The House of the Rising Sun


"The House of the Rising Sun" is a traditional folk song, sometimes called "Rising Sun Blues". It tells of a person's life gone wrong in the city of New Orleans; many versions also urge a sibling or parents and children to avoid the same fate. The most successful commercial version, recorded in 1964 by British rock group The Animals, was a number one hit on the UK Singles Chart and also in the United States and France. As a traditional folk song recorded by an electric rock band, it has been described as the "first folk rock hit".

Origin and early versions

Origin

Like many classic folk ballads, "The House of the Rising Sun" is of uncertain authorship. Musicologists say that it is based on the tradition of broadside ballads, and thematically it has some resemblance to the 16th-century ballad The Unfortunate Rake, yet there is no evidence suggesting that there is any direct relation. According to Alan Lomax, "Rising Sun" was used as the name of a bawdy house in two traditional English songs, and it was also a name for English pubs. He further suggested that the melody might be related to a 17th-century folk song, "Lord Barnard and Little Musgrave", also known as "Matty Groves", but a survey by Bertrand Bronson showed no clear relationship between the two songs. Lomax proposed that the location of the house was then relocated from England to New Orleans by white Southern performers. However, folklorist Vance Randolph proposed an alternative French origin, the "rising sun" referring to the decorative use of the sunburst insignia dating to the time of Louis XIV, which was brought to North America by French immigrants.
"House of Rising Sun" was said to have been known by miners in 1905. The oldest published version of the lyrics is that printed by Robert Winslow Gordon in 1925, in a column "Old Songs That Men Have Sung" in Adventure magazine. The lyrics of that version begin:
There is a house in New Orleans, it's called the Rising Sun
It's been the ruin of many poor girl
Great God, and I for one.

The oldest known recording of the song, under the title "Rising Sun Blues", is by Appalachian artists Clarence "Tom" Ashley and Gwin Foster, who recorded it on September 6, 1933 on the Vocalion label. Ashley said he had learned it from his grandfather, Enoch Ashley. Roy Acuff, an "early-day friend and apprentice" of Ashley's, learned it from him and recorded it as "Rising Sun" on November 3, 1938. Several older blues recordings of songs with similar titles are unrelated, for example, "Rising Sun Blues" by Ivy Smith and "The Risin' Sun" by Texas Alexander.
There is a common perception that prior to The Animals the song was about and from the perspective of a woman. This is incorrect, as the narrative of the lyrics has been continually whipped back and forth from a female to a male cautionary tale. The earliest known printed version from Gordon's column is about a woman's warning. The earliest known recording of the song by Ashley is about a rounder, a male character. The lyrics of that version begin:
There is a house in New Orleans
They call the Rising Sun
Where many poor boys to destruction has gone
And me, oh God, are one.

The song was among those collected by folklorist Alan Lomax, who, along with his father, was a curator of the Archive of American Folk Song for the Library of Congress. On an expedition with his wife to eastern Kentucky, Lomax set up his recording equipment in Middlesboro, in the house of the singer and activist Tilman Cadle. In 1937, he recorded a performance by Georgia Turner, the 16-year-old daughter of a local miner. He called it The Rising Sun Blues. Lomax later recorded a different version sung by Bert Martin and a third sung by Daw Henson, both eastern Kentucky singers. In his 1941 songbook Our Singing Country, Lomax credits the lyrics to Turner, with reference to Martin's version.

Early folk and blues releases

In 1941, Woody Guthrie recorded a version. Keynote Records released one by Josh White in 1942, and Decca Records released one also in 1942 with music by White and the vocals performed by Libby Holman. Holman and White also collaborated on a 1950 release by Mercury Records. White is also credited with having written new words and music that have subsequently been popularized in the versions made by many other later artists. White learned the song from a "white hillbilly singer", who might have been Ashley, in North Carolina in 1923–1924. Lead Belly recorded two versions of the song, in February 1944 and in October 1948, called "In New Orleans" and "The House of the Rising Sun", respectively; the latter was recorded in sessions that were later used on the album Lead Belly's Last Sessions.
In 1957, Glenn Yarbrough recorded the song for Elektra Records. The song is also credited to Ronnie Gilbert on an album by The Weavers released in the late 1940s or early 1950s. Pete Seeger released a version on Folkways Records in 1958, which was re-released by Smithsonian Folkways in 2009. Andy Griffith recorded the song on his 1959 album Andy Griffith Shouts the Blues and Old Timey Songs. In 1960, Miriam Makeba recorded the song on her eponymous RCA album.
Joan Baez recorded it in 1960 on her self-titled debut album; she frequently performed the song in concert throughout her career. Nina Simone recorded her first version for the live album Nina at the Village Gate in 1962. Simone later covered the song again on her 1967 studio album Nina Simone Sings The Blues. Tim Hardin sang it on This is Tim Hardin, recorded in 1964 but not released until 1967. The Chambers Brothers recorded a version on Feelin' the Blues, released on Vault Records.

Van Ronk arrangement

In late 1961, Bob Dylan recorded the song for his debut album, released in March 1962. That release had no songwriting credit, but the liner notes indicate that Dylan learned this version of the song from Dave Van Ronk. In an interview for the documentary No Direction Home, Van Ronk said that he was intending to record the song and that Dylan copied his version. Van Ronk recorded it soon thereafter for the album Just Dave Van Ronk.

The Animals' version

An interview with Eric Burdon revealed that he first heard the song in a club in Newcastle, England, where it was sung by the Northumbrian folk singer Johnny Handle. The Animals were on tour with Chuck Berry and chose it because they wanted something distinctive to sing.
The Animals had begun featuring their arrangement of "House of the Rising Sun" during a joint concert tour with Chuck Berry, using it as their closing number to differentiate themselves from acts that always closed with straight rockers. It got a tremendous reaction from the audience, convincing initially reluctant producer Mickie Most that it had hit potential, and between tour stops the group went to a small recording studio on Kingsway in London to capture it.

Recording and releases

The song was recorded in just one take on May 18, 1964, and it starts with a now-famous electric guitar A minor chord arpeggio by Hilton Valentine. According to Valentine, he simply took Dylan's chord sequence and played it as an arpeggio. The performance takes off with Burdon's lead vocal, which has been variously described as "howling", "soulful", and as "...deep and gravelly as the north-east English coal town of Newcastle that spawned him". Finally, Alan Price's pulsating organ part completes the sound. Burdon later said, "We were looking for a song that would grab people's attention".
As recorded, "House of the Rising Sun" ran four and a half minutes, regarded as far too long for a pop single at the time. Producer Most, who initially did not really want to record the song at all, said that on this occasion: "Everything was in the right place... It only took 15 minutes to make so I can't take much credit for the production". He was nonetheless now a believer and declared it a single at its full length, saying "We're in a microgroove world now, we will release it".
In the United States, however, the original single was a 2:58 version. The MGM Golden Circle reissue featured the unedited 4:29 version, although the record label gives the edited playing time of 2:58. The edited version was included on the group's 1964 US debut album The Animals, while the full version was later included on their best-selling 1966 US greatest hits album, The Best of the Animals. However, the very first American release of the full-length version was on a 1965 album of various groups entitled Mickie Most Presents British Go-Go, the cover of which, under the listing of "House of the Rising Sun", described it as the "Original uncut version". Americans could also hear the complete version in the movie Go Go Mania in the spring of 1965.
"House of the Rising Sun" was not included on any of the group's British albums, but it was reissued as a single twice in subsequent decades, charting both times, reaching number 25 in 1972 and number 11 in 1982.
The Animals version was played in 6/8 meter, unlike the 4/4 of most earlier versions. Arranging credit went only to Alan Price. According to Burdon, this was simply because there was insufficient room to name all five band members on the record label, and Alan Price's first name was first alphabetically. However, this meant that only Price received songwriter's royalties for the hit, a fact that has caused bitterness among the other band members ever since.

Personnel

"House of the Rising Sun" was a trans-Atlantic hit: after reaching the top of the UK pop singles chart in July 1964, it topped the US pop singles chart two months later, on September 5, 1964, where it stayed for three weeks, and became the first British Invasion number one unconnected with The Beatles. It was the group's breakthrough hit in both countries and became their signature song. The song was also a hit in Ireland twice, peaking at No. 10 upon its initial release in 1964 and later reaching a brand new peak of No. 5 when reissued in 1982.
According to John Steel, Bob Dylan told him that when he first heard The Animals' version on his car radio, he stopped to listen, "jumped out of his car" and "banged on the bonnet", inspiring him to go electric. Dave Van Ronk said that The Animals' version—like Dylan's version before it—was based on his arrangement of the song.
Dave Marsh described the Animals' take on "The House of the Rising Sun" as "...the first folk-rock hit", sounding "...as if they'd connected the ancient tune to a live wire". Writer Ralph McLean of the BBC agreed that "It was arguably the first folk rock tune", calling it "a revolutionary single", after which "the face of modern music was changed forever".
The Animals' rendition of the song is recognized as one of the classics of British pop music. Writer Lester Bangs labeled it "a brilliant rearrangement" and "a new standard rendition of an old standard composition". It ranked number 122 on Rolling Stone magazine's list of "500 Greatest Songs of All Time". It is also one of the Rock and Roll Hall of Fame's "500 Songs That Shaped Rock and Roll". The RIAA ranked it number 240 on their list of "Songs of the Century". In 1999 it received a Grammy Hall of Fame Award. It has long since become a staple of oldies and classic rock radio formats. A 2005 Channel Five poll ranked it as Britain's fourth-favorite number one song.

Charts

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Certifications

Frijid Pink version

In 1969, the Detroit band Frijid Pink recorded a psychedelic version of "House of the Rising Sun", which became an international hit in 1970. Their version is in 4/4 time and was driven by Gary Ray Thompson's distorted guitar with fuzz and wah-wah effects, set against the frenetic drumming of Richard Stevers.
According to Stevers, the Frijid Pink recording of "House of the Rising Sun" was done impromptu when there was time left over at a recording session booked for the group at the Tera Shirma Recording Studios. Stevers later played snippets from that session's tracks for Paul Cannon, the music director of Detroit's premier rock radio station, WKNR; the two knew each other, as Cannon was the father of Stevers's girlfriend. Stevers recalled, "we went through the whole thing and didn't say much. Then 'House ' started up and I immediately turned it off because it wasn't anything I really wanted him to hear". However, Cannon was intrigued and had Stevers play the complete track for him, then advising Stevers, "Tell Parrot to drop "God Gave Me You" and go with this one".
Frijid Pink's "House of the Rising Sun" debuted at number 29 on the WKNR hit parade dated January 6, 1970, and broke nationally after some seven weeks—during which the track was re-serviced to radio three times—with a number 73 debut on the Hot 100 in Billboard dated February 27, 1970 with a subsequent three-week ascent to the top 30 en route to a Hot 100 peak of number seven on April 4, 1970. The certification of the Frijid Pink single "House of the Rising Sun" as a gold record for domestic sales of one million units was reported in the issue of Billboard dated May 30, 1970.
The Frijid Pink single of "House of the Rising Sun" would give the song its most widespread international success, with top 10 status reached in Austria, Belgium, Canada, Denmark, Germany, Greece, Ireland, Israel, the Netherlands, Norway, Poland, Sweden, Switzerland, and the UK. The single also charted in Australia, France, and Italy.

Sales and certifications

''Billboard''s country chart

The song has twice been a hit record on Billboards country chart.

Other versions

Jody Miller version

In 1973, Jody Miller's version reached number 29 on the country charts and number 41 on the Adult Contemporary chart.

Geordie version

Recorded by Brian Johnson's band Geordie for their 1974 album Don't Be Fooled by the Name, Johnson went on to become vocalist for AC/DC.

The Be Good Tanyas version

recorded a version on their 2003 Chinatown album.

Thin Lizzy instrumental version

The song was recorded as an electric but fairly mellow instrumental on the Deep Purple tribute album recorded by Thin Lizzy circa 1972, Funky Junction Play a Tribute to Deep Purple. Here it was simply called "Rising Sun", and credited to Leo Muller, the German businessman and label-owner.

Dolly Parton version

In August 1981, Dolly Parton released a cover of the song as the third single from her album 9 to 5 and Odd Jobs. Like Miller's earlier country hit, Parton's remake returns the song to its original lyric of being about a fallen woman. The Parton version makes it quite blunt, with a few new lyric lines that were written by Parton. Parton's remake reached number 14 on the US country singles chart and crossed over to the pop charts, where it reached number 77 on the Billboard Hot 100; it also reached number 30 on the US Adult Contemporary chart. Parton has occasionally performed the song live, including on her 1987–88 television show, in an episode taped in New Orleans.

Five Finger Death Punch version

The American heavy metal band Five Finger Death Punch released a cover of "House of the Rising Sun" on their fifth studio album, The Wrong Side of Heaven and the Righteous Side of Hell, Volume 2, which was later released as the album's second single and the band's third single of the Wrong Side era. The references to New Orleans have been changed to Sin City, a reference to the negative effects of gambling in Las Vegas. The song was a top ten hit on mainstream rock radio in the United States. It was also featured in the video game Guitar Hero Live.

Johnny Hallyday version (in French)

The song was covered in French by Johnny Hallyday. His version was released in October 1964 and spent one week at number one on the singles sales chart in France. In Wallonia, Belgium, his single spent 28 weeks on the chart, also peaking at number one.
He performed the song during his 2014 US tour.

Los Speakers version (in Spanish)

Colombian band Los Speakers covered the song under the title "La Casa del Sol Naciente", in their 1965 album of the same name.

Charts

Doc Watson version

American guitarist Doc Watson recorded a version and was released on his 1999 album Third Generation Blues. This album also features his grandson Richard Watson.

Alt-J version

British indie rock band Alt-J covered the song in their 2017 album Relaxer, with an additional verse written by the band themselves.

The White Buffalo version

American musician and singer/songwriter Jake Smith covered the song with The Forest Rangers. It was featured on Season 4 of Sons of Anarchy.

Jerry Garcia, David Grisman, and Tony Rice version

Charged with Jerry Garcia's yearnful crooning and an intricate Chinese interval, the song was recorded on The Pizza Tapes, an album by Garcia, David Grisman, and Tony Rice. It was released on the Acoustic Disc label on April 25, 2000.

Farhad Mehrad version

Iranian musician Farhad Mehrad recorded a version with his band, The Black Cats in the 1960s.

EAV version and 'Wilbert Eckart und seine Volksmusik Stars' versions (in German)

Two notable German covers/adaptions were created, one by Erste Allgemeine Verunsicherung, which in 1989 recorded a song with lyrics telling the story of an East Germany citizen fleeing East Berlin after the Fall of the Berlin Wall and his following disillusion with Western society. Another that gained international recognition was created for the soundtrack of in 2014, interpreting the song with Volksmusik instrumentation, fitting the alternate future theme of the game in which Nazi Germany won World War II, as part of a collection of 'adapted' pop hits.
Canadian band Dead South also covered the song.

Others

released a recording of his version of the song on his 1987 Hank Live album.

Possible real locations

Various places in New Orleans have been proposed as the inspiration for the song, with varying plausibility. The phrase "House of the Rising Sun" is often understood as a euphemism for a brothel, but it is not known whether the house described in the lyrics was an actual or a fictitious place. One theory is that the song is about a woman who killed her father, an alcoholic gambler who had beaten his wife. Therefore, the House of the Rising Sun may be a jailhouse, from which one would be the first person to see the sunrise. Because women often sang the song, another theory is that the House of the Rising Sun was where prostitutes were detained while being treated for syphilis. Since cures with mercury were ineffective, going back was very unlikely.
Only three candidates that use the name Rising Sun have historical evidence—from old city directories and newspapers. The first was a small, short-lived hotel on Conti Street in the French Quarter in the 1820s. It burned down in 1822. An excavation and document search in early 2005 found evidence that supported this claim, including an advertisement with language that may have euphemistically indicated prostitution. Archaeologists found an unusually large number of pots of rouge and cosmetics at the site.
The second possibility was a "Rising Sun Hall" listed in late 19th-century city directories on what is now Cherokee Street, at the riverfront in the uptown Carrollton neighborhood, which seems to have been a building owned and used for meetings of a Social Aid and Pleasure Club, commonly rented out for dances and functions. It also is no longer extant. Definite links to gambling or prostitution are undocumented for either of these buildings.
A third was "The Rising Sun", which advertised in several local newspapers in the 1860s, located on what is now the lake side of the 100 block of Decatur Street. In various advertisements it is described as a "Restaurant", a "Lager Beer Salon", and a "Coffee House". At the time, New Orleans businesses listed as coffee houses often also sold alcoholic beverages.
Dave Van Ronk claimed in his biography "The Mayor of MacDougal Street" that at one time when he was in New Orleans someone approached him with a number of old photos of the city from the turn of the century. Among them "was a picture of a foreboding stone doorway with a carving on the lintel of a stylized rising sun... It was the Orleans Parish women's prison".
Bizarre New Orleans, a guidebook on New Orleans, asserts that the real house was at 1614 Esplanade Avenue between 1862 and 1874 and was said to have been named after its madam, Marianne LeSoleil Levant, whose surname means "the rising sun" in French.
Another guidebook, Offbeat New Orleans, asserts that the real House of the Rising Sun was at 826–830 St. Louis St. between 1862 and 1874, also purportedly named for Marianne LeSoleil Levant. The building still stands, and Eric Burdon, after visiting at the behest of the owner, said, "The house was talking to me".
There is a contemporary B&B called the House of the Rising Sun, decorated in brothel style. The owners are fans of the song, but there is no connection with the original place.
Not everyone believes that the house actually existed. Pamela D. Arceneaux, a research librarian at the Williams Research Center in New Orleans, is quoted as saying: