The Mountain Road
The Mountain Road is a 1960 war film starring James Stewart and directed by Daniel Mann. Set in China and based on the 1958 novel of the same name by journalist-historian Theodore H. White, the film follows the attempts of a U.S. Army major to destroy bridges and roads potentially useful to the Japanese during World War II. White's time covering China for Time magazine during the war led to an interview with former OSS Major Frank Gleason Jr., who served as head of a demolition crew that inspired the story and film. Gleason was later hired as an technical consultant for the film.
The film is a rather somber treatment of World War II and includes themes that were taboo for Hollywood during the war years, such as tensions between allies and racism among American troops. The protagonist is a frustrated and morally conflicted U.S. officer unsure about the value of his mission. For these reasons, The Mountain Road is often labeled anti-war. But it was made with the cooperation of the Pentagon, and it is much more respectful of the military as an institution than are the well-known anti-war films of the 1960s and 1970s.
As a World War II combat veteran, Stewart had vowed never to make a war film, concerned they were hardly ever realistic. The Mountain Road was the only war movie set during World War II in which he starred as a combatant. Stewart, however, had been featured in a wartime short, Winning Your Wings and in a civilian role in Malaya. Harry Morgan, another cast member in The Mountain Road, later said he believed that Stewart made an "exception for this film because it was definitely anti-war."
Plot
In 1944, Major Baldwin is ordered to blow up an airfield. Headquarters in Kunming orders him to then use his pre-war engineering expertise to delay the advancing Japanese forces as much as possible while retreating, but General Loomis gives him the option to just return to base. Baldwin makes the riskier choice to have his first command. Loomis is reluctant to let him, due to his inexperience as a commander, but relents.Baldwin has at his command Sergeant Michaelson, Prince, Lewis, Miller, Collins, the demolition team's translator, and two other soldiers, a Jeep and four trucks. On the road, Baldwin finds out from Chinese commander Colonel Li that the Japanese wish to capture a munitions dump away. Li wants Baldwin to blow up the munitions, but Baldwin does not want to go that far out of his way. Li assigns Colonel Kwan to the team, but before they can embark, Madame Sue-Mei Hung, the American-educated widow of a general, joins them, with Baldwin gradually becoming attracted to her.
Baldwin blows up a bridge and pushes a truck over a cliff to keep on pace, trying to reach the munitions dump before the Japanese. Sue-Mei and Baldwin are at odds over his cavalier treatment of the Chinese when he resorts to blowing up a mountain road, leaving thousands of local Chinese refugees trapped. After stopping at a village because Miller is ill, Collins tries to give out the surplus food the team has brought, but is trampled to death by starving villagers. Baldwin is furious and resolute in trying to complete his mission, finally successful in blowing up the munitions storage, but when one of his trucks is stolen by Chinese bandits, Miller and Lewis are also killed. Baldwin exacts revenge by rolling a gas barrel into the bandits' outpost and setting the village on fire. Baldwin asks Sue-Mei to understand why he had to act that way, but there is no reconciliation between them as the gulf of two divergent cultures is too great and she leaves him. Although recognizing his retribution was fundamentally excessive and brutal, Baldwin radios his report to headquarters, and is praised for fulfilling his mission.
Cast
Actor and screen credits:- James Stewart as Major Baldwin
- Lisa Lu as Madame Su-Mei Hung
- Glenn Corbett as Collins
- Harry Morgan as Sergeant Michaelson
- Mike Kellin as Prince
- Rudy Bond as Miller
- Eddie Firestone as Lewis
- Frank Silvera as Colonel Kwan
- James Best as Niergaard
- Alan Baxter as General Loomis
- Leo Chen as Colonel Li
- P. C. Lee as Chinese general
- Richard Tien Te Wang
- C. N. Hu
Production
During planning, a number of actors and production staff were "penciled in" including Marlon Brando and Robert Mitchum in the male lead role with Chinese actress Dora Ding as the female lead, James Wong Howe to be the director of photography, and even adding Don Rickles, then making a name as a "second banana" in films. Lisa Lu, who played "Madame Sue-Mei Hung", in her first major role, recruited P. C. Lee, Leo Chen, Richard Wang and C. N. Hu, faculty members from the Chinese Mandarin Department, Army Language School, to appear in the film.
Principal photography began on June 9, 1959 with location filming taking place at Arizona locations. The set for the Chinese village was erected on the Horse Mesa Dam Road, east of Phoenix; another set was erected in the vicinity of Superstition Mountain. The Fish Creek Hill Bridge on the Apache Trail was revamped to resemble the Chinese wooden bridge that is blown up in the action and the temple set, ammunition and supply station as well as the airfield were erected in Nogales. The battle scenes were filmed at the Columbia Ranch in Burbank, California. The extreme heat at the locations caused frequent cases of heat prostration among the cast and crew. Production wrapped on August 20, 1959.
Reception
Although a minor film in James Stewart's repertoire, The Mountain Road was received favorably, if considered somewhat puzzling. The New York Times reviewer, Howard Thompson noted, "Even with its final, philosophical overtones, this remains a curiously taciturn, dogged and matter-of-fact little picture—none too stimulating... bluntly, and none too imaginatively." Variety focused on Stewart's role, "As played by James Stewart, the American major holds the film together."White himself had mixed feelings about the film. In his memoirs he describes seeing it at a theater in Times Square where a group of teen-agers sitting behind him cheered the explosions and the "mad American destruction" of the village. Then their leader said "The hell with it. That's the best part of the picture. The rest is crap." White wrote that he came to agree, saying that he had written the ending based on his experience as a reporter at the time, "refusing to acknowledge guilt in Asia.... " But by the time he wrote his memoirs, he had come to feel that the "reality of the twenty-five-year-long American record in Asia was that of genuine good will exercised in mass killing, a grisly irony which White could master neither in film nor book. Asia was a bloody place; we had no business there; novel and movie should have said just that at whatever risk."