The Peasants is a novel written by Nobel Prize-winning Polish authorWładysław Reymont in four parts between 1904 and 1909. He started writing it in 1897, but because of a railway accident and health problems, it took seven years to complete. The first parts of the story were published in the newspaper Tygodnik Ilustrowany.
Description
Each of the four parts represents a season in the life of the peasants – Autumn, Winter, Spring, and Summer. This division underlines the relationship of human life with nature.
Analysis
Reymont decided to write about peasant life because of historical events, which took place in Polish villages in the early 20th century. The fact that the author was brought up in a village has a significant influence on the novel's plot. In The Peasants, Reymont created a more complete and suggestive picture of country life than any other Polish writer. The novel impresses the reader with its authenticity of the material reality, customs, behaviour and spiritual culture of the people. It is even more authentic in that it is written in the local Łowicz dialect. Not only did Reymont use dialect in dialogues but also in narration, creating a kind of a universal language of Polish peasants. Thanks to this, he presents the colourful reality of the "spoken" culture of the people better than any other author. He set the action of the novel in Lipce, a real village which he came to know during his work on the railway near Skierniewice, and restricted the time of events to ten months in the unspecified "now" of the nineteenth century. It is not history that determines the rhythm of country life, but the "unspecified time" of eternal returns. The composition of the novel is notable for its strict simplicity and functionality. The titles of the various volumes signal a tetralogy in one vegetational cycle, which regulates the eternal and repeatable rhythm of village life. Parallel to that rhythm is a calendar of religion and customs, also repeatable. In such boundaries Reymont placed a colourful country community with sharply drawn individual portraits. The repertoire of human experience and the richness of spiritual life, which can be compared with the repertoire of Biblical books and Greek myths, has no doctrinal ideas or didactic exemplifications. The author of The Peasants does not believe in doctrines, but rather in his own knowledge of life, the mentality of the people described, and his sense of reality. It is easy to point to moments of Naturalism or to illustrative motives characteristic of Symbolism. It is equally easy to prove the Realistic values of the novel. None of the "isms" however, would be enough to describe it. The novel has been translated into at least 27 languages. It was translated into English by Michael Henry Dziewicki in 1924 and 1925.
Hanka Boryna – Antek's wife and a mother of three children
Jagna – a beautiful 19-year-old girl and the main female character of the novel.
Main themes and events
The conflict between Antek and his father which is connected with a piece of land and a beautiful woman – Jagna.
Hanka's struggle to salvage her marriage and family.
The poignant story of the farmhand – Jakub.
The passionate and stormy love between Antek and Jagna.
Customs and traditions
The Peasants deals not only with the everyday life of people, but also with traditions connected with the most important Polish festivals. 1. Traditions connected with wedding and marriage:
- a style in painting developed in France in the late 19th century that uses colour to show the effects of light on things and to suggest atmosphere rather than showing exact details. In the book we can find impressionism in the descriptions of nature. Naturalism - a style of art or writing that shows people, things and experiences as they really are. In the book naturalism is used to present everyday life. The most famous fragment of the book when naturalism is shown is when Jakub – the farmhand - is cutting his leg. Realism - a style in art or literature that shows things and people as they are in real life. Symbolism - the use of symbols to represent ideas, especially in art and literature.
