The Greatest Showman


The Greatest Showman is a 2017 American musical biographical drama film directed by Michael Gracey in his directorial debut, written by Jenny Bicks and Bill Condon and starring Hugh Jackman, Zac Efron, Michelle Williams, Rebecca Ferguson, and Zendaya. Featuring nine original songs from Benj Pasek and Justin Paul, the film is inspired by the story of P. T. Barnum's creation of Barnum's American Museum and the lives of its star attractions.
Principal photography began in New York City in November 2016. The film premiered on December 8, 2017, aboard RMS Queen Mary 2. It was released in the United States on December 20, 2017, by 20th Century Fox, seven months after Ringling Bros. and Barnum & Bailey Circus ceased operations, and grossed $435million worldwide, making it the fifth-highest-grossing live-action musical of all time.
Despite receiving mixed reviews from critics, with criticism for its artistic license, with some reviewers calling it "faux-inspiring and shallow", The Greatest Showman was praised for the performances, music, and production values, and received nominations for Best Motion Picture – Musical or Comedy and Best Actor – Musical or Comedy for Jackman at the 75th Golden Globe Awards. The film won the Golden Globe Award for Best Original Song for the song "This Is Me", was nominated for Best Original Song at the 90th Academy Awards and won the Best Compilation Soundtrack for Visual Media at the 61st Annual Grammy Awards.

Plot

In the mid-19th century, P. T. Barnum and his troupe perform a show at the circus.
As a child, Barnum and his tailor father Philo work for the Hallett family. He loves their daughter Charity who is being sent to finishing school. The two keep in touch through letters, eventually marrying and raising two daughters, Caroline and Helen, in New York City. They live a humble life; though Charity is happy, Barnum craves more.
Barnum loses his job as a clerk at a shipping company after the company goes bankrupt, and returns home for Caroline's birthday. He takes out a loan from a bank, deceiving them into accepting his former employer's lost ships as collateral. He uses this loan to set up Barnum's American Museum in downtown Manhattan, an attraction showcasing various wax models. Initially, sales are slow. On the suggestion of his children to showcase something "alive", Barnum searches for "freaks" to serve as performers for his museum. He gathers a large group of them, including bearded lady Lettie Lutz. This attracts a large audience despite protests and poor reviews from well-known critic James Gordon Bennett, prompting Barnum to rename his venture "Barnum's Circus".
Searching for ways to further his reputation, Barnum meets playwright Phillip Carlyle and convinces him to join his venture. Phillip is mesmerized by the African American trapeze artist Anne Wheeler, but he hides his feelings. During a trip, Phillip arranges for Barnum and his troupe to meet Queen Victoria. Afterwards, Barnum convinces famed Swedish singer Jenny Lind to perform in America with him as her manager. Lind's first American performance is a rousing success ; during the song, Phillip and Anne are spotted by Phillip's parents as they are holding hands. As Barnum gains favor with the aristocratic patrons, he begins to distance himself from his troupe as he advises them to work on their performances without him. Dejected, they decide to stand against their local harassers.
Phillip and Anne attend the theatre but they run into Phillip's parents, who chastise Phillip for "parading around with the help". Philip tries to convince Anne that they can be together, but she rejects him, saying they will never fit in. As Barnum takes Lind on a US tour, Charity feels isolated from her husband as she stays home with their daughters. While on tour, Lind begins falling in love with Barnum. When he refuses her advances, she threatens to quit and gets back at him with a surprise kiss at the end of her last show, which is photographed by the press.
Barnum returns home to find his circus on fire, caused by a fight between the protesters and the troupe. Phillip runs into the burning building, believing that Anne is still inside, and suffers serious injuries before being rescued by Barnum. Barnum gets word from a sympathetic Bennett that the culprits have been caught and that Lind has canceled her tour after her and Barnum's "scandal". Barnum's mansion is foreclosed upon and Charity takes their daughters to her parents' home.
Devastated, Barnum retreats to a local bar where his troupe find him and explain that despite their disappointments, they still consider themselves a family that needs him. Inspired, he resolves to start a new show and not let ambition overtake his love. Phillip wakes in a hospital with Anne by his side. Barnum finds Charity and they mend their relationship.
Barnum is faced with the financial difficulty of rebuilding the circus, but the recovering Phillip steps in, offering to use his share of the circus's profits to rebuild it under condition of becoming a full partner, which Barnum happily accepts. To save money, Barnum transforms the enterprise into an open-air tent circus by the docks.
The revamped circus is a huge success. Barnum gives full control of the show to Phillip to spend more time with his family.

Cast

Sandou Trio Russian Bar makes an uncredited background cameo during the revamped circus scene.
Pointe Ballerinas portrayed by Emerson Tate Alexander, Victoria Llodra, Louise Hindsbo, Laci Justice, GiaNina Paolantonio, Rachel Quiner, Madison Smith, and Brando Speach

Production

During rehearsals for the 81st Academy Awards in 2009, producers Laurence Mark and Bill Condon compared host Jackman to Barnum. After Jackman expressed interest in a Barnum project, Mark and Condon approached Jenny Bicks, a writer for the ceremony. She and Condon wrote The Greatest Showman. The project was first announced in 2009, with Jackman already set for the title role. In August 2011, Michael Gracey was chosen to direct. In 2013, Fox hired lyricists Pasek and Paul to write the songs.
On June 15, 2016, Zac Efron began negotiations to star in the film, and in July 2016, Michelle Williams was cast. The film was choreographed by Ashley Wallen.

Filming

Rehearsals on the film began in October 2016 in New York City, and principal photography began on November 22, 2016.

Post-production

In December 2017, it was reported that James Mangold, who had worked with Jackman on several projects, had been brought in to serve as an executive producer during the film's post-production. In an interview, director Michael Gracey noted, "There were eight producers on this film, and it was amazing having one of them be a filmmaker."

Music

Musical numbers

wrote all the songs appearing in the film.
  1. "The Greatest Show" – Hugh Jackman, The Greatest Showman Ensemble
  2. "A Million Dreams" – Ziv Zaifman, Jackman, Michelle Williams
  3. "A Million Dreams " – Austyn Johnson, Cameron Seely, Jackman
  4. "Come Alive" – Jackman, Keala Settle, Daniel Everidge, Zendaya
  5. "The Other Side" – Jackman & Zac Efron
  6. "Never Enough" – Loren Allred
  7. "This Is Me" – Settle & Ensemble
  8. "Rewrite the Stars" – Efron, Zendaya
  9. "Tightrope" – Williams
  10. "Never Enough " – Allred
  11. "From Now On" – Jackman, Ensemble
  12. "The Greatest Show" – Jackman, Efron, Settle, Zendaya, Ensemble

    Soundtrack

The soundtrack album is produced by Justin Paul, Benj Pasek, Greg Wells, Kevin Weaver and Pete Ganbarg, featuring the eleven tracks performed by the cast. In the United Kingdom, on March 23, 2018, it became only the second album in 30 years to achieve 11 consecutive weeks at number 1, equalling the record set by Adele's 21., the album has spent the sixth most time at number one at 28 non-consecutive weeks, matching the Beatles' Sgt. Pepper's Lonely Hearts Club Band.

''The Greatest Showman: Reimagined''

On November 16, 2018, a remix album was also released, The Greatest Showman: Reimagined, which features covers of songs from the soundtrack by musicians including James Arthur and Anne-Marie, Sara Bareilles, Kelly Clarkson, Kesha, Pink, Panic! At the Disco, Years & Years and Jess Glynne, and Zac Brown Band among others.

Release

The Greatest Showman held its premiere on December 8, 2017, aboard RMS Queen Mary 2, while it was docked in New York City. The film was then released in the United States on December 20, 2017.
As with Disney's live-action Beauty and the Beast, a sing-along version of the film was released in the United Kingdom on 23 February 2018. The film had a limited IMAX release on 2 February 2018.

Marketing

On June 28, 2017, 20th Century Fox released the first international trailer to promote the film. On November 13, 2017, the second trailer was released.
On December 17, 2017, Fox televised a live performance of "Come Alive" from Warner Bros. Studios during its live musical special A Christmas Story Live!. The number featured the film's stars and a cast of 150 dancers.

Home media

In the United States, the film was released via digital download on March 20, 2018, and was released on DVD, Blu-ray, and 4K Ultra HD on April 10, 2018.
In the United Kingdom, the film was released first on digital download on April 27, 2018, while DVD, Blu-ray, and 4K Ultra HD copies went on sale on May 14, 2018. These versions included the sing-along version, two hours of behind-the-scenes footage, and music machine jukebox features.
The Greatest Showman will be available on The Walt Disney Company's streaming service Disney+ on August 14th, 2020.

Reception

Box office

The Greatest Showman spent 219 days in release, closing on July 26, 2018, having grossed $174.3million in the United States and Canada, and $260.7million in other territories, for a worldwide total of $435million, against a production budget of $84million. It is the third-highest-grossing musical ever in North America and also the third-highest globally, and Deadline Hollywood estimated the film would turn a profit of $50–100 million.
In the United States and Canada, The Greatest Showman was released alongside ', and was projected to gross around $21million from 3,006 theaters over its first six days. It took in $2.5million on its first day and $2.1million on its second. Over the three-day weekend, it grossed $9million, finishing fourth at the box office, behind ', Jumanji: Welcome to the Jungle and Pitch Perfect 3. In its second weekend, the film grossed $15.5million, again finishing 4th at the box office. The weekend-to-weekend increase of 76.3% marked the largest ever for a film playing in over 3,000 theaters, and the fourth biggest ever. In its third week, the film dropped 11% to $14million. The film made $13million in its fourth weekend and $11million in its fifth, finishing 4th and 5th at the box office, respectively. The film continued to hold well in its sixth week of release, grossing $9.5million and returning to 4th place, and again finished fourth in its seventh week, this time grossing $7.8million. It is the 14th-highest-grossing film that never reached first place at the American box office.

Critical response

On review aggregator Rotten Tomatoes, the film has an approval rating of 56% based on 243 reviews, and an average rating of 5.93/10. The website's critical consensus reads, "The Greatest Showman tries hard to dazzle the audience with a Barnum-style sense of wonder—but at the expense of its complex subject's far more intriguing real-life story." On Metacritic, the film has a weighted average score of 48 out of 100, based on 43 critics, indicating "mixed or average reviews". Audiences polled by CinemaScore gave the film an average grade of "A" on an A+ to F scale, while those at PostTrak gave it 4.5 out of 5 stars and a 70% "definite recommend".
Owen Gleiberman of Variety gave the film a positive review, writing, "The Greatest Showman is a concoction, the kind of film where all the pieces click into place, yet at an hour and 45 minutes it flies by, and the link it draws between P.T. Barnum and the spirit of today is more than hype." Richard Roeper of the Chicago Sun-Times gave the film 3/4 stars, saying, "With all that corn and cheese and old-timey sentiment, The Greatest Showman ends up scoring some very timely social arguments. P.T. Barnum himself would have approved the dramatic sleight of hand." Steve Persall of Tampa Bay Times gave the film an 'A', and said, "The Greatest Showman is the feel-good movie the holiday season needs," while William Bibbiani of IGN gave The Greatest Showman a score of 7.9/10, and called the film, "wildly entertaining".
Britton Peele of The Dallas Morning News said, "The story is interesting and the beats are well acted, but it's the musical numbers that make The Greatest Showman." Jackie K Cooper of HuffPost gave the film a score of 10/10 and wrote, "You will be overwhelmed by the music and magic that explode on the screen. The film has a message that should resonate with today's world concerning acceptance and courage." Hugh Armitage of Digital Spy said, "The Greatest Showman is a broad and solid crowd-pleaser. An undemanding spectacle for all the family." Alan Jones of the Radio Times called it "A joyously uplifting potpourri of visual resplendence, stylish choreography and solid gold magic, one engineered to approximate the lavish spectacle the movie musical once offered."
Sheila O'Malley of RogerEbert.com gave it 3.5/4, stating "The Greatest Showman is an unabashed piece of pure entertainment punctuated by memorable songs." Douglas Davidson of CLTure called the film, "An undeniable spectacle with a infectious soundtrack, a movie that dazzles and delights." James Berardinelli of ReelViews gave the film a 3/4 score, and said, "The film has show-stopping well-choreographed numbers with catchy tunes," and Calvin Wilson of the St. Louis Post-Dispatch called the film "highly enjoyable."
Carl Kozlowski of Pasadena Weekly gave the film an 'A', calling it "Groundbreaking & grandly innovative." Sean P. Means of The Salt Lake Tribune gave The Greatest Showman 3.5/4 stars, stating, "A strong cast give emotional power to this romanticized, tune-filled biography." Manuela Lazic of Little White Lies gave it 4/5, saying, "The Greatest Showman deserves to become a Christmas classic. The film's severe romanticism and ridiculous but affecting enthusiasm make it irresistibly life-affirming." Pete Hammond of Deadline Hollywood gave the film 4 out of 5 stars and called it, "A fantasia of song and dance, a joyous exercise in pure entertainment that is made for the holiday crowd."
Conversely, Mick LaSalle of the San Francisco Chronicle gave the film a negative review, criticizing the songs and characters and saying "There's idiotic, and there's magnificent, but The Greatest Showman is that special thing that happens sometimes. It's magnificently idiotic. It's an awful mess, but it's flashy. The temptation is to cover your face and watch it through your fingers, because it's so earnest and embarrassing and misguided—and yet it's well made." In a negative review for The Hollywood Reporter, David Rooney wrote "This ersatz portrait of American big-top tent impresario P.T. Barnum is all smoke and mirrors, no substance. It hammers pedestrian themes of family, friendship and inclusivity while neglecting the fundaments of character and story."
Writing for Rolling Stone, Peter Travers gave the film 1.5 out of 4 stars, saying, "How do you cast a virtuoso Hugh Jackman as P.T. Barnum, spare no expense in production values, add a score by Oscar and Tony winners Benj Pasek and Justin Paul and still end up with the shrill blast of nothing that is The Greatest Showman? Ask first-time director Michael Gracey, who cut his teeth on commercials and music videos without ever mastering the crucial knack of building snippets of musical comedy and drama into a satisfying whole." Justin Chang of the Los Angeles Times wrote that the film's failures "are rooted in something deeper: a dispiriting lack of faith in the audience's intelligence, and a dawning awareness of its own aesthetic hypocrisy. You've rarely seen a more straight-laced musical about the joys of letting your freak flag fly."
The film has been criticized for whitewashing Barnum's life and his perpetuation of human zoos as a form of entertainment.

Accolades

Sequel

In September 2019, it was reported that a sequel for the film was already in development, with Jackman confirmed to reprise his role. However, the sequel now becomes uncertain after Disney
chose to end a distribution deal for Chernin Entertainment's films by 20th Century Studios in early 2020.