The Mayor of Zalamea


The Mayor of Zalamea is a play written by Pedro Calderón de la Barca during the Golden Age of Spanish drama. It was probably written in 1636. It pays homage to a play by the same name by Lope de Vega, which it surpassed in fame through its superior character development, becoming one of the most well-known plays of its time. This play has three acts that explore the power of the self-made man against the political authorities of 17th century Spanish society, and the continuous struggle between corporate and individual honor.

Characters

Major Characters

Act I

A group of soldiers under Don Lope of Figueroa stops in the town of Zalamea, where the captain of the troop, Don Alvaro, is housed by the wealthy farmer Pedro Crespo. Hearing about the military's plans, Pedro Crespo decides to hide his daughter and niece in the attic, knowing that when the military comes around, honors are often ruined. However, Don Alvaro arrives with the intention of seeing Isabel, for he has heard the rumors of her beauty. Housed by Pedro Crespo, Don Alvaro devises a plan to fake a fight with Rebolledo and have him run away into the attic in order to catch a glimpse at Isabel and ascertain for himself whether the rumors about her beauty are true. The plan works, although the ruckus brings the attention of the general, Don Lope of Figueroa. Don Lope decides to stay at Pedro's house, and they develop an instant dislike for each other. Don Lope brashly declares that he would hang anyone who might bring any slight harm to his men. Pedro makes the same vow for anyone who would besmirch his honor, stating that honor is the connection to the soul and thus to God. They part ways, each thinking the other overtly stubborn.

Act II

The day Alvaro marches his men out of Zalamea, he decides to leave them under the supervision of a subordinate and return for Isabel. Juan has also decided to depart and become a soldier under Don Lope's forces. Having come out of the house with her family to send her brother off, Isabel is taken by the captain; a few of his men help and prevent Pedro Crespo and Ines from helping her. Juan, having not gone far, hears the cries of anguish and returns to assist, not knowing that it is his father or sister that are being attacked.

Act III

Isabel, who has been raped by Don Alvaro, wanders around until she finds her father. She tells him what happened to her, including how her brother injured Don Alvaro. Both desire death, knowing that their honor is ruined, but Pedro brings his daughter back to town. Once there, Pedro discovers that he has been elected mayor and that King Philip II is to arrive in town the next day. He also finds out that the soldiers are still there in town trying to mend Don Alvaro's wound. Pedro, as a father, goes to Don Alvaro and begs him to marry his daughter, offering any amount of his fortune he desires as dowry. Enraged, Don Alvaro refuses. Pedro arrests Don Alvaro, deciding to take matters legally. Pedro, acting as mayor, also arrests Juan upon his return for his assault on an officer. Hearing of Don Alvaro's arrest, Don Lope returns to Zalamea prepared to storm the jail. At this moment, the King arrives. After being told the facts, the King decides that the law has been followed, but that the accused must be tried elsewhere. Pedro then reveals that justice has already taken place, opening the door to show that Don Alvaro has already been hanged. Pedro argues that it does not matter who hangs a man that is to die anyway, a logic with which the King cannot argue. Pedro is then appointed permanent mayor of Zalamea. Juan is pardoned and returns to Don Lope's army. Isabel decides to go to a convent in order to restore her honor with God.

Themes and Motifs

Honor

Self-made Man versus Nobleman

The play has been turned into several films including a 1920 German silent The Mayor of Zalamea and a 1954 Spanish sound film The Mayor of Zalamea. An East German version The Mayor of Zalamea was released in 1956.