The Legend of Korra is a third-person action game, supporting single-player play only. Players control Korra, the series' heroine, as she fights villains from the first two seasons of the series with the bending arts, a spiritual and physical practice similar in appearance to Eastern martial arts by which practitioners move and alter the elements of water, earth, fire and air. Korra can switch between four different elements on the fly, each with its own combat styles and special moves. Waterbending is acquired first and specializes in ranged attacks. Earthbending, acquired next, features slow attacks that are very powerful and cannot be blocked. Firebending is a balanced style that once upgraded, features all three forms of attacks: Fast combos, slow but powerful, and ranged. Airbending, acquired late in the game, features fast and powerful attacks that can affect all surrounding targets. Korra also acquires the "avatar state" near the end of the game; it lasts a shorts period, but grants Korra powerful attacks that combine all four elements. The game tries to persuade the player into using counterattacks. The player can initiate a counterattack by blocking an enemy attack just before it connects. Counterattacks are orders of magnitude more powerful than direct attacks. Counterattacking is the only way of defeating bosses in a reasonable amount of time, as defeating them with direct attacks can take hours. Electrical and earth-based attacks cannot be countered. The game takes about four to six hours to play through, but contains "a New Game+ of sorts". These include an endless runner with Naga, and pro-bending matches, where teams of three try to bend each other out of an arena. This mode, which implements the pro-bending rules depicted in the series, is available after completing the game, with the player controlling the "Fire Ferrets" team made up of Korra and her friends Mako and Bolin.
Setting and plot
The events of the game occur in the two weeks between what happened in the second and third seasons of the series, which aired in 2013 and 2014 respectively. Korra is opposed by a "chi-blocker" who, at the start of the game, strips Korra of her bending abilities, which she has to regain in the course of the game. The game's main villain, Hundun, is named after a chaotic entity in Chinese mythology. An ancient, evil being previously trapped in the spirit world, he was released into the physical world by Korra's opening of the spirit portals at the end of the second season. The game sees him sow chaos in the world and pursue his grudge against the Avatar.
Development
The Legend of Korra, the animateddramaTV series on which the game is based, aired on Nickelodeon and online from 2012 to 2014 as a sequel to the series . It received critical acclaim, and was commissioned to run for four seasons and a total of 52 episodes. The game based on the series was announced in June 2014. It was developed by PlatinumGames, known for the Bayonetta series of action games among others, and published by Activision. The game is scripted by Tim Hedrick, a writer of the TV series, who collaborated with series creators Bryan Konietzko and Michael Dante DiMartino on the plot and main villain. The cutscenes are animated by Titmouse, Inc., and the cover art is by series character designer Christie Tseng. The game made use of the voice actors and the music of the TV series. Robert Conkey of Activision explained that they chose Platinum on account of their record of developing action games, which he described as having a "very smooth, very flashy, and very cool" style. Platinum producer Atsushi Kurooka said that Platinum chose to adapt The Legend of Korra, a series unknown in Japan, after watching it with the aid of translated scripts, and being impressed by the series's blend of "interesting action, a really good story, comedy, and romance". According to Kurooka, the studio aimed to make the game emulate the look and feel of the television series as closely as possible, including its visual and sound direction: Kurooka said that screenshots of the game were indistinguishable from those of the series.
Reception
Pre-release
Appraisals of the game during development were positive. After playing an alpha build of the game in June 2014, Destructoid described the game as a "pretty solid action brawler". The reviewer praised the thorough implementation of the various bending styles, the detailed and fluid combat system, and the cel-shaded art style. GameSpots reporter was "encouraged by the art style and some aspects of the combat", but uncertain whether the developers would be able to balance the demands of faithfulness to a franchise and the expectations of quality combat gameplay raised by their previous titles. IGN described the early version as having "all the depth I’d expect to see from this developer bundled with a faithful artistic interpretation" of the source material, noting the "surprisingly deep" combat system and the "tastefully re-created animations" from the series.
Post-release
The Legend of Korra received "mixed or average" reviews, according to video game review aggregator Metacritic. It was panned by Dan Stapleton of IGN as a "poorly made tie-in that can’t even stand up as a competent third-person action game". The reviewer noted the game's simplistic combat, the absence of the series' wit and charm, and the low-quality cutscenes. Kevin VanOrd of GameSpot was also highly critical of the game, writing that it "tries its best to boot M. Night Shyamalan's The Last Airbenderfilm out of its rightful position as 'worst Avatar-related thing yet produced.'" Chris Carter at Destructoid summed up the game as a "nice but brief romp" with no real narrative that "plays out like a 'light' version of Platinum's previous games". At Polygon, Philip Kollar described the game as a "shallow, short experience full of segments that feel poorly designed and ill-considered", with frustrating mechanics and annoying mini-games. Paul Tassi of Forbes, noting the "scathing" reviews the game received, wrote that, like other adaptations of the series, it showed "a fundamental misunderstanding of the source material, all but completely devoid of a plot and other characters outside Korra herself". For Eurogamers Simon Parkin, the game's shortcomings were the "hallmarks of a work-for-hire project rushed to meet a Christmas deadline", and he considered the game "a misfire that means Platinum's name no longer guarantees quality".
