The Pencil of Nature, published in six installments between 1844 and 1846, was the "first photographically illustrated book to be commercially published" or "the first commercially published book illustrated with photographs". It was wholly executed by the new art of Photogenic Drawing, without any aid whatever from the artist's pencil and regarded as an important and influential work in the history of photography. Written by William Henry Fox Talbot and published by Longman, Brown, Green & Longmans in London, the book detailed Talbot's development of the calotype process and included 24 calotype prints, each one pasted in by hand, illustrating some of the possible applications of the new technology. Since photography was still very much a novelty and many people remained unfamiliar with the concept, Talbot felt compelled to insert the following notice into his book: The cover page for The Pencil of Nature clashed designs, which was characteristic of the Victorian era, with styles inspired by baroque, Celtic, and medieval elements. Its symmetrical design, letterforms, and intricate carpet pages are similar to and a pastiche of the Book of Kells. The Pencil of Nature was published and sold one section at a time, without any binding. Talbot planned a large number of installments; however, the book was not a commercial success and he was forced to terminate the project after completing only six.
Photographs
The 24 plates in the book were carefully selected to demonstrate the wide variety of uses to which photography could be put. They include a variety of architectural studies, scenes, still-lifes, and closeups, as well as facsimiles of prints, sketches, and text. Due to the long exposure times involved, however, Talbot included only one portrait, The Ladder. Though he was no artist, Talbot also attempted to illustrate how photography could become a new form of art with images like The Open Door. The complete list of plates is as follows:
Each plate is accompanied by a short text which describes the scene and the photographic processes involved in obtaining it. Talbot emphasized the practical implications of his images, but he also recognized their artistic value Due to the novelty of the subject, Talbot needed to point out some things that seem obvious today; for instance, "Groups of figures take no longer time to obtain than single figures would require, since the Camera depicts them all at once, however numerous they may be." He also speculated about such questions as whether photographs would stand up as evidence in court and whether a camera could be made to record ultraviolet light. At the beginning of the book, Talbot included an incomplete history of his development of the calotype, titled "Brief Historical Sketch of the Invention of the Art." The history ends rather abruptly, and though Talbot expressed his intention to complete it at a later date, he never did.
Editions
Only about 15 complete copies of the original 1844-1846 edition still exist. At least two facsimile editions have been issued:
