The Last Starfighter


The Last Starfighter is a 1984 American space opera film directed by Nick Castle. The film tells the story of Alex Rogan, a teenager recruited by an alien defense force to fight in an interstellar war. It also features Robert Preston, Dan O'Herlihy, Catherine Mary Stewart, Norman Snow, and Kay E. Kuter.
The Last Starfighter, along with Disney's Tron, has the distinction of being one of cinema's earliest films to use extensive computer-generated imagery to depict its many starships, environments and battle scenes. It is one of the first films to use CGI to represent "real-life" objects instead of digital imaging.
The Last Starfighter was Robert Preston's final role in a theatrical film. The character of Centauri, a "lovable con-man", was written with him in mind and was a nod to his most famous role as Professor Harold Hill in The Music Man. There was a subsequent novelization of the film by Alan Dean Foster, as well as a video game based on the production. In 2004, it was also adapted as an off-Broadway musical.

Plot

Alex Rogan is a teenager living in a trailer park with his mother and younger brother, Louis. After being rejected for a scholarship, Alex becomes angry at his go-nowhere existence. The only entertainment in the trailer park comes from an arcade game, called "Starfighter", in which the player defends "the Frontier" from Xur and the Ko-Dan Armada in a space battle. After Alex becomes the game's highest-scoring player, he is approached by the game's inventor, Centauri, who invites him to take a ride in his fancy car as a prize for winning the game. Centauri is actually an alien and his car a spacecraft; Alex is essentially abducted, and a doppelganger android named Beta is used to cover Alex's absence.
Alex learns that the Starfighter arcade game represents a real-life conflict between the Rylan Star League and the Ko-Dan Empire; the latter is led by the Ko-Dan emperor and aided by Xur, a native Rylan traitor to whom the Ko-Dan emperor has promised control of Rylos. The game was designed as a test to find those "with the gift"; Alex, expected to be the gunner for a Starfighter spacecraft called the Gunstar, befriends a reptilian pilot named Grig. He also learns that the Frontier is a forcefield protecting Rylos and its surrounding planets from invasion; Xur has given the Ko-Dan the means to breach it.
Xur reveals he has discovered an infiltrator in his ranks and broadcasts the spy's execution to the Star League. He then proclaims that once Rylos' moon is in eclipse, the Ko-Dan Armada will begin their invasion. Unnerved by everything he has seen, Alex asks to be taken home. On Earth, Centauri tells Alex to contact him should he change his mind. Meanwhile, a saboteur eliminates the Starfighter base defenses, causing heavy damage. The Ko-Dan commanding officer, Lord Kril, then launches a long distance attack against the base, killing the Starfighters, and destroying the Gunstars. Only Grig and an advanced prototype Gunstar survive.
Alex discovers Beta and contacts Centauri to retrieve him. Centauri arrives just as Alex and Beta are attacked by an alien assassin, a Zando-Zan, in Xur's service; Centauri shoots off its right arm. He then explains that more Zando-Zan will be coming and the only way for Alex to protect his family is to embrace his ability as a Starfighter. Before Alex can reply, the assassin attempts to shoot Alex. Centauri jumps in the way, taking the hit and killing the alien. Alex and Centauri fly back to the Starfighter base, where Centauri succumbs to his injuries. Alex finds Grig and they prepare the Gunstar to battle the Ko-Dan Armada.
While Grig trains Alex, Beta finds it difficult to maintain his impersonation of Alex, particularly with Maggie, Alex's girlfriend. After discovering that a Zando-Zan has taken the place of a local police officer and set up a communication center from his spaceship outside the trailer park, Beta reveals everything to Maggie. She does not believe him until the Zando-Zan discovers the pair and Beta is shot, exposing damaged circuitry. They steal a friend's pickup truck and charge it at the Zando-Zan ship as the assassin attempts to send a message to the Ko-Dan; Beta has Maggie jump out before sacrificing himself by crashing into the ship, destroying it. Xur interprets the partial message to mean that Alex has been killed, but Kril is doubtful.
Alex and Grig attack the Ko-Dan mothership, crippling its communications. Once Alex's weapons are depleted, he desperately activates a secret weapon on the Gunstar, the "Death Blossom", that destroys the remaining Ko-Dan fighters. With the fleet destroyed, Kril orders Xur executed for his arrogance and failure to ensure victory, but Xur escapes the mothership just before Alex cripples its guidance controls, causing it to crash into Rylos' moon.
Alex is proclaimed the savior of Rylos and invited to help rebuild the Star League, as it is still vulnerable: the Frontier has collapsed and Xur escaped. An unknown alien approaches, revealing himself as Centauri and explaining he was in a healing stasis. Alex agrees to stay, but he returns to Earth, landing his Gunstar in the trailer park. Grig tells Alex's mother and the people of the trailer park of Alex's heroism, and Alex asks Maggie to come with him; she agrees. Louis is inspired to join Alex and begins playing the Starfighter game.

Cast

The Last Starfighter is one of the earliest films to make extensive use of computer graphics for its special effects. In place of physical models, 3D rendered models were used to depict space ships and many other objects. The Gunstar and other spaceships were the design of artist Ron Cobb, who also worked on Alien, Star Wars and Conan the Barbarian.
The computer graphics for the film were rendered by Digital Productions on a Cray X-MP supercomputer. The company created 27 minutes of effects for the film. This was considered an enormous amount of computer generated imagery at the time. For the 300 scenes containing computer graphics in the film, each frame of the animation contained an average of 250,000 polygons, and had a resolution of 3000 × 5000 36-bit pixels. Digital Productions estimated that using computer animation required only half the time, and between one third to one half of the cost of traditional special effects. The result was a cost of $14 million for a film that made about $21 million at the box office.
Digital Productions used Fortran, CFT77 for programming:
Not all special effects in the film were done with computer animation. The depiction of the Beta unit before it had taken Alex's form was a practical effect, created by makeup artist Lance Anderson. The Starcar, created by Gene Winfield and driven by Centauri, was a working vehicle based on Winfield's Spinner designs from Blade Runner.
Because the test audiences responded positively to the Beta Alex character, director Nick Castle added more scenes of Beta Alex interacting with the trailer park community. Because Lance Guest had cut his hair short after initial filming had completed and he contracted an illness during the re-shoots, his portrayal of Beta Alex in the added scenes has him wearing a wig and heavy makeup. Wil Wheaton had some scenes filmed before they were ultimately deleted from the final print.

Music

Composer Craig Safan wanted to go "bigger than Star Wars" and therefore utilized a "Mahler-sized" orchestra, resulting in an unusual breadth of instruments, including "quadruple woodwinds" and "eight trumpets, , and horns!"

Reception

Critical reception

On review aggregator website Rotten Tomatoes, The Last Starfighter received an approval rating of 74% based on 31 reviews, and an average rating of 6.23/10. The website's critical consensus reads, "The plot is as barebones a space movie will allow, but The Last Starfighter captures an era and eager style of filmmaking well."Metacritic gave the film a score of 67 based on 8 reviews, indicating "generally favorable reviews".
Roger Ebert gave the film two-and-a-half out of four stars, stating that while the actors were good, The Last Starfighter was "not a terrifically original movie," but was nonetheless "well-made". Halliwell's Film Guide described the film as "a surprisingly pleasant variation on the Star Wars boom, with sharp and witty performances from two reliable character actors and some elegant gadgetry to offset the teenage mooning." Gene Siskel included the film on his list of "Guilty Pleasures", describing it as "a Star Wars rip-off, but the best one". Over time it has developed a cult following.

Adaptations

The Last Starfighters popularity has resulted in several non-film adaptations of the storyline and uses of the name.

Musicals

A musical adaptation was first produced at the Storm Theatre Off-Off Broadway in New York City in October 2004 with music and lyrics by Skip Kennon and book by Fred Landau. In November 2005, the original cast recording was released on the Kritzerland label.

Books

wrote a novelization of the film shortly after it was released.

Comics

In the same year as the release of the film, Marvel Comics published a comic book adaptation of the film by writer Bill Mantlo and artists Bret Blevins and Tony Salmons in Marvel Super Special #31. The adaptation was also available as a three issue limited series.

Games

In 1984, FASA, a sci-fi tabletop game maker, created a gaming system for The Last Starfighter.

Video games

Arcade

A real The Last Starfighter arcade game by Atari, Inc. is promised in the end credits, but was never released. If released, the game would have been Atari's first 3D polygonal arcade game to use a Motorola 68000 as the CPU. Gameplay would have been taken from game scenes and space battle scenes in the film and would have included the same controller that was used on the first Star Wars arcade game. The game was abandoned once Atari representatives saw the film in post-production and decided it was not going to be a financial success.

Home computer and console

Home versions of the game for the Atari 2600 and Atari 5200 consoles and Atari 8-bit home computers were also developed, but never commercially released under the Last Starfighter name. The home computer version was eventually renamed and released as Star Raiders II. A prototype exists for the Atari 2600 Last Starfighter game, which was in actuality a game already in development by Atari under the name Universe. This game was eventually released as Solaris.
In 1990, an NES game titled The Last Starfighter was released, but it was actually a conversion of Uridium for Commodore 64, with modified sprites, title screen and soundtrack.
A freeware playable version of the game, based on what is seen in the film, was released for PC in 2007. This is a faithful reproduction of the arcade game from the film and features full sound effects and music from the game. The creators of this game, Rogue Synapse, have also built a working arcade cabinet of the game.

Sequel

In February 2008, production company GPA Entertainment added "Starfighter – The sequel to the classic motion picture Last Starfighter" to its list of projects and two months later the project was reported to be "stuck in the pre-production phase". It was still there as of 2012. Hollywood directors, including Seth Rogen and Steven Spielberg, as well as screenwriter Gary Whitta, have expressed interest in creating a sequel or remake, but Jonathan R. Betuel has allegedly indicated that he does not want another film made.
The rights to the film have not been clearly defined due to conflicting information. Multiple sources say Universal Pictures still owns the theatrical and home media distribution rights while Warner Bros., which absorbed Lorimar-Telepictures in 1992, has the international distribution rights. Another source states that Universal has the option to remake the film while Betuel has sequel rights. Further complicating the situation is a claim that both Universal and Warner Bros. each have remake and sequel rights.
In July 2015, it was reported that Betuel will write a TV reboot of the film.
On April 4, 2018, Whitta posted concept art for The Last Starfighter sequel on his Twitter account. In the same tweet he also indicated that Betuel will be collaborating with him on the project. In a follow-up interview with Gizmodo, Whitta referred to the project as "a combination of reboot and sequel that we both think honors the legacy of the original film while passing the torch to a new generation."