The Return of the Living Dead


The Return of the Living Dead is a 1985 American comedy horror film written and directed by Dan O'Bannon, and starring Clu Gulager, James Karen, Thom Matthews and Don Calfa. The film tells the story of how a warehouse owner, accompanied by his two employees, mortician friend, and a group of teenage punks, deal with the accidental release of a horde of brain-hungry zombies onto an unsuspecting town.
The film, described as a "mordant punk comedy", is known for introducing the popular concept of zombies eating brains, as opposed to eating human flesh, like previous zombie iterations. It is also known as the first film to ever show zombies running, as well as zombies being able to speak. The film is also quite unique from virtually all other cinematic depictions of the living dead, in that the zombies portrayed in the film cannot be killed by a standard "head shot".
The film is also notable for its soundtrack, which features several legendary Los Angeles based deathrock and punk rock bands of the era. The film was a critical success and performed moderately well at the box office. Its enduring popularity has spawned four sequels and turned it into a cult classic.

Plot

Warehouse foreman Frank Johnson shows new hire Freddy Hanscom around the Uneeda Medical Supply warehouse in Louisville. Frank lets Freddy in on a secret that the film Night of the Living Dead was based on a true case, in which an experimental US Army chemical designated 2-4-5 Trioxin resulted in the reanimation of the dead. The incident was contained and covered up, but the chemical drums and the original zombies were shipped to Uneeda by mistake. While showing the drums to Freddy, Frank accidentally ruptures one, and the gas causes them to lose consciousness. Upon awakening, they discover that several specimens have been reanimated, including a now aggressive human cadaver. Frank calls his boss Burt Wilson for help and they attempt to kill the cadaver by destroying its brain like in Night of the Living Dead, only to discover that every part of the zombie can survive independently. Burt proposes they incinerate the corpse at a nearby mortuary, owned by his friend Ernie Kaltenbrunner.
Meanwhile, Freddy's punk rock friends are killing time in a nearby cemetery as they wait for him to get off work. Freddy's girlfriend Tina goes to the warehouse to look for him, only to be ambushed by the rotting corpse from the drum. Unable to run, Tina locks herself in a closet, but the Tarman is undeterred and uses a winch in an effort to remove the closet door. At the mortuary, Ernie is convinced to burn the remains, but the chemical smoke creates acid rainfall that soaks into the soil and leads the punks to seek shelter in the warehouse. Inside, they rescue Tina in the nick of time and set up a barricade to lock Tarman in the basement, but not before it kills Suicide. The remaining punks escape but are split up when zombies rise from their graves and give chase. Tina, Spider, and Scuz escape to the mortuary, while Chuck and Casey retreat into the warehouse, leaving Trash behind to be seemingly devoured. Trash does succumb, satisfying her fantasy to be "eaten alive by horrible old men."
At the mortuary, Frank and Freddy have grown increasingly ill from their exposure to the gas. When paramedics arrive, they find that the men show no vital signs despite still being conscious. Tina, Spider, and Scuz join the group while the paramedics step outside to retrieve stretchers from their ambulance. Both of the paramedics are ambushed and their brains devoured by zombies, while the group inside the mortuary barricade themselves inside. Scuz is killed protecting the barricade by a female zombie, which Ernie captures and interrogates. She cryptically explains that eating brains lessens the agony of decay. The zombies continue to surround the mortuary, killing several more paramedics and cops who arrive to help. With Frank and Freddy showing signs of becoming zombies themselves, Burt has them locked in the chapel. Tina stays with Freddy, who soon becomes a vicious zombie and attacks. Tina is again rescued while Frank self-immolates in the crematorium to avoid sharing Freddy's fate. Burt and Spider escape to the warehouse, leaving Ernie and Tina behind to hide from a rampaging Freddy.
Burt and the other punks in the warehouse manage to incapacitate the Tarman and call the police for help, only to learn that the zombies, including a reanimated Trash, are already proving too much for the police to handle. Out of options, Burt calls the number stenciled on the tank and reaches Colonel Glover, who has been secretly searching for the missing barrels. Instead of sending help, Glover has the contaminated area destroyed by nuclear artillery. The blast kills both the survivors and zombies, but unbeknownst to Glover, it has also spread the contaminant even farther, meaning the worst may be yet to come.

Cast

Production

Concept

The film has its roots in a novel by John Russo also called Return of the Living Dead. When Russo and George A. Romero parted ways after their 1968 film Night of the Living Dead, Russo retained the rights to any titles featuring Living Dead while Romero was free to create his own series of sequels, beginning with Dawn of the Dead. Russo and producer Tom Fox planned to bring Return of the Living Dead to the screen in 3D and directed by Tobe Hooper.
Dan O'Bannon was brought in to give the script a polish and after Hooper backed out to make Lifeforce, O'Bannon was offered the director's seat, becoming his 'first big film'. He accepted on the condition he could rewrite the film radically so as to differentiate it from Romero's films; the rewrite ultimately took four months to complete. This was done out of professional respect, being that O'Bannon didn't want to tread too heavily on Romero's established territory, as Russo's original draft was a very serious sequel to Night of the Living Dead. He instead opted to include an undertone of black comedy and morbid humor, as opposed to a straight horror film. He further added the backstory that Frank tells Freddy to honor and reference the source material, but at the same time, to set it apart on its own.
Russo retains a story writer credit on the film for developing the project, but the final film bears little to no resemblance to his original novel. He later wrote a novelization of the film which was fairly faithful to the shooting script, though without the character names as in the final film and the addition of a KGB subplot as an explanation for the plot. (Russo would, eventually, make his own 'canon' series with a 1998 revised edition of Night of the Living Dead, subtitled the 30th Anniversary Edition, and its sequel, Children of the Living Dead. Russo and O'Bannon were only directly involved with the first film in the series. The rest of the films, to varying degrees, stick to their outline and "rules" established in the first film.
This was also the first production design credit for William Stout, who would go on to do production design for the Conan the Barbarian franchise among other films. The appearance of the zombies in the film was inspired by the mummies of Guanajuato, Mexico and the Bog People of Wales, as well as artwork from EC Comics.

Filming

Although the movie is set in Louisville, Kentucky, it was filmed in Bakersfield, California. It's a common misconception that the gates of Eastern Cemetery in Louisville, Kentucky appeared in the film, but they did not. The cemetery and cemetery gates used in the film, were constructed for the film. There were no shots of Eastern Cemetery in the movie, whatsoever. Filming began on July 9, 1984, and finished several months later in October.
Director Dan O'Bannon delivers a voice cameo in the film as the helicopter policeman's voice, and production designer William Stout does a small uncredited role as a street bum whom the punks walk past early in the film.
The "Tarman" zombie is performed by actor and puppeteer Allan Trautman, who is best known for his work with Jim Henson and The Muppets. The "Half-Corpse" zombie character was an animatronic puppet created by Tony Gardner and puppeteered by Gardner, actor Brian Peck, and Production Designer William Stout. This character launched Tony Gardner's career as an independent makeup effects artist.
Linnea Quigley, who plays Trash in the film, had to be fitted for a cup-like vaginal prosthesis to be worn during the vast majority of her scenes, which director Dan O'Bannon described as "A Barbie doll crotch, with no detail". Quigley herself had no problem with the full frontal nudity, but the producers insisted upon it when they happened to visit the set the night her strip dance was filmed in the cemetery, while she was completely nude, apart from her leg-warmers.
The characters Burt Wilson and Ernie Kaltenbrunner are, contrary to popular belief, not named after the characters from Sesame Street; Dan O'Bannon had no idea he was using the names of those characters. The character Ernie is a thinly veiled reference to infamous Nazi SS officer Ernst Kaltenbrunner, as Ernie has a photo of Eva Braun on the wall of his embalming room, can speak German, and carries a Walther P38 pistol.
Originally, Frank was supposed to be completely transformed into a zombie and join the zombie mob, but James Karen did not wish to film any scenes in the cold rain of Los Angeles, so he instead suggested that Frank incinerate himself before said transformation could be completed. O'Bannon agreed to the suggestion.

Reception

The Return of the Living Dead was a critical and a moderate box office success, grossing domestically on an estimated budget of . It currently holds a 90% approval rating on the review aggregate website Rotten Tomatoes, with a rating average of 7.23/10 based on 41 reviews. Its consensus reads: "A punk take on the zombie genre, Return of the Living Dead injects a healthy dose of '80s silliness to the flesh consuming."
It was also nominated for four Saturn Awards, including Best Horror Film, Best Actor for James Karen, Best Director and Best Make-up, by the Academy of Science Fiction, Fantasy and Horror Films.
Roger Ebert gave the film three out of four stars, writing that the film is "kind of a sensation-machine, made out of the usual ingredients, and the real question is whether it's done with style. It is." Stephen Holden of The New York Times called the film a "mordant punk comedy", stating that it "is by no means the ultimate horror movie it aspires to be".

Soundtrack

  1. "Surfin' Dead" by The Cramps
  2. "Partytime " by 45 Grave
  3. "Nothin' for You" by T.S.O.L.
  4. "Eyes Without a Face" by The Flesh Eaters
  5. "Burn the Flames" by Roky Erickson
  6. "Dead Beat Dance" by The Damned
  7. "Take a Walk" by Tall Boys
  8. "Love Under Will" by Jet Black Berries
  9. "Tonight " by SSQ
  10. "Trash's Theme" by SSQ
  11. "Young, Fast Iranians" by Straw Dogs: 1991 Hemdale version and subsequent DVD and Blu-ray Releases, though not on official soundtrack album.
  12. "Partytime " by 45 Grave: Version actually used in the film, though not on official soundtrack album.
  13. "Panzer Rollen in Afrika vor" by Norbert Schultze: Song playing on Ernie's walkman, though not on official soundtrack album.

    Home video

The film was originally released on DVD in the U.K. by Tartan Home Video on March 19, 2001. Up until 2012, this was the only time it had been issued in its original form. In early 2002, a fan-led online campaign was started, which attracted the attention of the director and many of the cast and crew. Several of them commented online that the popular and robust efforts of campaign organizer, Michael Allred, were the direct result of not only the DVD release but that MGM created new supplements due to overwhelming fan support.
On August 27, 2002, MGM released a Special Edition DVD in the U.S. with a new cut of the movie with a commentary by O'Bannon and a documentary on the making of the film. The cover of the DVD case for the 2002 release glows in the dark. On September 11, 2007, a Collector's Edition of the film was released with additional extra features involving the cast. The different home video releases have featured different soundtracks, often changing the songs used. Also, the basement zombie's voice was altered. Originally, the zombie had a higher, raspier voice that can still be heard in theatrical trailers and releases that contain the original audio.
A 25th anniversary edition was released on September 14, 2010, exclusively for Blu-ray Disc. The Blu-ray Disc version is a 2-disc combo pack with both a Blu-ray Disc and DVD. This release is very similar to the MGM/Fox print from three years earlier.
On June 4, 2012, Second Sight Films in the U.K. released DVD and Blu-ray Disc versions of the film where the original audio and soundtrack in its original form can be selected, the first time since 2001 a release has had this option. The release had its first insight into the movie with the inclusion on a booklet which was edited from Gary Smart and Christian Seller's publication The Complete History of The Return of the Living Dead.
Scream Factory released a 30th anniversary Collector's Edition Blu-Ray on July 19, 2016. It contains a new 2K scan of the interpositive, along with including the original mono audio. Though note while everything else was restored, the song "Dead Beat Dance" by The Damned could not be restored. MGM also released another edition with hand-drawn cover art.

Legacy

Return of the Living Dead invented the popularized notion in the public conscious of zombies eating specifically brains and that zombies groan "Braaiinnsss!" as they walk. It is also the first film to ever show zombies being able to run, as well as being able to speak, and being in possession of more than base animal instincts. In a critical scene in the movie, a zombie who has killed one of the characters is tied to a table and explains that the dead seek brains because eating brains "makes the pain go away--the pain of being dead". It is a popular misconception that George Romero invented this specific trait as part of his Night of the Living Dead series, though he has emphasised that it was not his idea.