The River Between


The River Between is a 1965 novel by prolific Kenyan author Ngũgĩ wa Thiong'o that was published as part of the influential African Writers Series. It tells the story of the separation of two neighbouring villages of Kenya caused by differences in faith set in the decades of roughly the early 20th century. The bitterness between them caused much hatred between the adults of each side. The story tells about the struggle of a young leader, Waiyaki, to unite the two villages of Kameno and Makuyu through sacrifice and pain.
The novel is set during the colonial period, when white settlers arrived in Kenya's "White Highlands", and has a mountain setting.

Plot Summary

A young man called Waiyaki is a focal point in Ngugi’s story. At an early age, he was already considered to have special gifts. Waiyaki once encountered two boys fighting and attempted to break up the squabble. Although he was the youngest of the three, he was able to put a stop to the violence. Ngugi reveals the three boys, Waiyaki, Kamua and Kinuthia are all destined to study at a local mission school nearby and from there, to become teachers. Waiyaki is eventually enrolled at the school at the behest of his father, Chege. He explains to young Waiyaki the legend of a savior who would be born into their village and accomplish great things for his people. Waiyaki’s father believes that he is that savior. Although Waiyaki is skeptical of such a fantastical prophesy, he excels in the school and is well on his way to playing a vital role in the development of his people. The significance of Chege’s eagerness to send Waiyaki to the mission school rests on the fact that the boy would be in a position to learn the wisdom of the colonists. This knowledge would Waiyaki equip him for the struggle against the colonial government. Despite the liberating potential of this knowledge, Waiyaki must ensure he does not embrace the colonial system, as doing so would defeat the purpose of his training.
As the story progresses, the division between the two villages intensifies and the proposed circumcision of the young girl Muthoni causes much dissention within the community. Her death galvanizes the missionary school—in which Waiyaki is enrolled—into action, going so far as to expel children whose parents still uphold the tradition of circumcision. Waiyaki is among those forced from the school. In response, he decides to take up the challenge of building a school for the expelled children. While he still does not fully understand the leadership role his father predicted he would take up, he begins to realize that his mission is to enable education for the children of the villages. He becomes so preoccupied with this goal that he fails to recognize and address the other needs of his community, such as reclaiming lands seized by the colonists. Some villagers begin conspiring behind closed doors, eventually forming a secret organization known as Kiama, whose singular purpose is to ensure the purity of the tribe.
As a result of this upheaval, Waiyaki makes enemies. Among them is Kabonyi who begins to provoke dissenters in the community to undermine and destroy Waiyaki. Eventually, Waiyaki succumbs to Kabonyi’s trickery. While he desires nothing more than to quell the growing unrest within the village, and heal the angst among the people, he is powerless to undo the polarizing effects of colonialism. Waiyaki blames himself for having failed to address the lack of unity in time.
The story concludes on an ominous note. Waiyaki and his new love interest Nyambura find themselves in the hands of the Kiama who must inevitably decide their fate.

Characters

Colonialism/Imperialism

The River Between is an allegory of the colonization of Kenya when the British introduced Christianity and exploited the country. Joshua represents the converted African who does everything in his power to support the colonialists, represented by a man called Livingston. The British secure their power by building government posts and collecting taxes, which at first does not concern the people because they do not know what taxes are. Only later do they realize that they are exploited. Therefore, Waiyaki tries to lead his people to independence through education, after his father tells him, "Learn all the wisdom and all the secrets of the white man. But do not follow his vices." However, in the end, he realizes that education alone is not enough to improve the lives of the people. Instead, it is necessary that the community gains self-respect through political action uniting the different tribes.

Individual vs. Community

The two characters that try to follow their own agenda without first consulting with the elders and their community meet with an unfavorable end. Waiyaki keeps building more schools in an attempt to provide education to the people, but even though he has good intentions, he underestimates the power of the council of the elders, who consider adhering to ancient traditions more important than taking over parts of the white man's culture. In the end, he is punished by the council and the people, which indicates that all his efforts were in vain. Similarly, Muthoni goes against the will of her father and Christian community when she decides to follow the traditions and get circumcised to become part of the tribe. Muthoni dies because of this procedure, which also indicates that reconciliation is impossible.

Self-Knowledge

Waiyaki's main flaw seems to be that he is not entirely self-aware. He knows he is a vital member of the community and most of the time sees himself as the savior from Chege's prophecy, but he is incapable of acknowledging that his vision for the tribe may not be what the tribe actually needs. He also cannot really see how crucial his failure to talk about unity was, and how he is being selfish by putting it off. He ignores aspects of what his elevated role in the society might mean for himself and others.

Tradition

Tradition is exceedingly significant to a society, especially in terms of their founding history, rites, rituals, etc. The Kikuyu have long held their own beliefs on these subjects, and the white man's influence is seen as deleterious to those beliefs. Ngugi suggests that not all new ideas are bad—Waiyaki and Muthoni and Nyambura articulate the need for a fusion between Christianity and tribal tradition—and that traditions can be problematic. He is aware, though, that traditions are excessively difficult to change or eradicate, and that the white man and his African supporters cannot expect to order the Kikuyu to get rid of something overnight. Rather, patience and understanding are necessary.

Unity and Division

Ngugi evinces complicated views on human nature, suggesting that both unity and division can be sustaining and dangerous in various circumstances. The two ridges are unified by the river but at the same time divided by it; there is neutral ground but it is nearly impossible to occupy. Division is present in the novel through the white man and his religion/education/influence; as we watch, various Kikuyu come down on either side of these encroachments. Division is natural because a population cannot be perfectly homogeneous; however, these divisions can become dangerous when they are accompanied by violence, ignorance, and intolerance. There is a need for unity on the basis of something deeper to preclude the complete fraying of a society. Thus, by the end of the novel unity is needed to patch the two ridges together in order to maintain autonomy over a way of life—but Ngugi indicates that this is a difficult thing to achieve.

The Land

The land is of paramount importance in the text. Ngugi begins the novel with an image of its ancient presence, its sustaining nature, and its centrality to rite and ritual. The land is tied to culture, and when the Kikuyu feel like their land is under siege by the white man, it is so much more than that. That the white man builds on their land, taxes their land, and eventually will take their land is what so horrifies the Kiama; even though Waiyaki is the central protagonist, the reader feels sympathetic to the Kiama's goal of routing the outsiders.

Courage

The characters in The River Between exhibit courage in a variety of ways. Sometimes this courage is standing up to family or to the community, and sometimes it is being honest with oneself. Muthoni has convictions that necessitate her standing up to her family, and Nyambura stands up to her family and her community for love. Similarly, Waiyaki demonstrates courage as he pursues his goal of education, as he seeks unity between the ridges, and as he defends his love for Nyambura. Having courage doesn't guarantee a positive outcome, but it can foster a sense of wholeness and peace in a person.