The story centres around the lives of Biju and Sai. Biju is an Indian living in the United States illegally, son of a cook who works for Sai's grandfather. Sai is an orphan living in mountainous Kalimpong with her maternal grandfather, Jemubhai Patel; the cook; and a dog named Mutt. Her mother was a Gujarati and her father a Zoroastrian orphan himself. Author Desai alternates the narration between these two points of view. The action of the novel takes place in 1986. Biju, the other character is an illegal alien residing in the United States, trying to make a new life for himself, and contrasts this with the experiences of Sai, an anglicised Indian girl living with her grandfather inIndia. The novel shows both internal conflicts within India and tensions between the past and present. Desai writes of rejection and yet awe of the English way of life, opportunities to gain money in America, and the squalor of living in India. Through critical portrayal of Sai's grandfather, the retired judge, Desai comments upon leading Indians who were considered too anglicised and forgetful of traditional ways of Indian life. The retired judge Jemubhai Patel is a man disgusted by Indian ways and customs -- so much so, that he eats chapatis with knife and fork. Patel disdains other Indians, including the father with whom he breaks ties and the wife whom he abandons at his father's home after torturing her. Yet Patel never is fully accepted by the British, despite his education and adopted mannerisms. The major theme running throughout The Inheritance of Loss is one closely related to colonialism and the effects of post-colonialism: the loss of identity and the way it travels through generations as a sense of loss. Some characters snub those who embody the Indian way of life, others are angered by anglicised Indians who have lost their traditions; none is content. The Gorkhaland movement is used as the historic backdrop of the novel.
Reception
found it a "grim" novel, highlighting "how individuals are always failing to communicate". The Observer found some excellent comic set-pieces amid the grimness. The New York Times claimed Desai "manages to explore, with intimacy and insight, just about every contemporary international issue: globalization, multiculturalism, economic inequality, fundamentalism and terrorist violence."