he believes the house he lives in to be alive, and that this sentience arises from the arrangement of the masonry and vegetation surrounding it. Further, Roderick believes that his fate is connected to the family mansion.
Roderick later informs the narrator that his sister has died and insists that she be entombed for two weeks in the family tomb located in the house before being permanently buried. The narrator helps Roderick put the body of Roderick’s sister in the tomb, and notes that Madeline has rosy cheeks, as some do after death. They inter her, but over the next week both Roderick and the narrator find themselves becoming increasingly agitated for no apparent reason. A storm begins. Roderick comes to the narrator's bedroom, which is situated directly above the vault, and throws open his window to the storm. He notices that the tarn surrounding the house seems to glow in the dark as it glowed in Roderick Usher's paintings, but there is no lightning.
The narrator attempts to calm Roderick by reading aloud The Mad Trist, a novel involving a knight named Ethelred who breaks into a hermit's dwelling in an attempt to escape an approaching storm, only to find a palace of gold guarded by a dragon. He also finds, hanging on the wall, a shield of shining brass on which is written a legend:
With a stroke of his mace, Ethelred kills the dragon, who dies with a piercing shriek, and proceeds to take the shield, which falls to the floor with an unnerving clatter.
As the narrator reads of the knight's forcible entry into the dwelling, cracking and ripping sounds are heard somewhere in the house. When the dragon is described as shrieking as it dies, a shriek is heard, again within the house. As he relates the shield falling from off the wall, a reverberation, metallic and hollow, can be heard. Roderick becomes increasingly hysterical, and eventually exclaims that these sounds are being made by his sister, who was in fact alive when she was entombed.
The bedroom door is then blown open to reveal Madeline standing there. She falls on her brother and both land on the floor as corpses. The narrator then flees the house, and, as he does so, notices a flash of moonlight behind him which causes him to turn back, in time to see the moon shining through the suddenly widened crack. As he watches, the House of Usher splits in two and the fragments sink into the lake.

Character descriptions

Narrator

In "The Fall of the House of Usher", Poe's unnamed narrator is called to visit the House of Usher by Roderick Usher. As his "best and only friend", Roderick tells of his illness and asks that he visit. He is persuaded by Roderick's desperation for companionship. Though sympathetic and helpful, the narrator continually is made to be an outsider. From his perspective, the cautionary tale unfolds. The narrator also exists as Roderick's audience as the men are not very well-acquainted, and Roderick is convinced of his impending demise. The narrator gradually is drawn into Roderick's belief after being brought forth to witness the horrors and hauntings of the House of Usher.
From his arrival, he notes the family's isolationist tendencies as well as the cryptic and special connection between Madeline and Roderick. Throughout the tale and her varying states of consciousness, Madeline ignores the Narrator's presence. After Roderick Usher claims that Madeline has died, he helps Usher place her in the underground vault despite noticing Madeline's flushed appearance.
During one sleepless night, the Narrator reads aloud to Usher as sounds are heard throughout the mansion. He witnesses Madeline's reemergence and the subsequent death of the twins, Madeline and Roderick. The narrator is the only character to escape the House of Usher, which he views as it cracks and sinks into the mountain lake.

Roderick Usher

Roderick Usher is the twin of Madeline Usher and one of the last living Ushers. Usher writes to the narrator, his boyhood friend, about his illness. When the narrator arrives, he is startled to see Roderick's appearance is eerie and off-putting. He is described by the narrator:
gray-white skin; eyes large and full of light; lips not bright in color, but of a beautiful shape; a well-shaped nose; hair of great softness — a face that was not easy to forget. And now the increase in this strangeness of his face had caused so great a change that I almost did not know him. The horrible white of his skin, and the strange light in his eyes, surprised me and even made me afraid. His hair had been allowed to grow, and in its softness it did not fall around his face but seemed to lie upon the air. I could not, even with an effort, see in my friend the appearance of a simple human being.

Roderick Usher is a recluse. He is unwell both physically and mentally. In addition to his constant fear and trepidation, Madeline's catalepsy is a cause of his decay. He is tormented by the sorrow of watching his sibling die. The narrator states: "He admitted much of the peculiar gloom which thus affected him could be traced the evidently approaching dissolution his sole companion". According to Terry W. Thompson, he meticulously plans for her burial to prevent "resurrection men" from stealing his beloved sister's corpse for experimentation as was common in the 18th and 19th centuries for medical schools and physicians in need of cadavers.
As his twin, the two share an incommunicable connection that critics conclude may be either incestuous or metaphysical, as two individuals in an extra-sensory relationship embodying a single entity. To that end, Roderick's deteriorating condition speeds up his own torment and eventual death. Like his sister, Roderick Usher is connected to the mansion. He believes the mansion is sentient and responsible, in part, for his deteriorating mental health and melancholy. Despite this admission, Usher remains in the mansion and composes art containing the Usher mansion or similar haunted mansions. His mental health deteriorates faster as he begins to hear Madeline's attempts to escape the underground vault she was buried in, and he eventually meets his death out of fear in a manner similar to the House of Usher's cracking and sinking.

Madeline Usher

Madeline Usher is the identical twin sister of Roderick Usher. She is deathly ill and cataleptic. She appears before the narrator, but never acknowledges his presence. She returns to her bedroom where Roderick claims she has died. She is entombed despite her flushed appearance. In the tale's conclusion, Madeline escapes her tomb and returns to Roderick, only to scare him to death.
According to Poe's detective methodology in literature, Madeline Usher may be the physical embodiment of the supernatural and metaphysical worlds. Her limited presence is explained as a personification of Roderick's torment and fear. Madeline does not appear until she is summoned through her brother's fear, foreshadowed in the epigraph, with a quote from French poet Pierre-Jean de Béranger: "Son cœur est un luth suspendu; / Sitôt qu'on le touche il résonne", meaning "His heart is a tightened lute; as soon as one touches it, it echoes".

Publication history

"The Fall of the House of Usher" was first published in September 1839 in Burton's Gentleman's Magazine. It was revised slightly in 1840 for the collection Tales of the Grotesque and Arabesque. It contains Poe's poem "The Haunted Palace", which earlierwas published separately in the April 1839 issue of Baltimore Museum.
In 1928, Éditions Narcisse, predecessor to the Black Sun Press, published a limited edition of 300 numbered copies with illustrations by Alastair.

Analysis

"The Fall of the House of Usher" is considered the best example of Poe's "totality", wherein every element and detail is related and relevant.
The presence of a capacious, disintegrating house symbolizing the destruction of the human body is a characteristic element in Poe's later work.
"The Fall of the House of Usher" shows Poe's ability to create an emotional tone in his work, specifically feelings of fear, doom, and guilt. These emotions center on Roderick Usher, who, like many Poe characters, suffers from an unnamed disease. Like the narrator in "The Tell-Tale Heart", his disease inflames his hyperactive senses. The illness manifests physically but is based in Roderick's mental or even moral state. He is sick, it is suggested, because he expects to be sick based on his family's history of illness and is, therefore, essentially a hypochondriac. Similarly, he buries his sister alive because he expects to bury her alive, creating his own self-fulfilling prophecy.
The House of Usher, itself doubly referring both to the actual structure and the family, plays a significant role in the story. It is the first "character" that the narrator introduces to the reader, presented with a humanized description: Its windows are described as "eye-like" twice in the first paragraph. The fissure that develops in its side is symbolic of the decay of the Usher family and the house "dies" along with the two Usher siblings. This connection was emphasized in Roderick's poem "The Haunted Palace", which seems to be a direct reference to the house that foreshadows doom.
L. Sprague de Camp in his Lovecraft: A Biography wrote that "ccording to the late Thomas O. Mabbott, H.P. Lovecraft], in 'Supernatural Horror', solved a problem in the interpretation of Poe" by arguing that "Roderick Usher, his sister Madeline, and the house all shared one common soul".
The plot of this tale has prompted many critics to analyze it as a description of the human psyche, comparing, for instance, the House to the unconscious, and its central crack to a split personality. An incestuous relationship between Roderick and Madeline never is explicitly stated, but seems implied by the strange attachment between the two.
Opium, which Poe mentions several times in both his prose and poems, is mentioned twice in the tale. The gloomy sensation occasioned by the dreary landscape around the Usher mansion is compared by the narrator to the sickness caused by the withdrawal symptoms of an opiate-addict. The narrator also describes Roderick Usher's appearance as that of an "irreclaimable eater of opium."

Allusions and references

Along with "The Tell-Tale Heart", "The Black Cat" and "The Cask of Amontillado", "The Fall of the House of Usher" is considered among Poe's more famous works of prose.
This highly unsettling macabre work is recognized as a masterpiece of American Gothic literature. Indeed, as in many of his tales, Poe borrows much from the already developed Gothic tradition. Still, as G.R. Thomson writes in his introduction to Great Short Works of Edgar Allan Poe, "the tale has long been hailed as a masterpiece of Gothic horror; it is also a masterpiece of dramatic irony and structural symbolism."
"The Fall of the House of Usher" has been criticized for being too formulaic. Poe was criticized for following his own patterns established in works like "Morella" and "Ligeia", using stock characters in stock scenes and stock situations. Repetitive themes like an unidentifiable disease, madness and resurrection are also criticized. Washington Irving explained to Poe in a letter dated November 6, 1839: "You have been too anxious to present your pictures vividly to the eye, or too distrustful of your effect, and had laid on too much colouring. It is erring on the best side – the side of luxuriance."
John McAleer maintained that Herman Melville's idea for "objectifying Ahab's flawed character" in Moby-Dick came from the "evocative force" of Poe's "The Fall of the House of Usher". In both Ahab and the house of Usher, the appearance of fundamental soundness is visibly flawed – by Ahab's livid scar, and by the fissure in the masonry of Usher.

In other media

;In film
La Chute de la maison Usher is a 1928 silent French horror film directed by Jean Epstein starring Marguerite Gance, Jean Debucourt, and Charles Lamy.
A second silent film version, also released in 1928, was directed by James Sibley Watson and Melville Webber.
A devout fan of the works of Poe, cult director Curtis Harrington tackled the story in his first and last films. Casting himself in dual roles as Roderick and Madeline Usher in both versions, Harrington shot his original 10-minute silent short on 8mm in 1942, and he shot a new 36 minute version simply titled Usher on 35mm in 2000 which he intended to utilize in a longer Poe anthology film that never came to fruition. Both versions were included on the 2013 DVD/Blu-ray release Curtis Harrington: The Short Film Collection.
Actress Gwendoline Watford made her film debut playing Lady Usher in The Fall of the House of Usher, a British black-and-white film version made in 1947, but not released until 1950.
In the low-budget Roger Corman B-film from 1960, released in the United States as House of Usher, Vincent Price starred as Roderick Usher, Myrna Fahey as Madeline and Mark Damon as Philip Winthrop, Madeline's fiancee. The film was Corman's first in a series of eight films inspired by the works of Edgar Allan Poe.
Another monochrome version appeared on British television in 1966 as part of the first series of Mystery and Imagination starring Denholm Elliott as Roderick Usher. It's one of only two surviving episodes of the otherwise lost first series, narrated by Christopher Lee, is an animated short film which is part of Extraordinary Tales.
;In theater, animation and music
From 1908 to 1917, French composer Claude Debussy worked on an opera titled La chute de la maison Usher. The libretto was his own, based on Poe, and the work was to be a companion piece to another short opera based on Poe's "The Devil in the Belfry". At Debussy's death, the work was unfinished; however, in recent years, completions have been made by different musicologists, including Juan Allende-Blin and Robert Orledge