During World War II, the sailor Anatoly and his captain, Tikhon, are captured by the Germans when they board their barge and tugboat, which is carrying a shipment of coal. The German officer leading the raid offers Anatolywho is terrified of dyingthe choice to be shot or to shoot Tikhon and stay alive, which Anatoly takes; he shoots, and Tikhon falls overboard. The Germans blow up the ship but Anatoly is found by Russian Orthodox monks on the shore the next morning. He survives and becomes a stoker at the monastery but is perpetually overcome with guilt. Thirty years pass. Anatoly now has the gifts of prophecy and healing. But the other monks do not really understand him. People come to see Anatoly for cures and guidance, but even now, he remains in a perpetual state of repentance. He often gets in a boat and goes to an uninhabited island where he prays for mercy and forgiveness. Many years pass, and an admiral of the North Fleet arrives at the monastery. He brings his daughter who is possessed by a demon, but Anatoly exorcises it. The admiral turns out to be Tikhon. It is revealed that Anatoly only wounded him in the arm. Tikhon forgives Anatoly. Anatoly announces his death by Wednesday; the monks provide a coffin. Dressed in a white garment such as Jesus wore or as an Orthodox baptismal garment, he lies in the coffin, wearing a crucifix. Monks, one carrying a large cross representing the risen Christ, are seen rowing the coffin away from the island.
Spiritual message
The film is focused on father Anatoly's repentance of his sin ; but the transgressions of the depicted character and their impact on the others are the means by which the actual plot develops. The film's director Pavel Lungin, speaking of the central character's self-awareness, said he doesn't regard him as being clever or spiritual, but blessed "in the sense that he is an exposed nerve, which connects to the pains of this world. His absolute power is a reaction to the pain of those people who come to it;" while "typically, when the miracle happens, the lay people asking for a miracle are always dissatisfied" because "the world does not tolerate domestic miracles." Screenwriter Dmitry Sobolev further explains: "When a person asks God for something, he is often wrong because God has a better understanding of what a person needs at that moment." Pyotr Mamonov, who plays the lead character, formerly one of the few rock musicians in the USSR, converted to Eastern Orthodoxy in the 1990s and lives now in an isolated village. Pavel Lungin said about him that "to a large extent, he played himself." Mamonov received a blessing from his confessor for playing the character. The former Patriarch of Moscow, Alexei II, praised Ostrov for its profound depiction of faith and monastic life, calling it a "vivid example of an effort to take a Christian approach to culture."
On review aggregator website Rotten Tomatoes, the film holds an approval rating of 63% based on 19 reviews, and an average rating of 5.8/10. Derek Adams of Time Out described the film as "both heartfelt and ultimately optimistic" in a generally positive review. Wesley Morris, writing for The Boston Globe, gave the film 2 and a half stars, called the film "an aggravating combination of piousness, arty self-pity, and knowing silliness meant to speak to higher spiritual truths".
2007 — Six awards at the fifth national Golden Eagle Awards - "Best film", "Best male support role", "Best male role", "Best director", "Best scenario", "Best operator work".
